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A timely and important search for architecture's missing women For a century and a half, women have been proving their passion and talent for building and, in recent decades, their enrollment in architecture schools has soared. Yet the number of women working as architects remains stubbornly low, and the higher one looks in the profession, the scarcer women become. Law and medicine, two equally demanding and traditionally male professions, have been much more successful in retaining and integrating women. So why do women still struggle to keep a toehold in architecture? Where Are the Women Architects? tells the story of women's stagnating numbers in a profession that remains a male citadel, and explores how a new generation of activists is fighting back, grabbing headlines, and building coalitions that promise to bring about change. Despina Stratigakos's provocative examination of the past, current, and potential future roles of women in the profession begins with the backstory, revealing how the field has dodged the question of women's absence since the nineteenth century. It then turns to the status of women in architecture today, and the serious, entrenched hurdles they face. But the story isn't without hope, and the book documents the rise of new advocates who are challenging the profession's boys' club, from its male-dominated elite prizes to the erasure of women architects from Wikipedia. These advocates include Stratigakos herself and here she also tells the story of her involvement in the controversial creation of Architect Barbie. Accessible, frank, and lively, Where Are the Women Architects? will be a revelation for readers far beyond the world of architecture.
Anti-commercial and anti-modern, the California Arts and Crafts Movement drew upon the decorative schemes of English Tudor, Swiss chalet, Japanese temple, and Spanish mission, evoking an earlier time before modern industry and technology intruded. This book celebrates the Movement with chapters on architects such as Bernard Maybeck, Charles and Henry Greene, John Galen Howard, and Julia Morgan. 365 duotone photos.
“Blazes a new trail in Africana literary criticism by providing an insight into the soul and spirit of Africana womanhood.” --Anthonia Kalu, The Ohio State University, author of Women, Literature, and Development in Africa This is the revised and expanded edition of Teresa N. Washington's groundbreaking book Our Mothers, Our Powers, Our Texts: Manifestations of Aje in Africana Literature. In Yoruba language and culture, Aje signifies both a phenomenal spiritual power and the human beings who exercise that power. Aje is the birthright of Africana women who are revered as the Gods of Society. While Africana men can have Aje, its owners and controllers are Africana women. Because it is an African female power, and due to its invisibility, ubiquity, and profundity, Aje is often maligned as witchcraft. However, as Teresa N. Washington reveals in Our Mothers, Our Powers, Our Texts, Aje is central to the Yoruba ethos, worldview, and cosmology. Not only is it essential to human creation and artistic creativity, but as a force of justice and retribution, Aje is vital to social harmony and balance. Washington analyzes forms, figures, and forces of Aje in the Yoruba world, in the Caribbean Islands, in Latin America, and in African America. Washington's research reveals that with the exile and enslavement of millions of Africans, Aje became a global force and an essential ally in organizing insurrections, soothing shattered souls, and reminding the dispossessed of their inherent divinity. From her in-depth exploration of Aje in Pan-African history and orature, Washington guides readers through rich analyses of the symbolic, methodological, and spiritual manifestations of Aje that are central to important works by Africana writers but are rarely elucidated by Western criticism. Our Mothers, Our Powers, Our Texts includes innovative readings of works by many Africana writers, including Zora Neale Hurston, Toni Morrison, Ben Okri, Wole Soyinka, Jamaica Kincaid, and Ntozake Shange. This revised and expanded edition of Our Mothers, Our Powers, Our Texts will appeal to scholars of Africana literature, African religion and philosophy, gender studies, and comparative literature. Devotees of Africana spiritual systems will find this book to be indispensable.
Architects, however, tend to deny this, fearing contingency and preferring to pursue perfection.
This is the first complete biography of the inimitable society architect Addison Mizner, whose Spanish Revival buildings created a new style of resort architecture for Palm Beach and south Florida during the boom years of the 1920s. By 1925, Mizner ranked as one of the country's most prominent architects, as important in his own time as Richard Morris Hunt and Stanford White had been in theirs. The book's 150 illustrations include plans and historical photographs - many published for the first time - showing Mizner's handling of space, the relation of his houses to the landscape, and the many picturesque buildings that combined the comfort and convenience expected by his clients. Donald W. Curl is Professor of History at Florida Atlantic University. The Architectural History Foundation American Monograph Series.
One of the most fundamental questions asked throughout human history is, “How did the universe come into existence?” Throughout the ages spirituality has provided answers to that question through various mystical cosmologies. Today, science has an answer—the Big Bang theory. But can scientific and spiritual explanations, which are normally considered to be incompatible, co-exist? Is it possible to construct a single comprehensive vision that unites these seemingly divergent approaches to knowledge?The Architecture of the Universe attempts to do just that by extending a contemporary mystical cosmology and merging it with modern-day physics. The result is a new theory of physics, which proposes something more fundamental to the universe than time and space: existence. Emerging out of nothingness, existence serves as the basic component of time and space. Time and space are viewed not just as containers for everything in the universe, but rather as the substance out of which energy and mass arise. This radical viewpoint opens new realms of understanding, shedding light on mysterious aspects of quantum mechanics and Einstein's theory of relativity. At the same time the theory creates a vision unifying science and spirituality by linking the infinite transcendent reality with the finite physical universe.Simple explanations along with illustrations make this book easily accessible and an interesting and inspiring read for a wide audience.
This book takes a bird's eye view of architecture in time, and explores the different ways architects have responded to civilizations, giving them the buildings and cities they deserve.
"Effortless" and "inevitable" are architect Steven Harris's two favorite words. With sensitivity to the surrounding landscape, Steven Harris Architects designs spaces that are custom-tailored to their clients' daily lives and experiences. His dining rooms are not aggrandizements of tradition, they are places to eat, to gather, or even work; his entry halls are not the primary places of arrival, but rather the final segments of a long trajectory that begins when the resident turns off the main road or exits the elevator. True Life, the firm's first monograph, showcases an exceptional range of residential work from the past twenty-five years. Organized by the activities that propel their designsdine, lounge, study, play, sleep, and so onit focuses on people rather than objects. The firms spaces are not meant to set lifestyle changes into motion, but rather cater to those routines already in progress. Herein lies the genius of the work: they let the client speak for the house, not the house for the client. A foreword by writer A.M. Homes places Steven Harris Architects in the context of contemporary architecture and speaks to the understated elegance of the firm's designs.
Formgiving. An Architectural Future History, by Bjarke Ingels Group, is the third installment in its TASCHEN trilogy. Ingels looks into the distant future of architecture, addressing the main design trends and the development of AI, sustainability and interplanetary migration, giving form to the world of tomorrow.