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Translated into English for the first time, The Archeologist is a landmark of Greek national literature, and an important document in the history of archeology and classicism. Published for the bicentennial year of the outbreak of the Greek War of Independence. A Penguin Classic The year 2021 marks the bicentennial of the outbreak of the Greek War of Independence. This historical milestone provides the impetus for a new period of intensified reflection on the past, present, and future of Greece, especially in light of recent financial and humanitarian challenges the country has found itself facing: the debt crisis that began in the last days of 2009 and the migration crisis five years later. These crises had already stirred renewed and often animated debate about Greek national identity, especially in relation to Europe, and the legacy of classical antiquity remains central to how that relationship is imagined. Where does Greece fit into the modern world and what role, if any, should its celebrated and idealized antiquity play in the country's national identity? More than a century ago, Karkavitsas's The Archeologist (1904) helped to articulate and frame these kinds of questions. The work is an allegory of Greek nationalism that is stylized as a folktale about Aristodemus and Dimitrakis Eumorphopoulos, two brothers and descendants of the illustrious Eumorphopoulos line. For centuries, the family had been persecuted by the Khan family, but when the Khan dynasty starts to topple, the Eumorphopoulos family resolves to regain their ancestral lands and restore their line's ancient glory. Yet the two brothers disagree about the best path forward into the future. Aristodemus insists, to the point of mania, that they must look only to the ancient past—to the family's ancient language, texts, religion, and monuments; Dimitrakis, on the other hand, exuberantly embraces the present. The Archeologist, however, attempts to map and dramatize the tensions that were violently brewing in the Balkans at the turn of the twentieth century and which, within a decade of the work's publication, would contribute to the outbreak of World War I. Also included in this edition are a selection of "sea tales," which Karkavitsas heard from sailors during his extensive time aboard ships in the Mediterranean. Considered as indigenous to Greek literature, the four sea stories represent some of the best known of the Tales from the Prow. "The Gorgon," one of Karkavitsas's shortest sea stories, is also one of the most famous.
Magness (early Judaism, U. of North Carolina, Chapel Hill), who has extensive archaeological experience in the area, has written a popular account of the archaeology, meaning, and controversies surrounding the Dead Seas Scrolls and the archaeological site of Qumran where they were found. Without sacrificing content, Magness turns this story into a fascinating page-turner. Annotation copyrighted by Book News, Inc., Portland, OR
Adventure writing at its best, Submerged is the first book on the remarkable story of America's elite underwater archeology team. Daniel Lenihan recounts experiences from his 25 years as founder and head of the award-winning Submerged Cultural Resources Unit (SCRU) team of the U.S. National Park Service, world-class divers - talented archeologists, historians, and photographers charged with the mission of surveying, mapping, investigating, and protecting shipwrecks and sites that constitute America's sunken heritage. In Submerged, Lenihan takes the reader on a kaleidoscope of the team's underwater experiences from 1975 to the present - from Florida caves to ancient ruins covered by reservoirs in the desert southwest; to a WWII Japanese submarine off the Alaskan coast; to the lower rings of hell to retrieve the bodies of drowned divers; to gripping accounts of personal survival in underwater caves, ships, and submerged buildings.Displaying a passion for extreme diving combined with disciplined professionalism as park ranger-archeologists, the SCRU team tackles astonishing, often harrowing assignments, including; The Isle Royale shipwrecks; Surveying ten large ships sunk from the mid-19th to mid-20th centuries in the middle of the frigid and deep Lake Superior. The USS Arizona in Pearl Harbor; Executing the largest mapping project ever conducted underwater, and his personal impressions as the first deep diver to explore and video the entire ship in 1983 Excavating the hull of the HL Hunley, the first submarine in history to sink an enemy ship, in Charleston Harbor during the Civil War Resurveying of the ships sunk by atomic bombs at Bikini Atoll, including the aircraft carrier USS Saratoga and Japanese battleship Nagato With an aggressive preservation ethic, the team discovers and documents shipwrecks from Florida to Alaska, and even studies the haunts of pirates and prehistoric cultures in Micronesia.This engaging book, written with a mixture of wonder, intensity, pathos and humor, records for the first time the historic and social significance of the underwater research programs conducted by this fascinating unit of the U.S. National Park Service. Sure to delight anyone interested in diving, archeology, American history, adventure, and rescure missions, this fast-paced volume brings an entirely new perspective to the marvels of America's underwater treasures.
