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Salomone da Sesso was a virtuoso goldsmith in Renaissance Italy. Brought down by a sex scandal, he saved his skin by converting to Catholicism. Tamar Herzig explores Salamone’s world—his Jewish upbringing, his craft and patrons, and homosexuality. In his struggle for rehabilitation, we see how precarious and contested was the meaning of conversion.
The current controversy surrounding new religions has brought to the forefront the role of apostates. These individuals leave highly controversial movements and assume roles in other organizations as public opponents against their former movements. This volume examines the motivations of the apostates, how they are recruited and play out their roles, the kinds of narratives they construct to discredit their previous groups, and the impact of apostasy on the outcome of conflicts between movements and society.
Folktales from Eastern Europe presents 71 tales from Ashkenasic culture in the most important collection of Jewish folktales ever published. It is the second volume in Folktales of the Jews, the five-volume series to be released over the next several years, in the tradition of Louis Ginzberg's classic, Legends of the Jews. The tales here and the others in this series have been selected from the Israel Folktale Archives at The University of Haifa, Israel (IFA), a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the Ashkenasic culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This volume and the others to come will be monuments to a rich but vanishing oral tradition
Story-telling has been an integral part of the hasidic movement from its inception. Stories about the hasidic leaders and their mystical powers attracted followers and maintained their devotion, and still do so today. This important work, based on analysis of all the published anthologies of such stories, presents them by theme and traces their origins. Originally published in Hebrew and expanded for this edition, it makes a fascinating contribution to the history of hasidism, of Hebrew literature, and of Jewish popular culture.
Reconstructing Ashkenaz shows that, contrary to traditional accounts, the Jews of Western Europe in the High Middle Ages were not a society of saints and martyrs. David Malkiel offers provocative revisions of commonly held interpretations of Jewish martyrdom in the First Crusade massacres, the level of obedience to rabbinic authority, and relations with apostates and with Christians. In the process, he also reexamines and radically revises the view that Ashkenazic Jewry was more pious than its Sephardic counterpart.
Against the Galileans (where "Galileans" meant the followers of the man from Galilee, or Christians) was written by the last pagan Emperor of Rome, Flavius Claudius Julianus, who lived from 331-363 AD, as part of his attempts to reverse the Empire's conversion to Christianity started by Emperor Constantine in 313 AD. This work was acknowledged by one of Julian's greatest critics, Cyril, the Patriarch of Alexandria, as one of the most powerful books of its sort ever written. Even though Cyril was Patriarch nearly 90 years after Julian's death, he was motivated to write a refutation titled Contra Iulianum ("Against Julian"). For more than 200 years, Julian's book remained the standard criticism of Christianity. Finally, in an attempt to suppress the work, the Emperor Justinian I (527-565) ordered all copies of the book destroyed. As a result, the only record of Julian's book remained in the parts quoted from in it in Cyril's criticism. It was only more than 1,200 years later that the English classical scholar Thomas Taylor (1758-1835) first translated Cyril's work into English-and from that, attempted a reconstruction of Julian's book based on Julian's quotes from Cyril's work. Taylor titled this manuscript "The Arguments of the Emperor Julian against the Christians, translated from the Greek fragments preserved from the Greek fragments preserved by Cyril Bishop of Alexandria, to which are added, Extracts from the other works of Julian relative to the Christians" and privately published his reconstruction in 1809 for a very limited circle of friends. Taylor's reconstruction was finally published for a larger audience by William Nevis in 1873. This new edition contains the full Taylor reconstruction, along with his original appendices. From 1913 to 1923, British-American classical philologist and Professor of Greek at Bryn Mawr College, Pennsylvania, Wilmer Cave Wright, retranslated all of Julian's works. Wright included a new translation of the exact quotes only from Julian, as reproduced by Cyril, and some other remaining fragments. Wright's original manuscript is also included in this new edition, making it to be the most complete reconstruction of Julian's book ever printed.
This book is designed as an instructional manual for anyone whoever said, “I do not understand what is happening in the churches. Why are pastors untrustworthy? Why are the members of churches acting worse than those who do not know God? And why is the church mundane and cold?” The author is taking a bold stand to address the elephant in the room. He reveals that there are two different churches on earth currently—the church of Jesus Christ and the counterfeit. Each church has chosen a platform to stand on. On the platform of holiness stands the church of Jesus, the true church. This church is managed by the Holy Spirit, just like the church of Pentecost. There are very few of them, but they remain holy and preach the true gospel of Jesus Christ. They show justice, righteousness, holiness, and confirm the love and power of God and the resurrection of Jesus by performing miracles. In contrast, the counterfeit church stands on a materialistic platform. This church pledges allegiance to a different master. It is selfish, lawless, and unjust. It rejects the power of God and has evicted the Holy Spirit. Its mission is to discredit the true Jesus. It has no ethics, no brotherly love. It prefers a feel-good, do-good gospel instead of the genuine gospel of Jesus and his apostles. It seeks power, prestige, and the love of the world. In the book, the author reveals that this rogue, materialistic, unjust, and unrighteous Christian church is the instrument of Satan, part of the false religion that will usher the days of the Antichrist. As its members infiltrate the true church, this book is a call reminding the true Christian to take a stand for justice and righteousness, to be sanctified, and to receive the anointing of the Holy Spirit. Go purchase oil for your lamp now because the window of opportunity is closing. Jesus is coming to take his own home soon, and those who do not have oil in their lamp and are not holy will not be allowed in the wedding chamber to see the king.