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About the Book My name is Jack Brazeal and I am a Christian, a certified arborist, a registered consulting arborist, and I am the arborist poet. In my career of over five decades working and caring for trees, I have climbed and pruned thousands of trees including, but not limited to: pink dogwoods and magnolia trees in the deep south, palo verde and mesquite trees in the southwest desert, large blue gum eucalyptus trees in southern California, and logged the giant sequoia redwood trees in the great northwest. The Arborist Poet is about some of the things that have happened in my lifelong career working with trees. I have learned to appreciate the positive contributions that trees make to our environment and to our everyday lives. Without trees, this old world would not be the same as we know it today. So hug a tree every now and then, it will make you feel good. Thank you, and enjoy The Arborist Poet. About the Author Jack Brazeal spent four decades working as an arborist. Originally from Opossum Kingdom, South Carolina, Brazeal’s favorite pastimes in his youth included exploring the deep woods, creeks, and streams that seemed to be everywhere Brazeal moved to. Fishing and hunting came naturally to Brazeal and his brothers, for not only was it a fun thing to do, it was a necessity for providing food on the family supper table. These many adventures in the outdoors inevitably led to Brazeal’s success as an arborist.
Enjoy the homespun humor and poetry of country bumpkin, Oregon logger, Michael J. "Hoss" Barker, who loved to log and logged to live. Throw another log on the fire, pour yourself a hot toddy, put the cat out and delight in the hilarious short stories and wilderness poetry of a native Oregon son. He lived the book first, and then wrote it.
Winner of the 2021 John Burroughs Medal for Distinguished Natural History Writing "This deeply nourishing book invites us to reclaim reciprocity with the living world." —Robin Wall Kimmerer, author of Braiding Sweetgrass Once, farmers and rural people knew how to prune hazel to foster abundance: both of edible nuts and of straight, strong, flexible rods for bridges, walls, and baskets. Townspeople felled their beeches to make charcoal to fuel ironworks. Shipwrights shaped oaks to make hulls. No place could prosper without its inhabitants knowing how to cut their trees so they would sprout again. Pruning the trees didn’t destroy them. Rather, it created the healthiest, most sustainable and diverse woodlands that we have ever known. Arborist William Bryant Logan offers us both practical knowledge about how to live with trees to mutual benefit and hope that humans may again learn what the persistence and generosity of trees can teach. He recovers the lost tradition that sustained human life and culture for ten millennia.
This is an extraordinary book about trees. It's an account by a veteran science journalist that ranges to the limits of scientific understanding: how trees produce aerosols for protection and 'warnings'; the curative effects of 'forest bathing' in Japan; or the impact of trees in fertilizing ocean plankton. There is even science to show that trees are connected to the stars. Trees and forests are far more than just plants: they have myriad functions that help maintain the atmosphere and biosphere. As climate change increases, they will become even more critical to buffer the effects of warmer temperatures, clean our water and air and provide food. If they remain standing. The global forest is also in crisis, and when the oldest trees in the world suddenly start dying - across North America, Europe, the Amazon - it's time to pay attention. At the heart of this remarkable exploration of the power of trees is the amazing story of one man, a shade tree farmer named David Milarch, and his quest to clone the oldest and largest trees - from the California redwoods to the oaks of Ireland - to protect the ancient genetics and use them to reforest the planet.
Deeply moving . . . complex emotions and ideas are handled with disarming simplicity John W. Gardner, Former Secretary of Health, Education, and Welfare. This is a book of wisdom in the form of poems, useful, yet delightful and even sometimes surprising. A single poem can shift thinking so everything is different from then on Carol Pearson, author of The Hero Within. Judys work is rooted in the shared soil of our lives, and her images help us understand how lovely and full of promise our common ground is. You hold a feast of insight in your hands. Read it and be nourished. Parker J. Palmer, author of Let Your Life Speak and A Hidden Wholeness.
