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The Revelation to John by Stephen Smalley is a magisterial interpretation of John's Apocalypse as a grand drama, which can only be properly understood in light of John's Gospel and letters and in the context of the Johannine community. As such, it offers the reader a significantly different approach to this enigmatic text than that offered by most contemporary commentaries. Working directly from the Greek text, Smalley offers a masterful analysis of the critical and literary dimensions of the Apocalypse for students and scholars alike. Contents include an in-depth, critical analysis of the Greek text of Revelation a wealth of scholarly interaction with other commentaries and interpretations of Revelation a canonical assessment of Revelation in light of other Johannine texts a historical understanding of Revelation in the context of the Johannine community an interpretation of Revelation as cosmic drama Here is a fresh contribution to the scholarly study of this captivating but often perplexing book of the Bible. Smalley demonstrates that the Apocalypse speaks directly to any situation in any age and offers a portrait of God's loving justice that is relevant to our own society.
Shows how to discern the theological and homiletical message of the book of Revelation through narrative analysis.
The book deals with the relation between identity, ethics, and ethos in the New Testament. The focus falls on the way in which the commandments or guidelines presented in the New Testament writings inform the behaviour of the intended recipients. The habitual behaviour (ethos) of the different Christian communities in the New Testament are plotted and linked to their identity. Apart from analytical categories like ethos, ethics, and identity that are clearly defined in the book, efforts are also made to broaden the specific analytical categories related to ethical material. The way in which, for instance, narratives, proverbial expressions, imagery, etc. inform the reader about the ethical demands or ethos is also explored.
The act of martyrdom in the worldview of the Apocalypse has been considered to be an exemplification of non-violent resistance. Paul Middleton argues here, however, that it is in fact a representation of direct participation by Christians, through their martyrdom, in divine violence against those the author of Revelation portrays as God's enemies. Middleton shows that acceptance of martyrdom is to grasp the invitation to participate in the Revelation's divine violence. Martyrs follow the model laid down by the Lamb, who was not only slain, but resurrected, glorified, and who executes judgement. The world created by the Apocalypse encourages readers to conquer the Beast through martyrdom, but also through the experience of resurrection and being appointed judges. In this role, martyrs participate in the judgement of the wicked by sharing the Lamb's power to judge. Different from eschewing violence, the conceptual world of the Apocalypse portrays God, the Lamb, and the martyrs as possessing more power, might, and violent potential than the Emperor and his armies. Middleton believes that martyrdom and violence are necessary components of the worldview of Revelation.
This book argues that the throne motif constitutes the major interpretive key to the complex structure and theology of the book of Revelation. In the first part of the book, Gallusz examines the throne motif in the Old Testament, Jewish literature and Graeco-Roman sources. He moves on to devote significant attention to the throne of God texts of Revelation and particularly to the analysis of the throne-room vision (chs. 4&5), which is foundational for the development of the throne motif. Gallusz reveals how Revelation utilizes the throne motif as the central principle for conveying a theological message, since it appears as the focus of the author from the outset to the climax of the drama. The book concludes with an investigation into the rhetorical impact of the motif and its contribution to the theology of Revelation. Gallusz finally shows that the throne, what it actually represents, is of critical significance both to Revelation's theism and to God's dealing with the problem of evil in the course of human history.