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Rudolf Steiner painted his Archetypal Plant watercolour in 1924, at a time when contemporary scientific methodologies were emerging and nature was being examined under the microscope. In contrast to the dissecting tendencies of natural science, however, Steiner’s painting depicts the living, dynamic potential which stands behind the plant – lifting us out of the specific genus and providing an image of the growing and formative forces inherent within each individual plant. Researching Rudolf Steiner’s painting of the Archetypal Plant can help reconnect our outer sense-perceptions with the inner realm of imaginative cognition, releasing us from the spell of matter. To support and enliven such research work and processes, Angela Lord surveys her subject-matter from various aspects, including the historical, evolutionary relationships we share with plants; the representation of plants in art and architecture; plant myths and legends; poetry inspired by flower imagery; cosmic aspects of nature, including earth’s relationships to the sun, moon, planets and stars; formative, creative forces of colours and their relationships to plant forms; and finally, working artistically and painting the Archetypal Plant motif itself. In developing a broad overview, the author forms a deeper, more complete picture of the plant world, paying homage to its diverse characteristics, and stimulating new perceptions and perspectives. This book is richly illustrated with full-colour images.
This booklet contains Goethe's treatise on the metamorphosis of plants in 123 paragraphs as well as Rudolf Steiner's essay "The Origin of Goethe's Theory of Metamorphosis." Anyone interested in Goethe's dynamic concept of the metamorphosis of plants should read this original treatise. A prime example of his "perceptive power of judgment," this fascinating little work introduces a radically new way of looking at plants as lively manifestations of dynamic formative principles. Contents Origin of the Theory of Metamorphosis by R. Steiner The Metamorphosis of Plants Introduction Of the Seed Leaves The Development of the Stem-Leaves from Node to Node Transition to the Flower Formation of the Calyx Formation of the Corolla The Formation of the Stamens Nectaries More about the Stamens Formation of the Style and Stigma The Fruits The Immediate Covering of the Seed A Glance Backward and Forward Eyes and their Development Formation of Composite Flowers and Fruits A Proliferous Rose A Proliferous Carnation Linnaeus's Theory of Anticipation Summary
Rudolf Steiner’s watercolour painting ‘The Archetypal Human-Animal’ presents us with the enigmatic image of a strange creature apparently swimming in water. It has a human profile, showing a clearly outlined nose and slightly-opened mouth, with a mysterious eye, almost concealed in its greenish hair. It has appendages similar to hands and feet, and dark-blue plant-like forms float about in the water beneath the creature’s bright red and yellow body. Only the title provides us with a clue to its meaning: it is an ‘archetypal human-animal’ form. But even this is enigmatic. What is this strange, unusual creature – this archetypal human-animal? We are presented with a perplexing image and a puzzling description. In this original work, illustrated throughout with full-colour paintings and images – many by the author herself – Angela Lord takes us on a journey of discovery to realizing the meaning of Rudolf Steiner’s painting. From Goethe’s theory of metamorphosis in nature, we are introduced to Steiner’s ideas of human evolution, from the primal beginnings of the archetypal human-animal on ‘Ancient Moon’. Lord recounts myths and legends from many cultures that tell of human-animal forms, and reflects on the meaning of the fish in Christianity. She takes us through a series of ‘colour sequences’ for repainting Steiner’s human-animal motif, and includes appendices that summarize evolutionary phases of the earth and humanity from a spiritual-scientific perspective. The Archetypal Human-Animal is both a valuable workbook for painters and a fascinating insight into hidden aspects of human evolution.
This classic lovingly studies the plant world. It is the fruit of a lifetime of patient and detailed observation of nature. Volume One begins with the flowering plant, and then turns to the living face of Earth. Grohmann then goes on to consider the threefold nature of the plant and the nature of the human being. Finally, there is a description of the "ladder of the plant kingdom." Volume Two adds further plant descriptions and extends the cosmological viewpoint begun in the first volume.
Examines Goethe's neglected but sizable body of scientific work, considers the philosophical foundations of his approach, and applies his method to the real world of nature.
Representing Development presents the different social representations that have formed the idea of development in Western thinking over the past three centuries. Offering an acute perspective on the current state of developmental science and providing constructive insights into future pathways, the book draws together twelve contributors with a variety of multidisciplinary and international perspectives to focus upon development in fields including biology, psychology and sociology. Chapters and commentaries in this volume present a variety of perspectives surrounding social representation and development, addressing their contemporary enactments and reflecting on future theoretical and empirical directions. The first section of the book provides an historical account of early representations of development that, having come from life science, has shaped the way in which developmental science has approached development. Section two focuses upon the contemporary issues of developmental psychology, neuroscience and developmental science at large. The final section offers a series of commentaries pointing to the questions opened by the previous chapters, looking to outline the future lines of developmental thinking. This book will be of particular interest to child psychologists, educational psychologists and sociologists or historians of science, as well as academics and students interested in developmental and life sciences.
