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A study of Atlantic slavery generated by the visual arts. It considers in detail four sites which have generated particularly influential imagery: the middle passage; flight/escape; slave torture/punishment; and the popular imagery which evolved around Stowe's classic abolition text, Uncle Tom's Cabin.
Examining activist performance techniques, this book shows how women and men could deeply influence public life in the nineteenth century.
In the waning decades of British colonial slavery, the Atlantic Ocean became a corridor for ethical advocacy to call attention to the condition of slaves, ex-slaves and North American Natives. A two-way flow of activists, orators, articles, pamphlets and opinions transformed the Atlantic into an effective trans-national network. This book asks how the Atlantic network created, shared and exploited individual texts in the manufacture of valuable advocacy products.
Though Massachusetts banned slavery in 1780, prior to the Civil War a law prohibiting marriage between whites and blacks reinforced the state’s racial caste system. Amber Moulton recreates an unlikely collaboration of reformers who sought to rectify what they saw as an indefensible injustice, leading to the legalization of interracial marriage.