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This study challenges the conventional polarities used to describe British politics of the 1790s; Pitt versus Fox, Burke versus Paine, Church versus Dissent, ruling class versus working class, Jacobin versus anti-Jacobin. Such polarities were sedulously promoted by Pitt's wartime government, which applied 'Jacobin' shamelessly to all its critics and opponents, and thus foreshadowed the McCarthyite tactic of guilt by association. The author seeks to make the less strident but more persuasive contemporary voices again audible. He takes seriously those who questioned the necessity for Burke's crusade to destroy the French republic, and who deplored Britain's alliance with the partitioners of Poland.
The years 1780 to 1820 have long been seen as the Golden Age of the English satirical print. This period witnessed a number of changes in style which had far-reaching consequences, including an increase in the effectiveness of the caricature as visual propaganda. William Pitt the Younger and Charles James Fox were the leading politicians of the age, continuing a family rivalry begun by their fathers. They were amongst the most caricatured men of their time and became emblems of the two sides of the political debate whilst gathering personal followings, based upon personality rather than filial or political patronage. Fox and Pitt the Younger came to represent a more modern notion of the party leader, in an age before formalized political parties and structures. Neil Howe here shows how `stock images' came to the fore and examines the central role they played within the visual representation of politicians during the late-eighteenth century. His book also chronicles how the biggest political rivalry of the age played out within contemporary caricature, from the emergence of Fox and Pitt as big political beasts in the wake of the American Revolution, though the East India Bill Crisis; Regency Crisis and French Revolution to the death of both men in 1806.
This book explores a significant lacuna in British history. Between the 1790s and the 1840s, the concept of psychological androgyny or the unsexed mind emerged as a notion of psychosexual equality, promoted by a small though influential network of heterodox radicals on the margins of Rational Dissent. Deeply concerned with the growing segregation of the sexes, supported seemingly by arbitrary and increasingly binary models of sexual difference, heterodox radicals insisted that while the body might be sexed, the mind was not. They argued that society and the prejudicial masculinist institutions of patriarchy should be reformed to accommodate and protect what one radical described as an ‘infinitely varied humanity’. In placing the concept of psychological androgyny centre stage, this book offers a substantial revision to understandings of progressive debates on gender in the late eighteenth and early nineteenth-century in Britain.