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Objects of adornment have been a subject of archaeological, historical, and ethnographic study for well over a century. Within archaeology, personal ornaments have traditionally been viewed as decorative embellishments associated with status and wealth, materializations of power relations and social strategies, or markers of underlying social categories such as those related to gender, class, and ethnic affiliation. Personal Adornment and the Construction of Identity seeks to understand these artefacts not as signals of steady, pre-existing cultural units and relations, but as important components in the active and contingent constitution of identities. Drawing on contemporary scholarship on materiality and relationality in archaeological and social theory, this book uses one genre of material culture - items of bodily adornment - to illustrate how humans and objects construct one another. Providing case studies spanning 10 countries, three continents, and more than 9,000 years of human history, the authors demonstrate the myriad and dynamic ways personal ornaments were intertwined with embodied practice and identity performativity, the creation and remaking of social memories, and relational collections of persons, materials, and practices in the past. The authors’ careful analyses of production methods and composition, curation/heirlooming and reworking, decorative attributes and iconography, position within assemblages, and depositional context illuminate the varied material and relational axes along which objects of adornment contained social value and meaning. When paired with the broad temporal and geographic scope collectively represented by these studies, we gain a deeper appreciation for the subtle but vital roles these items played in human lives.
This book in the SAA Press Current Perspectives Series represents a period-by-period synthesis of southeastern prehistory designed for high school and college students, avocational archaeologists, and interested members of the general public. It also serves as a basic reference for professional archaeologists worldwide on the record of a remarkable region.
This volume presents new data and interpretations from research at Florida’s Spanish missions, outposts established in the sixteenth and seventeenth centuries to strengthen the colonizing empire and convert Indigenous groups to Christianity. In these chapters, archaeologists, historians, and ethnomusicologists draw on the past thirty years of work at sites from St. Augustine to the panhandle. Contributors explore the lived experiences of the Indigenous people, Franciscan friars, and Spanish laypeople who lived in La Florida’s mission communities. In the process, they address missionization, ethnogenesis, settlement, foodways, conflict, and warfare. One study reconstructs the sonic history of Mission San Luis with soundscape compositions. The volume also sheds light on the destruction of the Apalachee-Spanish missions by the English. The recent investigations highlighted here significantly change earlier understandings by emphasizing the kind and degree of social, economic, and ideological relationships that existed between Apalachee and Timucuan communities and the Spanish. Unearthing the Missions of Spanish Florida updates and rewrites the history of the Spanish mission effort in the region. Contributors: Rachel M. Bani | Mark J Sciuhetti Jr | Rochelle A. Marrinan | Nicholas Yarbrough | Jerald T. Milanich | Jerry W Lee | Rebecca Douberly-Gorman | Alissa Slade Lotane | John E. Worth | Jonathan Sheppard | Laura Zabanal | Keith Ashley | Tanya M. Peres | Sarah Eyerly A volume in the Florida Museum of Natural History: Ripley P. Bullen Series
Material Worlds examines consumption from an archaeological perspective, broadly exploring the intersection of social relations and objects through the processes of production, distribution, use, reuse, and discard. Interrogating individual objects as well as considering the contexts in which acts of consumption take place, a range of case studies present the intertwined issues of power, inequality, identity, and community as mediated through choice, access, and use of the diversity of mass-produced goods. Key themes of this innovative volume include the relationship between colonial, political and economic structures and the practices of consumption, the use of consumer goods in the construction and negotiation of identity, and the dialectic between strategies of consumption and individual or community choices. Situating studies of consumerism within the field of historical archaeology, this exciting collection reflects on the interrelationship between the material and ideological aspects of culture. With a focus on North America from the seventeenth through the early twentieth centuries, Material Worlds is an important examination of consumption which will appeal to scholars with interests in colonialism, gender and race, as well as those engaged with the material culture of the emergent modern world.
Archaeologists of South Carolina and Florida and historians of the Native South, Spanish Florida, and British Carolina address elusive questions about Yamasee identity, political and social networks, and the fate of the Yamasees after the Yamasee War.
