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'The Jewish people in its very being constitutes a living protest against a world of hatred, violence and war' - Emeritus Chief Rabbi, Lord Sacks The history of Jewish persecution is as old as the written word, though the epithet `antisemitism` was only conceived in the late nineteenth century as it reached the beginning of its most horrifying chapter. Throughout Christian history the hatred and prejudice towards the Jewish people have often been blamed on the betrayal and crucifixion of Christ, but ethnic Jewish oppression began long before. It is beyond dispute that antisemitism in our societies is on the increase. Following the Israeli bombing of Gaza, antisemitic feeling has grown significantly - though a prominent group of French Orthodox Jews in Paris recently demonstrated with placards saying 'Israeli action in Gaza is not the action of the Jewish people`. Yet still Jewish graves are desecrated and Synagogues daubed with swastikas. John Mann has assembled a Reader on the theme of antisemitism ranging from the writings of Charlie Chaplin, Albert Einstein and Jean-Paul Sartre to George Washington, Jesse Jackson and Emile Zola. The book is published under the auspices of the 'All-Party Parliamentary Group Against Anti-Semitism' and will come to be seen as a contribution of major importance on a subject of incipient lethal danger.
English comedy from the fifteenth to the early seventeenth century abounds in song lyrics, but most of the original tunes were thought to have been lost--until now. By deducing that playwrights borrowed melodies from songs they already knew, Ross W. Duffin has used the existing English repertory of songs, both popular and composed, to reconstruct hundreds of songs from more than a hundred plays and other stage entertainments. Thanks to Duffin's incredible breakthrough, these plays have been rendered performable with period music for the first time in five hundred years. Some Other Note not only brings these songs back from the dead, but tells a thrilling tale of the investigations that unraveled these centuries-old mysteries.
Drawing on both historical analysis and theories from the modern affective sciences, Shakespeare and Disgust argues that the experience of revulsion is one of Shakespeare's central dramatic concerns. Known as the 'gatekeeper emotion', disgust is the affective process through which humans protect the boundaries of their physical bodies from material contaminants and their social bodies from moral contaminants. Accordingly, the emotion provided Shakespeare with a master category of compositional tools – poetic images, thematic considerations and narrative possibilities – to interrogate the violation and preservation of such boundaries, whether in the form of compromised bodies, compromised moral actors or compromised social orders. Designed to offer both focused readings and birds-eye coverage, this volume alternates between chapters devoted to the sustained analysis of revulsion in specific plays (Titus Andronicus, Timon of Athens, Coriolanus, Othello and Hamlet) and chapters presenting a general overview of Shakespeare's engagement with certain kinds of prototypical disgust elicitors, including food, disease, bodily violation, race and sex disgust. Disgust, the book argues, is one of the central engines of human behaviour – and, somewhat surprisingly, it must be seen as a centrepiece of Shakespeare's affective universe.
Originaly published in 1991, this volume contains the full text of Richard Brathwait's 'Whimzies,' alongside textual notes including chapters on the character as a literary genre, the overburian characters and an annotation of the text.