Trees tell the story of a city. Vancouver has one of the world's greatest urban forests. Vancouver Tree Bookis the key to a living laboratory unlike anywhere else on Earth. Slim enough to fit into a pocket yet filled with detailed descriptions and hundreds of colour images, this Living City Field Guide is designed for outdoor use. Bring it with you anywhere you go to discover the quiet giants living among us. Maps to 10 Tree Tour walks will help you get going. More than 110 of Vancouver's important species are profiled. Identification tips describe the size, shape, leaves, bark, flowers and more. Stories explain the history and culture behind the trees that define the city. Meant for all levels from enthusiastic beginner to professional arborist.
Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. "In my book," she writes, "poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so." C.D. Wright was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island. "Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical ‘goblets of magnolialight,’ and recurrent, mysterious, semi-allegorical figures like ‘the snakeman’ and ‘the boneman’ share space with place names, lexicographies, exhortations and wacky graffiti (‘God is Louise’).… cherish Wright's latest ‘once-and-for-all thing, opaque and revelatory, ceaselessly burning.’"—Publishers Weekly "For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers—still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything—human and angry and beautiful."—Michael Ondaatje "C.D. Wright is entirely her own poet, a true original."—The Gettysburg Review
Compiled from the workshop assignments of Ottone M. Riccio, a master teacher, Unlocking the Poem is a teaching tool, a stimulus to individual creative expression, and a compendium of outstanding contemporary poetry written from these very assignments--all in all, a book that deserves a place on every poet's shelf, according to the esteemed poet X.J. Kennedy. Unlike many how to write poetry texts, Unlocking the Poem teaches by doing. Its assignments offer writers, new and experienced, the chance to try new things, to practice their craft--and to produce their own original, polished poems in the process. Unlocking the Poem offers 450 proven assignments--more than any other work available--based on poetic form, subject matter, the use of specific words or lines, time for writing, and so forth. The collection contains assignments to elicit autobiographical experience, moods, and the realms of fact and fantasy. These assignments provide stimuli to get the creative process underway, with subjects ranging from the everyday to the surreal, from people to the natural world, from the works of man to history to investigating language. Unlocking the Poem is organized so that related material comes together, readily findable. Turn to a given section villanelles, for example, or surreal experience or browse until something strikes your interest. Assignments are adaptable to beginners and to advanced writers; there's plenty in here for every poet. Unlocking the Poem belongs in the library of every writing student who wants to be a poet, and every poet who wants to write more and better poems.
Unearth the true story of green-thumbed pioneer and activist Kate Sessions, who helped San Diego grow from a dry desert town into a lush, leafy city known for its gorgeous parks and gardens. Katherine Olivia Sessions never thought she’d live in a place without trees. After all, Kate grew up among the towering pines and redwoods of Northern California. But after becoming the first woman to graduate from the University of California with a degree in science, she took a job as a teacher far south in the dry desert town of San Diego. Where there were almost no trees. Kate decided that San Diego needed trees more than anything else. So this trailblazing young woman singlehandedly started a massive movement that transformed the town into the green, garden-filled oasis it is today. Now, more than 100 years after Kate first arrived in San Diego, her gorgeous gardens and parks can be found all over the city. Part fascinating biography, part inspirational story, this moving picture book about following your dreams, using your talents, and staying strong in the face of adversity is sure to resonate with readers young and old.
A dazzling collection of essays on how the best poems work, from the master poet and popular essayist "Poetry," Jane Hirshfield has said, "is language that foments revolutions of being." In ten eloquent and highly original explorations, she unfolds some of the ways this is done--by the inclusion of hiddenness, paradox, and surprise; by a perennial awareness of the place of uncertainty in our lives; by language's own acts of discovery; by the powers of image, statement, music, and feeling to enlarge in every direction. Closely reading poems by Dickinson, Bashō, Szymborska, Cavafy, Heaney, Bishop, and Komunyakaa, among others, Hirshfield reveals how poetry's world-making takes place: word by charged word. By expanding what is imaginable and sayable, Hirshfield proposes, poems expand what is possible. Ten Windows restores us at every turn to a more precise, sensuous, and deepened experience of our shared humanity and of the seemingly limitless means by which that knowledge is both summoned and forged.