In a dynamic near half-century career of insight, engagement, and instruction, Kent G. Lightfoot transformed North American archaeology through his innovative ideas, robust collaborations, thoughtful field projects, and mentoring of numerous students. Authors emphasize the multifarious ways Lightfoot impacted—and continues to impact—approaches to archaeological inquiry, anthropological engagement, indigenous issues, and professionalism. Four primary themes include: negotiations of intercultural entanglements in pluralistic settings; transformations of temporal and spatial archaeological dimensions, as well as theoretical and methodological innovations; engagement with contemporary people and issues; and leading by example with honor, humor, and humility. These reflect the remarkable depth, breadth, and growth in Lightfoot’s career, despite his unwavering stylistic devotion to Hawaiian shirts.
Glass beads, both beautiful and portable, have been produced and traded globally for thousands of years. Modern archaeologists study these artifacts through sophisticated methods that analyze the glass composition, a process which can be utilized to trace bead usage through time and across regions. This book publishes open-access compositional data obtained from laser ablation – inductively coupled plasma – mass spectrometry, from a single analytical laboratory, providing a uniquely comparative data set. The geographic range includes studies of beads produced in Europe and traded widely across North America and beads from South and Southeast Asia traded around the Indian Ocean and beyond. The contributors provide new insight on the timing of interregional interactions, technologies of bead production and patterns of trade and exchange, using glass beads as a window to the past. This volume will be a key reference for glass researchers, archaeologists, and any scholars interested in material culture and exchange; it provides a wide range of case studies in the investigation and interpretation of glass bead composition, production and exchange since ancient times.
A pathbreaking look at Native women of the early South who defined power and defied authority "An artful, powerful book. . . . [A] substantial contribution to our knowledge of women in the so-called 'forgotten centuries' of European colonialism in the southeast."--Malinda Maynor Lowery, author of The Lumbee Indians "A remarkable book. Alejandra Dubcovsky pursued relentless research to uncover the histories of women previously unseen, even unnamed. As Dubcovsky shows, they had names, they had families, they had lives that mattered. The historical landscape is transformed by their presence."--Lisa Brooks, author of Our Beloved Kin Historian Alejandra Dubcovsky tells a story of war, slavery, loss, remembrance, and the women whose resilience and resistance transformed the colonial South. In exploring their lives she rewrites early American history, challenging the established male-centered narrative. Dubcovsky reconstructs the lives of Native women--Timucua, Apalachee, Chacato, and Guale--to show how they made claims to protect their livelihoods, bodies, and families. Through the stories of the Native cacica who demanded her authority be recognized; the elite Spanish woman who turned her dowry and household into a source of independent power; the Floridiana who slapped a leading Native man in the town square; and the Black woman who ran a successful business at the heart of a Spanish town, Dubcovsky reveals the formidable women who claimed and used their power, shaping the history of the early South.
The Empire State of the South: Georgia History in Documents and Essays offers teachers of Georgia history an alternative to the traditional narrative textbook. In this volume, students have the opportunity to read Georgia history rather than reading about Georgia history. Encompassing the entirety of Georgia history into the twenty-first century, The Empire State of the South is suitable for all courses on Georgia history. The text is divided into sixteen chapters comprising 129 documents and thirty-three essays on various topics of Georgia history. Each chapter consists of several parts. First is a short narrative introduction. The second part contains the documents themselves. Following the documents are two essays written by historians regarding some topic relevant to the chapter. At the end of each chapter is a short list of suggested readings. The documents themselves range from the usual: state constitutions, laws, and speeches, to the inordinate: plans for constructing what is regarded as the state's first concrete home, a corny campaign song for Eugene Talmadge, an attempt by the General Assembly in 1897 to ban the playing of football, and a 1962 letter Martin Luther King, Jr., wrote from an Albany prison that preceded his better-known Birmingham letter. Georgia has indeed had a colorful history and The Empire State of the South tells that story. Book jacket.