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The Middle East has been the arena of three cataclysmic events since 1979 - the Iranian Revolution, the Iran-Iraq War and the Gulf War. All of these have brought about major changes in the inter-regional politics and relations between Middle East countries and the outside world. This book seeks to analyze the impact of these events on Iranian-Arab relations. The authors examine Iran's relations with the Arab states of the Gulf in detail and sheds light on the changing patterns of Iranian-Egyptian and Lebanese relations.
This volume focuses on interpreting the changing domestic and regional dynamics in the Arab world and Iran. Its chapters discuss an array of countries, events, actors, and issues - from an examination of the Arab Spring and the Tunisian democratic transition, to an exploration of the role of Saudi-Iranian geostrategic rivalry, to the impact of ethnic and sectarian politics in Syria, Iraq, and across the region. Chapters from expert contributors are organized into three parts. The first section of the volume covers the aspects and dynamics of change in the Arab world. The second examines the role of Islam, Islamism, Islamic governance, and sectarian and ethnic politics in the region. The third section focuses on Iranian domestic and regional politics. Yet the theme of transition is constant throughout as this multidisciplinary book draws connections across countries and events to not only inform about the prevailing regional situation, but also to invite readers to draw their own conclusions as to the future of the Middle East. Collectively the volume provides a fresh interpretation of the changing dynamics of the Arab world and Iran, unpacking the complexities of the disputes, conflicts, rivalries, failed goals, and processes of change and development that have made the Muslim Middle East so turbulent, directionless, and perpetually contested by both regional and international actors.
"Artistic expression in the Middle East is experiencing something of a renaissance. This book provides an overview of modern and contemporary art of the Middle East and Arab world from 1945 to the present, with an emphasis on artists active today"-OCLC
She Who Tells a Story introduces the pioneering work of twelve leading women photographers from Iran and the Arab world: Jananne Al-Ani, Boushra Almutawakel, Gohar Dashti, Rana El Nemr, Lalla Essaydi, Shadi Ghadirian, Tanya Habjouqa, Rula Halawani, Nermine Hammam, Rania Matar, Shirin Neshat and Newsha Tavakolian. As the Middle East has undergone unparalleled change over the past twenty years, and national and personal identities have been dismantled and rebuilt, these artists have tackled the very notion of representation with passion and power. Their provocative images, which range in style from photojournalism to staged and manipulated visions, explore themes of gender stereotypes, war and peace and personal life, all the while confronting nostalgic Western notions about women of the Orient and exploring the complex political and social landscapes of their home regions. Enhanced with biographical and interpretive essays, and including more than 100 reproductions of photographs and film and video stills, this book challenges us to set aside preconceptions about this part of the world and share in the vision of a group of vibrant artists as they claim the right to tell their own stories in images of great sophistication, expressiveness and beauty.
Why is Iran continuously in the news? How has the Islamic Republic developed ideologically since the 1979 revolution? What are the best ways of comprehending the country at this critical juncture in its history? These are some of the questions at the heart of Arshin Adib-Moghaddam's book, which offers novel methodological and theoretical insights in explaining the foreign relations and domestic politics of post-revolutionary Iran. From the nuclear issue, to the perpetual stand-off with the United States, from the future of Iranian democracy to Iranian-Arab relations, from American neo-conservatism to Islamic utopian-romanticism, from Avicenna to Ayatollah Khomeini, the author guides the reader through the complexities that bedevil our understanding of contemporary Iran. In exposing the limitations of mainstream representations of the country and the wider Muslim world, Iran in World Politics makes a powerful case for 'critical Iranian studies', for a new system of thought that pluralises both the way we see Iran, and the international politics enveloping the country.
