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The Archimedes Palimpsest is the name given to a Byzantine prayer-book which was written over a number of earlier manuscripts. This volume provides colour images and transcriptions of three of the texts recovered from it. Pride of place goes to the treatises of Archimedes, including the only Greek version of Floating Bodies, and the unique copies of Method and Stomachion. This transcription provides many different readings from those made by Heiberg from what he termed Codex C in his edition of the works of Archimedes of 1910-1915. Secondly, fragments of two previously unattested speeches by the Athenian orator Hyperides, which are the only Hyperides texts ever to have been found in a codex. Thirdly, a fragment from an otherwise unknown commentary on Aristotle's Categories. In each case advanced image-processing techniques have been used to create the images, in order to make the text underneath legible.
At a Christie's auction in October 1998, a battered medieval manuscript sold for two million dollars to an anonymous bidder, who then turned it over to the Walters Art Museum in Baltimore for further study. The manuscript was a palimpsest-a book made from an earlier codex whose script had been scraped off and the pages used again. Behind the script of the thirteenth-century monk's prayer book, the palimpsest revealed the faint writing of a much older, tenth-century manuscript. Part archaeological detective story, part science, and part history, The Archimedes Codex tells the extraordinary story of this lost manuscript, from its tenth-century creation in Constantinople to the auction block at Christie's, and how a team of scholars used the latest imaging technology to reveal and decipher the original text. What they found was the earliest surviving manuscript by Archimedes (287 b.c.-212 b.c.), the greatest mathematician of antiquity-a manuscript that revealed, for the first time, the full range of his mathematical genius, which was two thousand years ahead of modern science.
The story of the amazing discovery of Archimedes' lost works Drawings and writings by Archimedes, previously thought to have been destroyed, have been uncovered beneath the pages of a 13th-century monk's prayer book. These hidden texts, slowly being retrieved and deciphered by scientists, show that Archimedes' thinking (2,200 years ago) was even ahead of Isaac Newton in the 17th century. Archimedes discovered the value of Pi, he developed the theory of specific gravity and made steps towards the development of calculus. Everything we know about him comes from three manuscripts, two of which have disappeared. The third, currently in the Walters Art Museum, is a palimpsest - the text has been scraped off, the book taken apart and its parchment re-used, in this case as a prayer book. William Noel, the project director, and Reviel Netz, a historian of ancient mathematics, tell the enthralling story of the survival of that prayer book from 1229 to the present, and examine the process of recovering the invaluable text underneath as well as investigating into why that text is so important.
Many of us know little about Archimedes other than his "Eureka" exclamation upon discovering that he could immerse an object in a full tub of water and measure the spillage to determine the object's weight. That seemingly simple observation not only proved to King Hieron II of Syracuse that a certain amount of silver had been used in what was supposed to be his solid-gold crown, it established the key principles of buoyancy that govern the flotation of hot-air balloons, ships, and denizens of the sea. Archimedes had a profound impact on the development of mathematics and science: from square roots to irrigation devices; planetariums to the stability of ships; polyhedra to pulleys; number systems to levers; the value of pi to the size of the universe. Yet this same cerebral man developed machines of war so fearsome, they might have sprung from a devil's darkest imagination - indeed, weapons that held at bay the greatest army of antiquity. Ironically, Archimedes' reputation swelled to mythic proportions in the ancient world for his feats of engineering: the hand-cranked irrigation device, commonly known as "Archimedes' screw," and his ingenuous use of levers, pulleys, and ropes to pull, single-handedly, a fully laden ship! His treatises, rediscovered after a thousand years of collective amnesia in Europe, guided nascent thinkers out of the Dark Ages and into the Renaissance. Indeed, Archimedes' cumulative record of achievement-both in breadth and sophistication-places him among the exalted ranks of Aristotle, Leonardo da Vinci, Isaac Newton, and Albert Einstein. Eureka Man brings to life for general readers the genius of Archimedes, offering succinct and understandable explanations of some of his more important discoveries and innovations.
Archimedes is held in high esteem by mathematicians, physicists and engineers as one of the most brilliant scientists of all time. These proceedings contain original, unpublished papers with the primary emphasis on the scientific work of Archimedes and his influence on the fields of mathematics, science, and engineering. There are also papers dealing with archaeological aspects and the myths and legends about Archimedes and about the Archimedes Palimpsest. Papers on the following subjects form part of the book: Hydrostatics (buoyancy, fluid pressure and density, stability of floating bodies); Mechanics (levers, pulleys, centers of gravity, laws of equilibrium); Pycnometry (measurement of volume and density); Integral Calculus (Archimedes as the father of the integral calculus, method of exhaustion, approximation of pi, determination of areas and volumes); Mathematical Physics (Archimedes as the father of mathematical physics, Law of the Lever, Law of Buoyancy, Axiomatization of Physics); History of Mathematics and Mechanics (Archimedes' influence in antiquity, the middle ages, the Renaissance, and modern times; his influence on Leonado da Vinci, Galileo, Newton, and other giants of science and mathematics); Ancient Machines and Mechanisms (catapults, water screws, iron hands, compound pulleys, planetaria, water clocks, celestial globes, the Antikythera Mechanism); Archimedean Solids (their rediscovery in the Rennaisance and their applications in materials science and chemistry); Archimedean Legends (how stories of golden crowns, eureka moments, naked runs, burning mirrors, steam cannons, etc., have influenced us through the ages, whether true or not); The Cattle Problem (how its 18th century rediscovery inspired the study of equations with integer solutions); Teaching the Ideas of Archimedes (how his life and works have influenced the teaching of science, mathematics, and engineering).
The interaction between orator and audience, the passions and distrust held by many concerning the predominance of one individual, but also the individual’s struggle as an advisor and political leader, these are the quintessential elements of 4th century rhetoric. As an individual personality, the orator draws strength from his audience, while the rhetorical texts mirror his own thoughts and those of his audience as part of a two-way relationship, in which individuality meets, opposes, and identifies with the masses. For the first time, this volume systematically compares minor orators with the major figures of rhetoric, Demosthenes and Isocrates, taking into account other findings as well, such as extracts of Hyperides from the Archimedes Palimpsest. Moreover, this book provides insight into the controversy surrounding the art of discourse in the rhetorical texts of Anaximenes, Aristotle, and especially of Isocrates who took up a clear stance against the philosophy of the 4th century.
Drawing together diverse literary, critical and theoretical texts in which the palimpsest has appeared since its inauguration by Thomas De Quincey in 1845, Palimpsest: Literature, Criticism, Theory provides the first ever genealogy of this metaphor. Sarah Dillon's original theorisation argues that the palimpsest has an involuted structure which illuminates and advances modern thought. While demonstrating how this structure refigures concepts such as history, subjectivity, temporality, metaphor, textuality and sexuality, Dillon returns repeatedly to the question of reading. This theorisation is interwoven with close readings of texts by D. H. Lawrence, Arthur Conan Doyle, Umberto Eco, Ian McEwan and H.D. Clearly written, and negotiating a range of critical theories and modern literary texts, it provides a reference point and critical tool for future employment of the concept of 'palimpsestuousness', and makes a significant contribution to the debate surrounding the relationship between theoretical and critical writing on literature.