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The most comprehensive treatment of the Arabian Nights ever published, with more than 800 detailed encyclopedic entries and a wealth of authoritative essays and resources. The tales of the Arabian Nights have long been the focus of scholarly research and critique, but no English language work has ever attempted an all-embracing treatment of them. The fruit of years of research, The Arabian Nights Encyclopedia is the first comprehensive reference work introducing both the Arabian Nights and the context of their genesis and aftermath in Near Eastern, European, and world culture. Editors Ulrich Marzolph, one of the world's foremost scholars of Near Eastern narrative culture, and Richard van Leeuwen, a prominent scholar of the Arabian Nights, present detailed, authoritative, and up-to-date research on virtually all aspects of the tales, including major protagonists, themes, important translations, textual history, adaptations, reworkings, works inspired by the Arabian Nights, and aspects of literary theory, and provide extensive bibliographies for each tale. In addition to the 800+ encyclopedic entries and numerous essays, the work introduces research that has not previously been published, making it an invaluable resource to scholars, educators, students, and the general public, as well as an essential addition to the core collection of academic and public libraries.
This comprehensive reference on the "Arabian Nights" presents detailed research on virtually all aspects of the tales, including major protagonists, themes, important translations, textual history, adaptations, reworkings, works inspired by the tales and aspects of literary theory.
The Arab world's greatest folk stories re-imagined by the acclaimed Lebanese novelist Hanan al-Shaykh, published to coincide with the world tour of a magnificent musical and theatrical production directed by Tim Supple
In the labyrinthine alleys of ancient Baghdad, under the starlit Arabian skies, stories weaved a tapestry of magic, adventure, and wisdom. These tales passed down through generations, held the essence of a culture, the dreams of a people, and the unspoken fantasies of humankind. Yet, it was not until the arrival of a curious Frenchman named Antoine Galland that these mesmerizing narratives found their way into the eager hearts of the Western world. Welcome to "Antoine Galland: The First Translator of The Arabian Nights," an exploration into the life and legacy of the man whose penmanship transcended geographical boundaries and cultural divides, bringing the mystical world of Scheherazade and her tales of wonder to the European shores. In the pages that follow, we embark on a captivating journey through time and imagination, retracing the steps of a passionate scholar whose fascination with the East led him to discover a treasure trove of stories. These weren’t merely bedtime fables; they were windows into a realm where Jinn roamed, where clever thieves outsmarted the cunning, and where love conquered the most formidable of foes. We delve deep into the life of Antoine Galland, an individual whose thirst for knowledge and appreciation for diverse cultures became the catalyst for a literary phenomenon. From his encounters with Arabic manuscripts to the challenges he faced in translating these tales, we uncover the intricacies of his labor, the intricacies of linguistic nuances, and the dedication that breathed life into the characters we now know and love. As we navigate through the chapters, we will not only explore the unforgettable stories that Galland introduced to the West—the tales of Aladdin and his magic lamp, Ali Baba and the Forty Thieves, and the daring adventures of Sinbad the Sailor—but also the controversies and criticisms that shadowed his work. We will peer into the impact his translations had on European literature, the arts, and popular culture, recognizing the profound influence that continues to echo through generations. Antoine Galland's legacy is not merely about translating stories; it's about fostering understanding, bridging cultures, and nurturing the universal love for storytelling. So, join us as we unravel the pages of history, reveal the man behind the magic, and celebrate the enduring allure of Arabian Nights. The journey begins, and the tales await—tales that have, for centuries, kindled the flames of imagination and curiosity, all thanks to the visionary pen of one extraordinary scholar.
Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource.
This is an innovative reference catalogue of 200 annotated bibliographies and abstracts of encyclopaedias published during the nineteenth, twentieth and twenty-first centuries. Material is presented in English, Arabic and Turkish.
Every night for three years the vengeful King Shahriyar sleeps with a different virgin, executing her next morning. To end this brutal pattern and to save her own life, the vizier's daughter, Shahrazad, begins to tell the king tales of adventure, love, riches and wonder - tales of mystical lands peopled with princes and hunchbacks, the Angel of Death and magical spirits, tales of the voyages of Sindbad, of Ali Baba's outwitting a band of forty thieves and of jinnis trapped in rings and in lamps. The sequence of stories will last 1,001 nights.
The Fairy Tale World is a definitive volume on this ever-evolving field. The book draws on recent critical attention, contesting romantic ideas about timeless tales of good and evil, and arguing that fairy tales are culturally astute narratives that reflect the historical and material circumstances of the societies in which they are produced. The Fairy Tale World takes a uniquely global perspective and broadens the international, cultural, and critical scope of fairy-tale studies. Throughout the five parts, the volume challenges the previously Eurocentric focus of fairy-tale studies, with contributors looking at: • the contrast between traditional, canonical fairy tales and more modern reinterpretations; • responses to the fairy tale around the world, including works from every continent; • applications of the fairy tale in diverse media, from oral tradition to the commercialized films of Hollywood and Bollywood; • debates concerning the global and local ownership of fairy tales, and the impact the digital age and an exponentially globalized world have on traditional narratives; • the fairy tale as told through art, dance, theatre, fan fiction, and film. This volume brings together a selection of the most respected voices in the field, offering ground-breaking analysis of the fairy tale in relation to ethnicity, colonialism, feminism, disability, sexuality, the environment, and class. An indispensable resource for students and scholars alike, The Fairy Tale World seeks to discover how such a traditional area of literature has remained so enduringly relevant in the modern world.
The Arabian Nights commands a place in world literature unrivaled by any other fictional work of "Oriental" provenance. Bringing together Indian, Iranian, and Arabic tradition, this collection of tales became popular in the Western world during the eighteenth century and has since exerted a profound influence on theater, opera, music, painting, architecture, and literature. The Arabian Nights Reader offers an authoritative guide to the research inspired by this rich and intricate work. Through a selection of sixteen influential and currently relevant essays, culled from decades of scholarship, this volume encompasses the most salient research topics to date, from the Nights' early history to interpretations of such famous characters as Sheherazade. While serious research on the Nights began early in the nineteenth century, some of the most puzzling aspects of the collection's complex history and character were solved only quite recently. This volume's topics reflect the makings of a transnational narrative: evidence of a ninth-century version of the Nights, the work's circulation among booksellers in twelfth-century Cairo, the establishment of a "canonical" text, the sources used by the French translator who introduced the Nights to the West and the dating of this French translation, the influence of Greek literature on the Nights, the genre of romance, the relationship between narration and survival within the plots, reception of the Nights from the nineteenth century onward, interpretations of single stories from the collection, the universal nature of the sexual politics surrounding Sheherazade, and the repercussion of the Nights in modern Arabic literature. As this collection demonstrates, the Arabian Nights helped shape Western perceptions of the "Orient" as the quintessential "Other" while serving to inspire Western creativity. The research presented here not only deepens our insight into this great work but also heightens our awareness of the powerful communal forces of transnational narrative.