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Born and raised in Australia, Martha longs to return to Nadwodom, in a country called Czawa, where her parents and family grew up. As she stumbles upon the works of Marion Porter, an Australian photographer who once photographed the countryside in Czawa, Martha's own journey to her family's homeland begins to unfurl. There, she meets her cousin, Klara, and the two discover an uncanny relationship in which each sees herself in the other. Born and raised in Nadwodom, Klara helps Martha discover the multi-layered pattern that connects her present world and the history of a city that remains deep in the shadows of their family's memories. In moving across time and borders, Martha gradually recognizes the source of her yearning and the connections between the dreams and images that haunt her. Monica Raszewski's The Archaeology of a Dream City is a novel that explores the importance of remembering our histories and uncovering what has been lost. It is a story of the need to create, and a story of love that can only be lived when the past has been excavated. Jane Brown's poetic photographs accompany the author's evocative prose throughout the novel. "Beguiling and compelling, The Archaeology of a Dream City is all the more moving for the subtlety and tact of its beautifully decanted writing, rare qualities that are sure, in turn, to haunt its readers." - Marion May Campbell, fiction writer and poet
Located at the edge of a continent and at the corresponding edge of national public consciousness, Vancouver has developed in unique and unanticipated ways. It is now emerging as an experiment in contemporary city-making, with international interest in Vancouver as a model of post-industrial urbanism increasing exponentially. Lance Berelowitz explores the links between the city's seductive natural setting, its turbulent political history and changing civic values, and its planning and design culture. He also makes the startling case that Vancouver is to Canada's imagination what Los Angeles is to the American -- a mythologized place of endless possibilities, while being grounded in an altogether more limited set of socio-economic and environmental limitations. Dream City is richly illustrated with both historical and contemporary photographs of many significant buildings and public spaces, as well as specially commissioned maps that reveal the underlying patterns of growth and change of Canada's youngest metropolis.
How can we understand the infinite variety of cities? Darran Anderson seems to exhaust all possibilities in this work of creative nonfiction. Drawing inspiration from Marco Polo and Italo Calvino, Anderson shows that we have much to learn about ourselves by looking not only at the cities we have built, but also at the cities we have imagined. Anderson draws on literature (Gustav Meyrink, Franz Kafka, Jaroslav Hasek, and James Joyce), but he also looks at architectural writings and works by the likes of Bruno Taut and Walter Gropius, Medieval travel memoirs from the Middle East, mid-twentieth-century comic books, Star Trek, mythical lands such as Cockaigne, and the works of Claude Debussy. Anderson sees the visionary architecture dreamed up by architects, artists, philosophers, writers, and citizens as wedded to the egalitarian sense that cities are for everyone. He proves that we must not be locked into the structures that exclude ordinary citizens--that cities evolve and that we can have input. As he says: "If a city can be imagined into being, it can be re-imagined as well.”
Theatre/Archaeology is a provocative challenge to disciplinary practice and intellectual boundaries. It brings together radical proposals in both archaeological and performance theory to generate a startlingly original and intriguing methodological framework.
Florida Book Awards, Gold Medal for Florida Nonfiction Florida Historical Society Charlton Tebeau Book Award A leading Florida historian explores one of the state’s most consequential eras It was a time of stunning episodes of boom and bust, an era of extremes, a decade of historic changes that point to Florida’s future. In this book, eminent historian Gary Mormino illuminates early twenty-first-century Florida and its connections to some of the most significant events in contemporary American history. Following Mormino’s milestone work Land of Sunshine, State of Dreams, which details the dynamic history of Florida from 1950 to 2000, Dreams in the New Century explores the state’s tumultuous next chapter, a period that included the Bush v. Gore election, 9/11, the housing bubble and Great Recession, and the election of Barack Obama. During these years the Elián González story engrossed the country, Tim Tebow rose to football fame, and Donald Trump became a Florida celebrity. From hurricanes to Ponzi schemes, red tides, climate change, the “Stand-Your-Ground” gun law, demographic diversity, and more, Florida offered nonstop news fodder that reflected its extraordinary internal trends and its importance in the nation. As Mormino shows, Florida is a place of deep conflicts—North and South, liberal and conservative, newcomer and local, growth and conservation—with histories that can be traced back centuries. In 2000‒2010, Mormino argues, these tensions collided to produce a “Big Bang” that will continue to resonate in years to come. Mormino takes stock of this crucible of change and explains the social, cultural, and political intricacies of a state the world struggles to understand. Dreams in the New Century unravels Florida’s complicated recent history in a gripping, informative, and fascinating narrative.
The ideas that became the blueprints for the world we live in.
The second edition of An Archaeology of the Contemporary Era explores the period between the late nineteenth and twenty-first centuries and reflects on the archaeological theory and practice of the recent past. This book argues that the materiality of our times, and particularly its ruins and rubbish, reveals something profound and disturbing about modern societies. It examines the political, ethical, aesthetic, and epistemological foundations of contemporary archaeology and characterizes the excess of the contemporary period through its material traces. This book remains the first attempt at describing the contemporary era from an archaeological point of view. Global in scope, the book brings together case studies from every continent and considers sources from peripheral and rarely considered traditions, meanwhile engaging in interdisciplinary dialogue with philosophy, anthropology, history, and geography. This new edition includes the latest developments in the field, both methodological and theoretical, and adds new and exciting case studies to engage students. It also covers some of the most pressing issues of the present, as they are being addressed by archaeologists, such as pandemics, the antiracist movement, the global rise of reactionary populism, the ecological crisis, and climate change. An Archaeology of the Contemporary Era is essential reading for students and practitioners of the contemporary past, historical archaeology, and archaeological theory. It will also be of interest to anybody concerned with globalization, modernity, and the Anthropocene.
Set in the long-lost City of Victoria (a fictional world similar to Hong Kong), Atlas is written from the unified perspective of future archaeologists struggling to rebuild a thrilling metropolis. Divided into four sections—"Theory," "The City," "Streets," and "Signs"—the novel reimagines Victoria through maps and other historical documents and artifacts, mixing real-world scenarios with purely imaginary people and events while incorporating anecdotes and actual and fictional social commentary and critique. Much like the quasi-fictional adventures in map-reading and remapping explored by Paul Auster, Jorge Luis Borges, and Italo Calvino, Dung Kai-cheung's novel challenges the representation of place and history and the limits of technical and scientific media in reconstructing a history. It best exemplifies the author's versatility and experimentation, along with China's rapidly evolving literary culture, by blending fiction, nonfiction, and poetry in a story about succeeding and failing to recapture the things we lose. Playing with a variety of styles and subjects, Dung Kai-cheung inventively engages with the fate of Hong Kong since its British "handover" in 1997, which officially marked the end of colonial rule and the beginning of an uncharted future.
Critical Perspectives on Cultural Memory and Heritage focuses on the importance of memory and heritage for individual and group identity, and for their sense of belonging. It aims to expose the motives and discourses related to the destruction of memory and heritage during times of war, terror, sectarian conflict and through capitalist policies. It is within these affected spheres of cultural heritage where groups and communities ascribe values, develop memories, and shape their collective identity.