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An annotated and copiously illustrated edition of the 24 short stories published between 1914 and 1919 by Ring Lardner, which include the stories collected later and known as "You know me, Al."
This collection of fresh essays examines the intersection of baseball and social class, pointing to the conclusion that America's game, infused from its origins with a democratic mythos and founded on high-minded principles of meritocracy, is nonetheless fraught with problematic class contradictions. Each essayist has explored how class standing has influenced some aspect of the game as experienced by those who play it, those who watch it, those who write about it, and those who market it. The topic of class is an amorphous one and in tying it to baseball the contributors have considered matters of race, education, locality, integration, assimilation, and cultural standing. These elements are crucial to understanding how baseball creates, preserves, reinforces and occasionally assails class divisions among those who watch, play, and own the game.
At the height of the Jazz Age, Ring Lardner was America’s most beloved humorist, equally admired by a popular audience and by literary friends like F. Scott Fitzgerald and Edmund Wilson. A sports writer who became a sensation with his comic baseball bestseller, You Know Me Al, Lardner had a rare gift for inspired nonsense and an ear attuned to the rhythms and hilarious oddities of American speech. He was also a sharp and dispassionate observer of the American scene. His best stories—among them such masterpieces as “Haircut,” “The Golden Honeymoon,” “A Caddy’s Diary,” and “The Love Nest”—cast a devastating eye on the hypocrisies, prejudices, and petty scheming of everyday life. In this Library of America edition, editor Ian Frazier surveys the whole sweep of Lardner’s talents, offering contemporary readers his finest stories, the full texts of You Know Me Al, The Big Town, and the long out-of-print The Real Dope, and a generous sampling of his humor pieces, sports reporting, song lyrics, and surrealist playlets. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Focusing on the ten most influential baseball books of all time, this volume explores how these landmark works changed the game itself and made waves in American society at large. Satchel Paige's Pitchin' Man informed the dialog surrounding integration. Ring Lardner's You Know Me Al changed the way Americans viewed their baseball heroes and influenced the work of Hemingway and Fitzgerald. Bill James's Baseball Abstract transformed the way managers--including those in fields other than baseball--analyzed numbers. Pete Rose's My Story and My Prison Without Bars exposed and deepened a cultural divide that paved the way for Donald Trump.
The Encyclopedia of American Journalism explores the distinctions found in print media, radio, television, and the internet. This work seeks to document the role of these different forms of journalism in the formation of America's understanding and reaction to political campaigns, war, peace, protest, slavery, consumer rights, civil rights, immigration, unionism, feminism, environmentalism, globalization, and more. This work also explores the intersections between journalism and other phenomena in American Society, such as law, crime, business, and consumption. The evolution of journalism's ethical standards is discussed, as well as the important libel and defamation trials that have influenced journalistic practice, its legal protection, and legal responsibilities. Topics covered include: Associations and Organizations; Historical Overview and Practice; Individuals; Journalism in American History; Laws, Acts, and Legislation; Print, Broadcast, Newsgroups, and Corporations; Technologies.
America loves sports. This book examines and details the proof of this fascination seen throughout American society—in our literature, film, and music; our clothing and food; and the iconography of the nation. This momentous four-volume work examines and details the cultural aspects of sport and how sport pervasively reflects—and affects—myriad aspects of American society from the early 1900s to the present day. Written in a straightforward, readable manner, the entries cover both historical and contemporary aspects of sport and American culture. Unlike purely historical encyclopedias on sports, the contributions within these volumes cover related subject matter such as poetry, novels, music, films, plays, television shows, art and artists, mythologies, artifacts, and people. While this encyclopedia set is ideal for general readers who need information on the diverse aspects of sport in American culture for research purposes or are merely reading for enjoyment, the detailed nature of the entries will also prove useful as an initial source for scholars of sport and American culture. Each entry provides a number of both print and online resources for further investigation of the topic.
Ring Lardner, America's great humorist and shortstory writer, began his career as a sports writer. Because of his interest in baseball, he began putting stories in his newspaper column that were purportedly written by unlettered athletes. Lardner, who had an excellent ear for dialogue, actually wrote these stories in the voice of the fictional rookie ballplayer Jack Keefe, a White Sox pitcher, who writes letters to his friend Al Blanchard back home in Bedford, Indiana. Several streams of American comic tradition merge in You Know Me Al: the comic letter, the wisecrack, the braggart character, the use of sporting vocabulary and fractured English as a means to apologetics. This collection of short stories revealed Lardner's talent for the sports idiom he made famous. Usually cynical and pessimistic, his stories are peopled by ordinary characters. Lardner often used his own experiences as the model or inspiration for the fiction he wrote.
Propounding his "small ball theory" of sports literature, George Plimpton proposed that "the smaller the ball, the more formidable the literature." Of course he had the relatively small baseball in mind, because its literature is formidable--vast and varied, instructive, often wildly entertaining, and occasionally brilliant. From this bewildering array of baseball books, Ron Kaplan has chosen 501 of the best, making it easier for fans to find just the books to suit them (or to know what they're missing). From biography, history, fiction, and instruction to books about ballparks, business, and rules, anyone who loves to read about baseball will find in this book a companionable guide, far more fun than a reference work has any right to be.
James T. Farrell and Baseball is a social history of baseball on Chicago’s South Side, drawing on the writings of novelist James T. Farrell along with historical sources. Charles DeMotte shows how baseball in the early decades of the twentieth century developed on all levels and in all areas of Chicago, America’s second largest city at the time, and how that growth intertwined with Farrell’s development as a fan and a writer who used baseball as one of the major themes of his work. DeMotte goes beyond Farrell’s literary focus to tell a larger story about baseball on Chicago’s South Side during this time—when Charles Comiskey’s White Sox won two World Series and were part of a rich baseball culture that was widely played at the amateur, semipro, and black ball levels. DeMotte highlights the 1919–20 Black Sox fix and scandal, which traumatized not only Farrell and Chicago but also baseball and the broader culture. By tying Farrell’s fictional and nonfictional works to Chicago’s vibrant baseball history, this book fills an important gap in the history of baseball during the Deadball Era.