Zanoni, first published in 1842, was inspired by a dream. Sir Edward, a Rosicrucian, wrote this engaging, well-researched, novel about the eternal conflict between head and heart, between wisdom and love, played out by the Rosicrucians before the dramatic background of the French Revolution. He described his book Zanoni as "a truth for those who can comprehend it, and an extravagance for those who cannot." Following his introduction, the novel is divided into seven parts, whose titles indicate the sevenfold path of spiritual development. The fourth section, "The Dweller of the Threshold," is the book's centerpiece, revealing significant esoteric facts and experiences. A novelist, a dramatist, a scholar, an editor, and an active member of Parliament, Sir Edward was an extremely successful author whose writings were widely read throughout England and Europe. He poured into this esoteric work all of the ancient esoteric wisdom that he felt he could reveal to the public during an age buried deeply in materialism. This work remains one of the great, pioneering landmarks of esoteric writing.
In a world where many are disillusioned with the highly drug-dependent medical establishment, integrative medicine is gaining popularity because of its more holistic approach. Holism by definition implies greater than the sum of its parts, and is a response to reductionism, especially biological reductionism in medicine. The holistic model widely accepted in integrative healthcare today is a biopsychosocial model that aims to treat the whole person. It is a systems hierarchy model that includes the universe to a cell particle, so one’s understanding of holism will be reflected in what one considers relevant. To a pulmonologist, holism might mean the whole respiratory system, to a geneticist, holism might mean the whole family history, but...who is treating the whole “person”? This groundbreaking book sheds light on the limitations of integrative healthcare in exploring the full potential of homeopathy in treating the whole person. It argues that we don’t need a new approach, definition, or understanding of holism. We sometimes just need to step out of the systems hierarchy model of the reductionist paradigm itself to get a larger view, and redefine the boundaries of what constitutes the wholeness of a person. With a clear and engaging writing style, the book takes readers on a journey through the history and evolution of the concept of “whole”, and presents a compelling case for the adoption of an anthroposophic paradigm as a more comprehensive and effective approach to holism, healing, and homeopathy. Whether you are a homeopath, a healthcare practitioner, a patient, or simply interested in holistic medicine, this is a must-read book that will challenge your assumptions and expand your understanding of what it means to treat the whole person.
The first comprehensive work on nonfiction as an art form • Shows how nonfiction, especially how-to and self-help, can take on the same power and luminosity as great fiction • Develops processes to reliably induce the dreaming state from which all writing comes • Teaches the skill of analogical thinking that is the core perceptual tool for writers • Explores the subtle techniques of powerful writing, from inducing associational dreaming in the reader, to language symmetry, sound patterning, foreshadowing, feeling flow, and more Approaching writing as a sacred art, Stephen Buhner explores the core of the craft: the communication of deep meaning that feeds not just the mind but also the soul of the reader. Tapping into the powerful archetypes within language, he shows how to enrich your writing by following “golden threads” of inspiration while understanding the crucial invisibles essential to the art of both fiction and nonfiction: how to craft language with feeling and vision, employ altered states of mind to access the writing trance, clear your work by recognizing the powerful sway of clichéd thinking and hidden baggage, and intentionally generate duende--that physical/emotional response to art that gives you chills, opens up unrecognized aspects of reality, or simply resonates in your soul. Covering some very practical aspects of writing such as layering and word symmetry, the author also explores the inner world of publishing--what you really will encounter when you become a writer. He then shows how to develop a powerful and engaging book proposal based on understanding the proposal as a work of fiction--the map is never the territory, nor is the proposal the book that it will become. This book, written using all the techniques discussed within it, offers a powerful, experiential journey into the heart of writing. It does for nonfiction what John Gardner’s books on writing did for fiction. It is one of the most significant works on writing published in our time.
At the young age of twenty-one, Rudolf Steiner was chosen to edit Goethe's scientific writings for the principle Geothe edition of his time. Goethe's literary genius was universally acknowledged; it was Steiner's task to understand and comment on Goethe's scientific achievements. Steiner recognized the significance of Goethe's work with nature and his epistemology, and here began Steiner's own training in epistemology and spiritual science. This collection of Steiner's introductions to Goethe's works re-visions the meaning of knowledge and how we attain it. Goethe had discovered how thinking could be applied to organic nature and that this experience requires not just rational concepts but a whole new way of perceiving. In an age when science and technology have been linked to great catastrophes, many are looking for new ways to interact with nature. With a fundamental declaration of the interpenetration of our consciousness and the world around us, Steiner shows how Goethe's approach points the way to a more compassionate and intimate involvement with nature.