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The creation of the “Greek style” and its pervasive impact in England and on the Continent during the third quarter of the eighteenth century was largely due to James Stuart’s landmark multi-volume publication Antiquities of Athens, coauthored with Nicholas Revett. Stuart, subsequently known as “Athenian” Stuart, went on to a highly influential career that spanned the fields of architecture, interior decoration, furnishings, sculpture, and metalwork. This lavishly illustrated book is the first to examine Stuart’s multi-dimensional career and the full scope of his contributions as designer, artist, and tastemaker. An international team of scholars consider each area of Stuart’s work, his early training, interest in archaeology, unique network of patrons, poor record for completing projects, and legacy. With illustrations and discussion of the stunning neo-classical furnishings he created at Spencer House, the Greek Doric Temple at Hagley, and numerous other remarkable projects, the book brings Stuart’s achievements to light more clearly than ever before.
This book is a comprehensive introduction to ancient Athens, its topography, monuments, inhabitants, cultural institutions, religious rituals, and politics. Drawing from the newest scholarship on the city, this volume examines how the city was planned, how it functioned, and how it was transformed from a democratic polis into a Roman urbs.
This book explores the development of the city of Athens after the Greek War of Independence. It presents the process of creation of a neo-classical capital, in the place of a pre-existing town with the remains of a long history. The book examines the treatment of the pre-revolutionary town, its connection with the neo-classical city, the position of old churches in this antiquity-centered capital, and the factors that influenced the implementation of the projects for the new capital and their consequences on the city’s evolution. It will be of interest to historians, geographers, architects and scholars of Europe.
Quatremére de Quincy, the most famous art critic at the end of the Enlightenment, published two sets of letters about the role of museums. He first implored them to return works of art to their original settings but later argued in favor of the museum as a place where artworks can be safely stored and made available for artists to study. Immensely contraversial and influential since they were written two centuries ago, Quatremére's texts sum up the most bewildering moment of the debate on museums: did the new institution inauguate the death of art, or bring it to its perfection? This volume offers the first English translation of the letters, as well as an extensive introduction that reveals their content, the reason for their intellectual success, and how they enlarge contemporary disputes about cultural property, national claims and universal beauty.
The definitive work on the monuments of ancient Athens and Attica In this book, a leading authority on the archaeology of ancient Greece presents a survey of the monuments—first chronologically and then site by site. John M. Camp begins with a comprehensive narrative history of the monuments from the earliest times to the sixth century A.D. Drawing on literary and epigraphic evidence, including Plutarch’s biographies, Pausanias’s guidebook, and thousands of inscriptions, he discusses who built a given structure, when, and why. Camp presents dozens of passages in translation, allowing the reader easy access to the variety and richness of the ancient sources. In effect, this main part of the book provides an engrossing history of ancient Athens as recorded in its archaeological remains. The second section of the book offers in-depth discussions of individual sites in their physical context, including accounts of excavations in the modern era. Written in a clear and engaging style and lavishly illustrated, Camp’s archaeological tour of Athens is certain to appeal not only to scholars and students but also to visitors to the area.
Based on her study of Greek pottery sherds and vases and on her profound hands-on knowledge of pottery construction techniques, including experiments with the potting of Attic shapes, Toby Schreiber describes how ancient Greek potters constructed their vases. Drawn in large part from vases and fragments in the collection of the Getty Museum, the many photographs that accompany the text show how much even seemingly insignificant sherds may reveal about technique when studied by someone knowledgeable about potting. The drawings - all done by the author - demonstrate step by step with admirable clarity how the potter executed his craft. Written by a master potter, this is a book both for those who know little or nothing about potting techniques and for those who already have an understanding of these matters.