This short account of the discipline of archaeology tells of spectacular discoveries and the colorful lives of the archaeologists who made them, as well as of changing theories and current debates in the field. Spanning over two thousand years of history, the book details early digs as well as covering the development of archaeology as a multidisciplinary science, the modernization of meticulous excavation methods during the twentieth century, and the important discoveries that led to new ideas about the evolution of human societies. A Brief History of Archaeology is a vivid narrative that will engage readers who are new to the discipline, drawing on the authors’ extensive experience in the field and classroom. Early research at Stonehenge in Britain, burial mound excavations, and the exploration of Herculaneum and Pompeii culminate in the nineteenth century debates over human antiquity and the theory of evolution. The book then moves on to the discovery of the world’s pre-industrial civilizations in Egypt, Mesopotamia, and Central America, the excavations at Troy and Mycenae, the Royal Burials at Ur, Iraq, and the dramatic finding of the pharaoh Tutankhamun in 1922. The book concludes by considering recent sensational discoveries, such as the Lords of Sipán in Peru, and exploring the debates over processual and postprocessual theory which have intrigued archaeologists in the early 21st century. The second edition updates this respected introduction to one of the sciences’ most fascinating disciplines.
The Complete Archaeology of Greece covers the incredible richness and variety of Greek culture and its central role in our understanding of European civilization, from the Palaeolithic era of 400,000 years ago to the early modern period. In a single volume, the field's traditional focus on art and architecture has been combined with a rigorous overview of the latest archaeological evidence forming a truly comprehensive work on Greek civilization. *Extensive notes on the text are freely available online at Wiley Online Library, and include additional details and references for both the serious researcher and amateur A unique single-volume exploration of the extraordinary development of human society in Greece from the earliest human traces up till the early 20th century AD Provides 22 chapters and an introduction chronologically surveying the phases of Greek culture, with over 200 illustrations Features over 200 images of art, architecture, and ancient texts, and integrates new archaeological discoveries for a more detailed picture of the Greece past, its landscape, and its people Explains how scientific advances in archaeology have provided a broader perspective on Greek prehistory and history Selected by Choice as a 2013 Outstanding Academic Title
The first female translator of the epic into English in over sixty years, Stephanie McCarter addresses accuracy in translation and its representation of women, gendered dynamics of power, and sexual violence in Ovid’s classic. A Penguin Classic Hardcover Ovid’s Metamorphoses is an epic poem, but one that upturns almost every convention. There is no main hero, no central conflict, and no sustained objective. What it is about (power, defiance, art, love, abuse, grief, rape, war, beauty, and so on) is as changeable as the beings that inhabit its pages. The sustained thread is power and how it transforms us, both those of us who have it and those of us who do not. For those who are brutalized and traumatized, transformation is often the outward manifestation of their trauma. A beautiful virgin is caught in the gaze of someone more powerful who rapes or tries to rape them, and they ultimately are turned into a tree or a lake or a stone or a bird. The victim’s objectification is clear: They are first a visual object, then a sexual object, and finally simply an object. Around 50 of the epic’s tales involve rape or attempted rape of women. Past translations have obscured or mitigated Ovid’s language so that rape appears to be consensual sex. Through her translation, McCarter considers the responsibility of handling sexual and social dynamics. Then why continue to read Ovid? McCarter proposes Ovid should be read because he gives us stories through which we can better explore ourselves and our world, and he illuminates problems that humans have been grappling with for millennia. Careful translation of rape and the body allows readers to see Ovid’s nuances clearly and to better appreciate how ideas about sexuality, beauty, and gender are constructed over time. This is especially important since so many of our own ideas about these phenomena are themselves undergoing rapid metamorphosis, and Ovid can help us see and understand this progression. The Metamorphoses holds up a kaleidoscopic lens to the modern world, one that offers us the opportunity to reflect on contemporary discussions about gender, sexuality, race, violence, art, and identity.
Ever since the International Monetary Fund’s first bailout of Greece’s sinking economy in 2010, the phrase “Greek debt” has meant one thing to the country’s creditors. But for millions who claim to prize culture over capital, it means something quite different: the symbolic debt that Western civilization owes to Greece for furnishing its principles of democracy, philosophy, mathematics, and fine art. Where did this other idea of Greek debt come from, Johanna Hanink asks, and why does it remain so compelling today? The Classical Debt investigates our abiding desire to view Greece through the lens of the ancient past. Though classical Athens was in reality a slave-owning imperial power, the city-state of Socrates and Pericles is still widely seen as a utopia of wisdom, justice, and beauty—an idealization that the ancient Athenians themselves assiduously cultivated. Greece’s allure as a travel destination dates back centuries, and Hanink examines many historical accounts that express disappointment with a Greek people who fail to live up to modern fantasies of the ancient past. More than any other movement, the spread of European philhellenism in the eighteenth and nineteenth centuries carved idealized conceptions of Greece in marble, reinforcing the Western habit of comparing the Greece that is with the Greece that once was. Today, as the European Union teeters and neighboring nations are convulsed by political unrest and civil war, Greece finds itself burdened by economic hardship and an unprecedented refugee crisis. Our idealized image of ancient Greece dangerously shapes how we view these contemporary European problems.
Presents a history of the epic battles, the indomitable ships, and the men--from extraordinary leaders to seductive rogues--who established Athens' supremacy, taking readers on a tour of the far-flung expeditions and detailing the legacy of a forgotten maritime empire.
Dougal is unable to see what's going on behind his back. Count the hidden mermaids and mermen guiding Dougal on his search for the lost city of Atlantis.