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Widely regarded as one of the most significant prophets of modern architecture, Adolf Loos was a celebrity in his own day. His work was emblematic of the turn-of-the-century generation that was torn between the traditional culture of the nineteenth century and the innovative modernism of the twentieth. His essay 'Ornament and Crime' equated superfluous ornament and 'decorative arts' with tattooing in an attempt to tell modern Europeans that they should know better. But the negation of ornament was supposed to reveal, not negate, good style; and an incorrigible ironist has been taken too literally in denying architecture as a fine art. Without normalizing his edgy radicality, Masheck argues that Loos' masterful "astylistic architecture" was an appreciation of tradition and utility and not, as most architectural historians have argued, a mere repudiation of the florid style of the Vienna Secession. Masheck reads Loos as a witty, ironic rhetorician who has all too often been taken at face value. Far from being the anti-architect of the modern era, Masheck's Loos is 'an unruly yet integrally canonical artist-architect'. He believed in culture, comfort, intimacy and privacy and advocated the evolution of artful architecture. This is a brilliantly written revisionist reading of a perennially popular architect.
The must-have monograph on one of modern architecture's most influential figures, long a rarity and now available in an expanded and updated edition Viennese architect Adolf Loos was influential among his fellow early modernists not only for his radical designs but for his controversial ideology and famously militant opposition to ornament. Loos approached architecture from a primarily utilitarian perspective: he believed that interiors should be designed according to function, taking full advantage of the size and space of a building. In this definitive monograph, a true labor of love, architect Ralf Bock seeks to reveal the sensuality of Loos' interior designs, focusing on his sincere belief in the evolution of tradition. The book explores 30 existing projects from Loos' oeuvre, documented in 160 full-color images by the celebrated French photographer Phillippe Ruault. Along with materials from the Loos archive at the Albertina Museum Vienna, these photographs and Bock's commentary provide a new interpretation of Loos' work and encourage the reintroduction of his ideology into the contemporary architectural conversation. Profiles of Loos' original clients and interviews with people who currently inhabit his designs round out this unique publication. Adolf Loos(1870-1933) was a radical figure in his time: his critique of the Vienna Secession and advocacy for utilitarian design greatly influenced the less ornamental approaches to architecture among subsequent modernist designers. He studied briefly at Dresden University of Technology and delivered his famous lecture "Ornament and Crime" at the Academic Association for Literature and Music in 1910. His most recognizable building is the multipurpose Looshaus at Michaelerplatz in Vienna, characterized by the numerous window boxes on the building's façade.
Revolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architecture Adolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'. Translated by Shaun Whiteside With an epilogue by Joseph Masheck
A collection of documentaries that explore the history and spirit of the Olympic Games. 'The Olympic Spirit' traces the history of the Olympic Games from their origin in Ancient Greece to their revival in 1896, under the stewardship of Baron Pierre de Coubertin, and subsequent growth. 'Greatest Moments of the Olympics' contains a series of two-minute vignettes that set out to capture the spirit of the Olympic Games. Finally, 'Olympic Sports' takes an in-depth look at the history and evolution of individual Olympic sports including sprinting, middle distance running, swimming, diving and cycling and includes interviews with current Olympic champions Pieter Van Den Hoogenband and Michael Phelps.
With his passion for smooth surfaces, fine lines, and spatial plans, Adolf Loos was a prophet of 20th-century architecture. This essential introduction explores his rejection of ornamental forms and his radical pursuit of stark, bold, and beautiful design.
Adolf Loos held that a building should have a soberly discreet exterior, reserving all its riches for its interior. Given that, any real appreciation of the spatial complexity of the work of one of the most misunderstood architects of the twentieth century requires engagement with his interiors, which this book does, brilliantly. In marked contrast to his contemporaries in the Vienna Secession, who designed their spaces down to the smallest detail, Loos presented himself as a "professor of interior design," perfectly willing to adapt to the habits and tastes of his clients, inviting them to embrace their own tastelessness rather than defer to the discernment of an "aesthete" architect. Together with the future occupant, he designed welcoming interiors whose warmth came from the effective use of quality materials and the creation of a flowing continuity articulated by the furnishings. What Loos created thereby was not merely architecture, but a new culture of living.
This volume gathers the few essays written by the quirky Austrian architect Loos (d. 1933) as well as student notes of his lectures. The essays respond in part to his best-known essay "Ornament and crime", in which he criticized ornament as a waste of labor. Among other topics the essays celebrate classical architecture, critique certain inefficient habits (including eating goulash at 10 am instead of having a big American-style breakfast), argue that architecture is not one of the arts, and consider the relation of Viennese coffee houses to domestic architecture. The volume is not indexed. Annotation copyrighted by Book News, Inc., Portland, OR
An unprecedented homage to modernist architecture from the 1920s up to the present day Ornament Is Crime is a celebration and a thought-provoking reappraisal of modernist architecture. The book proposes that modernism need no longer be confined by traditional definitions, and can be seen in both the iconic works of the modernist canon by Le Corbusier, Mies van der Rohe, and Walter Gropius, as well as in the work of some of the best contemporary architects of the twenty-first century. This book is a visual manifesto and a celebration of the most important architectural movement in modern history.