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Historian McRandle contends that war is a deep-rooted human institution, like marriage and food sharing, that depends on ritual and myth. He began his inquiry after being struck by the similarity of letters from common soldiers as long as 2,000 years ago, and has mustered evidence from psychological concepts, literature, and studies of animal behavior. He suggests that soldiers raping conquered women, rather than an atrocious side effect of war, may be its fundamental purpose. Annotation copyright by Book News, Inc., Portland, OR
Alan Dawson was a legendary drummer and educator, known for his work with the top artists in jazz as well as for his 18-year association with Berklee College of Music. This new text and online audio combination was put together by John Ramsay, a prominent drummer in his own right and a former student of Dawson's. The book contains all the important techniques and concepts that Alan Dawson embraced in his own playing and subsequently taught to his students. The recordings include some remastered audio examples from actual lessons taught by Dawson himself over the years. This is a highly comprehensive textbook from a jazz master.
Have humans always fought and killed each other, or did they peacefully coexist until organized states developed? Is war an expression of human nature or an artifact of civilization? Questions about the origins and inherent motivations of warfare have long engaged philosophers, ethicists, and anthropologists as they speculate on the nature of human existence. In How War Began, author Keith F. Otterbein draws on primate behavior research, archaeological research, and data gathered from the Human Relations Area Files to argue for two separate origins. He identifies two types of military organization: one that developed two million years ago at the dawn of humankind, wherever groups of hunters met, and a second that developed some five thousand years ago, in four identifiable regions, when the first states arose and proceeded to embark upon military conquests. In careful detail, Otterbein marshals evidence for his case that warfare was possible and likely among early Homo sapiens. He argues from comparison with other primates, from Paleolithic rock art depicting wounded humans, and from rare skeletal remains embedded with weapon points to conclude that warfare existed and reached a peak in big game hunting societies. As the big game disappeared, so did warfare--only to reemerge once agricultural societies achieved a degree of political complexity that allowed the development of professional military organizations. Otterbein concludes his survey with an analysis of how despotism in both ancient and modern states spawns warfare. A definitive resource for anthropologists, social scientists, and historians, How War Began is written for all who areinterested in warfare, whether they be military buffs or those seeking to understand the past and the present of humankind. --Publlisher.
“Haunted and haunting. . . . With fearlessness and humility, in a narrative that flows more artfully than ever between destruction and rebirth, Erdrich has opened herself to possibilities beyond what we merely see—to the dead alive and busy, to the breath of trees and the souls of wolves—and inspires readers to open their hearts to these mysteries as well.”— Washington Post Book World From the author of the National Book Award Winner The Round House, Louise Erdrich's breathtaking, lyrical novel of a priceless Ojibwe artifact and the effect it has had on those who have come into contact with it over the years. While appraising the estate of a New Hampshire family descended from a North Dakota Indian agent, Faye Travers is startled to discover a rare moose skin and cedar drum fashioned long ago by an Ojibwe artisan. And so begins an illuminating journey both backward and forward in time, following the strange passage of a powerful yet delicate instrument, and revealing the extraordinary lives it has touched and defined. Compelling and unforgettable, Louise Erdrich's Painted Drum explores the often-fraught relationship between mothers and daughters, the strength of family, and the intricate rhythms of grief with all the grace, wit, and startling beauty that characterizes this acclaimed author's finest work.
Miscellaneous Percussion Music - Mixed Levels
Miscellaneous Percussion Music - Mixed Levels
Thoroughly revised to include 25 conflicts not covered in the previous edition, as well as expanded and updated information on previous coverage, this illustrated reference presents descriptions and analyses of more than 170 significant post-World War II conflicts around the globe. Organized by region for ease of access, "Encyclopedia of Conflicts Since World War II, Second Edition" provides clear, in-depth explanations of events not covered in such detail in any other reference source. Including more than 180 detailed maps and 150 photos, the set highlights the conflicts that dominate today's headlines and the events that changed the course of late twentieth-century history.
In the early decades of the American Republic, American soldiers demonstrated and defined their beliefs about the nature of American republicanism and how they, as citizens and soldiers, were participants in the republican experiment through their service. In For Liberty and the Republic, Ricardo A. Herrera examines the relationship between soldier and citizen from the War of Independence through the first year of the Civil War. The work analyzes an idealized republican ideology as a component of soldiering in both peace and war. Herrera argues that American soldiers’ belief system—the military ethos of republicanism—drew from the larger body of American political thought. This ethos illustrated and informed soldiers’ faith in an inseparable connection between bearing arms on behalf of the republic, and earning and holding citizenship in it. Despite the undeniable existence of customs, organizations, and behaviors that were uniquely military, the officers and enlisted men of the regular army, states’ militias, and wartime volunteers were the products of their society, and they imparted what they understood as important elements of American thought into their service. Drawing from military and personal correspondence, journals, orderly books, militia constitutions, and other documents in over forty archives in twenty-three states, Herrera maps five broad, interrelated, and mutually reinforcing threads of thought constituting soldiers’ beliefs: Virtue; Legitimacy; Self-governance; Glory, Honor, and Fame; and the National Mission. Spanning periods of war and peace, these five themes constituted a coherent and long-lived body of ideas that informed American soldiers’ sense of identity for generations.
If, as many have argued, the Civil War is the most crucial moment in our national life and Gettysburg its turning point, then the climax of the climax, the central moment of our history, must be Pickett's Charge. But as Carol Reardon notes, the Civil War saw many other daring assaults and stout defenses. Why, then, is it Pickett's Charge at Gettysburg--and not, for example, Richardson's Charge at Antietam or Humphreys's Assault at Fredericksburg--that looms so large in the popular imagination? As this innovative study reveals, by examining the events of 3 July 1863 through the selective and evocative lens of 'memory' we can learn much about why Pickett's Charge endures so strongly in the American imagination. Over the years, soldiers, journalists, veterans, politicians, orators, artists, poets, and educators, Northerners and Southerners alike, shaped, revised, and even sacrificed the 'history' of the charge to create 'memories' that met ever-shifting needs and deeply felt values. Reardon shows that the story told today of Pickett's Charge is really an amalgam of history and memory. The evolution of that mix, she concludes, tells us much about how we come to understand our nation's past.
A New York Times Notable BookAn ALA Notable Book "Original and illuminating." --The Washington Post What draws our species to war? What makes us see violence as a kind of sacred duty, or a ritual that boys must undergo to "become" men? Newly reissued in paperback, Blood Rites takes readers on an original journey from the elaborate human sacrifices of the ancient world to the carnage and holocaust of twentieth-century "total war." Ehrenreich sifts deftly through the fragile records of prehistory and discovers the wellspring of war in an unexpected place -- not in a "killer instinct" unique to the males of our species, but in the blood rites early humans performed to reenact their terrifying experiences of predation by stronger carnivores. Brilliant in conception and rich in scope, Blood Rites is a monumental work that continues to transform our understanding of the greatest single threat to human life.