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A focused study on the concept of place as an ideal starting point and useful analytical unit for archeological studies by explaining the form, structure, and temporality of the meanings humans ascribe to their environment.
"As an Indigenous scholar researching the history and archaeology of his own tribe, Tsim D. Schneider provides a unique and timely contribution to the growing field of Indigenous archaeology and offers a new perspective on the primary role and relevance of Indigenous places and homelands in the study of colonial encounters"--
Outgrowth of a symposium at the 2006 Society for American Archaeology meetings in San Juan, and of a seminar at the Amerind Foundation. Cf. pref.
This volume explores why natural places such as caves, mountains, springs and rivers assumed a sacred character in European prehistory, and how the evidence for this can be analysed in the field. It shows how established research on votive deposits, rock art and production sites can contribute to a more imaginative approach to the prehistoric landscape, and can even shed light on the origins of monumental architecture. The discussion is illustrated through a wide range of European examples, and three extended case studies. An Archaeology of Natural Places extends the range of landscape studies and makes the results of modern research accessible to a wider audience, including students and academics, field archaeologists, and those working in heritage management.
This edited volume provides a cross-section of the cutting-edge ways in which archaeologists are developing new approaches to their work with communities and other stakeholder groups who have special interest in the uses in the past.
The early history of photography in America coincided with the Euro-American settlement of the West. This thoughtful book argues that the rich history of western photography cannot be understood by focusing solely on the handful of well-known photographers whose work has come to define the era. Art historian Rachel Sailor points out that most photographers in the West were engaged in producing images for their local communities. These pictures didn’t just entertain the settlers but gave them a way to understand their new home. Photographs could help the settlers adjust to their new circumstances by recording the development of a place—revealing domestication, alteration, and improvement. The book explores the cultural complexity of regional landscape photography, western places, and local sociopolitical concerns. Photographic imagery, like western paintings from the same era, enabled Euro-Americans to see the new landscape through their own cultural lenses, shaping the idea of the frontier for the people who lived there.
With the emergence and structuring of the Lucanian ethnos during the fourth century BC, a network of cult places, set apart from habitation spaces, was created at the crossroads of the most important communication routes of ancient Lucania. These sanctuaries became centers of social and political aggregation of the local communities: a space in which the community united for all the social manifestations that, in urban societies, were usually performed within the city space. With a detailed analysis of the archaeological record, this study traces the historical and archaeological narrative of Lucanian cult places from their creation to the Late Republican Age, which saw the incorporation of southern Italy into the Roman state. By placing the sanctuaries within their territorial, political, social, and cultural context, Battiloro offers insight into the diachronic development of sacred architecture and ritual customs in ancient Lucania. The author highlights the role of material evidence in constructing the significance of sanctuaries in the historical context in which they were used, and crucial new evidence from the most recent archaeological investigations is explored in order to define dynamics of contact and interaction between Lucanians and Romans on the eve of the Roman conquest.
Detachment from Place is the first comparative and interdisciplinary volume on the archaeology of settlement abandonment, with contributions focusing on materiality, ideology, the environment, and social construction of space. The volume sheds new light on an important but underexamined aspect of settlement abandonment wherein sedentary groups undergoing the process of abandonment leave behind many meaningful elements of their inhabited landscape. The process of detaching from place—which could last centuries—transformed inhabitants into migrants and transformed settled, constructed, and agricultural landscapes into imagined ones that continued to figure significantly in the identities of migrant groups. Drawing on case studies from the Americas, Africa, and Asia, the volume explores how relationships between ancient peoples and the places they lived were transformed as they migrated elsewhere. Contributors focus on social structure, ecology, and ideology to study how people and places both disentangled from each other and remained tied together during this process. From Huron-Wendat villages and Classic Maya palaces to historical villages in Togo and the great Southeast Asian Medieval capital of Bagan, specific cultural, historical, and environmental factors led ancient peoples to detach from their homes and embark on migrations that altered social memory and cultural identity—as evidenced in the archaeological record. Detachment from Place provides new insights into transfigurations of community identity, political organization, social and economic relations, religion, warfare, and agricultural practices and will be of interest to landscape archaeologists as well as researchers focused on collective memory, population movement, migratory patterns, and interaction. Contributors: Tomas Q. Barrientos, Jennifer Birch, Eduardo José Bustamante Luna, Catherine M. Cameron, Marcello A. Canuto, Jeffrey H. Cohen, Michael D. Danti, Phillip de Barros, Pete Demarte, Donna M. Glowacki, Gyles Iannone, Louis Lesage, Patricia A. McAnany, Asa R. Randall, Kenneth E. Sassaman
The Archaeology of Difference presents a new and radically different perspective on the archaeology of cross-cultural contact and engagement. The authors move away from acculturation or domination and resistance and concentrate on interaction and negotiation by using a wide variety of case studies which take a crucially indigenous rather than colonial standpoint.
This volume explores why natural places such as caves, mountains, springs and rivers assumed a sacred character in European prehistory, and how the evidence for this can be analysed in the field. It shows how established research on votive deposits, rock art and production sites can contribute to a more imaginative approach to the prehistoric landscape, and can even shed light on the origins of monumental architecture. The discussion is illustrated through a wide range of European examples, and three extended case studies. An Archaeology of Natural Places extends the range of landscape studies and makes the results of modern research accessible to a wider audience, including students and academics, field archaeologists, and those working in heritage management.