A New York Times Notable Book of 2020 “[A] sweeping and authoritative history" (The New York Times Book Review), Black Wave is an unprecedented and ambitious examination of how the modern Middle East unraveled and why it started with the pivotal year of 1979. Kim Ghattas seamlessly weaves together history, geopolitics, and culture to deliver a gripping read of the largely unexplored story of the rivalry between between Saudi Arabia and Iran, born from the sparks of the 1979 Iranian revolution and fueled by American policy. With vivid story-telling, extensive historical research and on-the-ground reporting, Ghattas dispels accepted truths about a region she calls home. She explores how Sunni Saudi Arabia and Shia Iran, once allies and twin pillars of US strategy in the region, became mortal enemies after 1979. She shows how they used and distorted religion in a competition that went well beyond geopolitics. Feeding intolerance, suppressing cultural expression, and encouraging sectarian violence from Egypt to Pakistan, the war for cultural supremacy led to Iran’s fatwa against author Salman Rushdie, the assassination of countless intellectuals, the birth of groups like Hezbollah in Lebanon, the September 11th terrorist attacks, and the rise of ISIS. Ghattas introduces us to a riveting cast of characters whose lives were upended by the geopolitical drama over four decades: from the Pakistani television anchor who defied her country’s dictator, to the Egyptian novelist thrown in jail for indecent writings all the way to the murder of journalist Jamal Khashoggi in the Saudi consulate in Istanbul in 2018. Black Wave is both an intimate and sweeping history of the region and will significantly alter perceptions of the Middle East.
These essays examine Iran’s place in the world--its relations and cultural interactions with its immediate neighbors and with empires and superpowers from the beginning of the Safavid period in 1501 to the present day. The book provides important historical background on recent political and social developments in Iran and on its contemporary foreign relations. The topics explored include Iranian influence abroad on political organization, religion, literature, art, and diplomacy, as well as Iran's absorption of foreign influences in these areas. A special focus is the prevailing political culture of Iran throughout its early modern and contemporary periods. The authors combine approaches from history, political science, anthropology, international relations, and culturalstudies. Some essays address Iran’s interactions with various Arab and Turkic ethnicities in the region stretching from India to Egypt. Others examine its relations with the West during the Qajar and Pahlavi eras, women's issues, culture inside Iran during the Islamic Republic, and the Shi`ite theocracy of Iran as compared with other Muslim states.
For four decades Saudi Arabia and Iran have vied for influence in the Muslim world. At the heart of this ongoing Cold War between Riyadh and Tehran lie the Sunni-Shia divide, and the two countries' intertwined histories. Saudis see this as a conflict between Sunni and Shia; Iran's ruling clerics view it as one between their own Islamic Republic and an illegitimate monarchy. This foundational schism has played out in a geopolitical competition for dominance in the region: Iran has expanded its influence in Syria, Iraq and Lebanon, while Saudi Arabia's hyperactive crown prince, Muhammad bin Salman, has intervened in Yemen, isolated Qatar and destabilized Lebanon. Dilip Hiro examines the toxic rivalry between the two countries, tracing its roots and asking whether this Islamic Cold War is likely to end any time soon.
GCC-Iran relations are at the heart of important political dynamics in the Middle East today. This is not limited to the ongoing disputes in the Gulf, one of the most important strategic locations globally. Iran and the GCC states also find themselves on opposing sides in the Syrian and to some extent the Iraqi conflicts. This volume traces the origins of the troubled relations between Iran and the majority of the GCC monarchies. It discusses not only geostrategic rivalries, but also matters of identity which have been of increased importance since 2010. While important differences are noticeable among the GCC monarchies in regard to their willingness to engage Iran, the difficult relationship between Saudi Arabia and Iran puts a strain on the possibilities for engagement between Iran and the GCC as a whole.
Despite their rich tradition of calligraphy, the Arab World and Persia are not known for their contemporary graphic design, illustration and typography. Especially now, it's worth taking a look at the region's creativity. Young designers are just beginning to chart their own compelling course between local visual convention and a modern, international style. Arabesque investigates the creative potential of the Arab World and Iran. This book features examples of recent innovative and groundbreaking design work that is inspired by the richness of the region's visual culture. Given the important role of calligraphy in the Middle East, Arabesque focuses on typography. The book presents a wide range of Arabic fonts and typefaces inspired by traditional calligraphy; these are accompanied by a rich selection of applications. Further examples of design and graffiti serve as powerful demonstrations of how text can be used illustratively. This work is particularly relevant to those now creating street art and poster design. Arabesque also features graphic design, logos and illustration by young designers and activists from Egypt, Iran, Saudi Arabia and the United Arab Emirates, which is complemented by selected projects by Western designers, who are strongly influenced by Arab culture. Regardless of the location and ancestry of their creators, all of the examples included in Arabesque combine modern design with the traditional, letter-based canon of Arab forms in striking ways. Supplemental texts describe the environments in which the featured designers and artists work. Arabesque also includes a CD-ROM that features a typeface created by the book's editors, Ben Wittner and Sascha Thoma.