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Gathers highlights from the season's ten best plays and information on plays produced in the United States
(Applause Books). The Applause Best Plays Yearbook was started by Burns Mantle in 1919 and has appeared every year since then, becoming the standard reference book for American Theater. This volume features synposes and excerpts for the ten best plays of the 1991-1992 season, including: Conversations With My Father * Crazy for You * Dancing at Lughnasa * The Extra Man * Fires in the Mirror * Lips Together, Teeth Apart * Mad Forest * Marvin's Room * Sight Unseen * Two Trains Running. This value-packed volume also includes Al Hirschfeld's complete gallery of the theater season as well as essays and statistics about the season around the United States, the Off-Off-Broadway season, the various awards, and more. Also includes lots of photos from the productions.
original paperback
Traces the contributions of women to the American theater and offers the texts of five plays that deal with a sick child, a murdered husband, and family life
A collection of plays by such authors as Moliere, August Strindberg, Langston Hughes, Susan Zeder, Wendy Kesselman, and Laurence Yep.
(Applause Books). Jewish playwrights and plays of Jewish interest intended for general audiences have been increasingly conspicuous on the American stage since the early 20th century. No wonder. The evolution of Jewish life in America teems with richly dramatic material: immigration, "making it," intergenerational family relationships, the impact of the Great Depression, two World Wars, the Holocaust, the establishment of Israel, and the emergence of feminism and alternative life styles. And pre-eminently and enduringly, the dilemma of identity: how to acculturate without losing one's Jewish identity. A retrospective of the American Jewish repertoire of the last 80 years tells us a good deal about how Jews have perceived themselves and America and how America has perceived Jews. Schiff's collections, Awake and Singing (1995) and Fruitful and Multiplying (1996) were the first ever to represent the magnitude and importance of the American Jewish repertoire. This new edition brings together five plays from those pioneering anthologies: Elmer Rice's Counsellor-at-Law ; Clifford Odets' Awake and Sing! ; Sylvia Regan's Morning Star ; Paddy Chayefsky's The Tenth Man ; and Herb Gardner's Conversations with My Father . They are joined by Broken Glass , Arthur Miller's first play to focus specifically on deeply disturbing American Jewish problems: assimilation, self-hatred and terrified awareness of the Nazi threat to European co-religionists. The introductory essay provides a cultural and historical overview and there are generous headnotes to each play.