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THREE BOOKS FOR THE PRICE OF ONE. Stay in with a selection of three of Anna Bell's cosy, laugh-out-loud stories, in one volume for the first time! THE BUCKET LIST TO MEND A BROKEN HEART Abi's barely left her bed since Joseph, the love of her life, dumped her, saying they were incompatible. When Joseph leaves a box of her possessions on her doorstep, she finds a bucket list of ten things she never knew he wanted to do. Will completing the action-packed list - no easy challenge for the naturally timid Abi - be the way to win back her man? Or might Abi just have a surprise in store . . . ? THE GOOD GIRLFRIEND'S GUIDE TO GETTING EVEN When Lexi's sport-mad boyfriend Will skips her friend's wedding to watch football - after pretending to have food poisoning - it might just be the final whistle for their relationship. But fed up of just getting mad, Lexi decides to even the score. And, when a couple of lost tickets and an 'accidentally' broken television lead to them spending extra time together, she's delighted to realise that revenge might be the best thing that's happened to their relationship. And if her clever acts of sabotage prove to be a popular subject for her blog, what harm can that do? It's not as if he'll ever find out . . . IT STARTED WITH A TWEET Daisy Hobson lives her whole life online. But when her social media obsession causes her to make a catastrophic mistake at work, Daisy finds her life going into free-fall . . . Her sister Rosie thinks she has the answer to all of Daisy's problems - a digital detox in a remote cottage in Cumbria. Soon, too, Daisy meets a welcome distraction there in Jack, the rugged man-next-door. But can Daisy, a London girl, ever really settle into life in a tiny, isolated village? And, more importantly, can she survive without her phone?
Experience all the fun, laughs and bridezilla hell with Anna Bells' Don't Tell the... series, all in one volume for the first time! Don't Tell the Groom Penny has big dreams for her wedding day. She wants an unforgettable celebration, perfect down to the last detail, and has been saving for ages to make her dream a reality. When Mark finally pops the question, it's the best moment of her life. Until Penny checks her wedding fund and is horrified to discover that something has gone terribly wrong. There's far less money there than she'd thought, and it's all her fault. She can't tell Mark the truth about what she's done . . . her only choice is to get married on a drastically smaller budget. Don't Tell the Boss When newlywed Penny turns her hand to some casual wedding planning she only wants to help other women afford the big day of their dreams. But taming bridezillas turns out to be a full-time occupation, and what began as a hobby becomes a personal and professional nightmare. Soon Penny is struggling to keep her day job and prevent her own marriage from collapsing under the strain: tired, stressed and knee-deep in ivory satin, is Penny's life and livelihood hanging by a thread?] Don't Tell the Brides-to-Be Things are looking up for Penny. Her business, Princess on a Shoestring, is thriving. That is, until a rival planner decides to take her down-one hard-won bride at a time. Now Penny must fight to save her reputation and her livelihood before it's too late. But when a romantic weekend away has some unexpected consequences, Penny's expectations for her career are brought back down to earth with a bump...
Abseiling, wind-surfing, climbing a mountain - the things the terrified Abi Martin will do for love . . . "Romantic and refreshing" Mhairi McFarlane. A hilarious new romantic comedy for fans of Lindsey Kelk, Sophie Kinsella or A Year Of Being Single Abi's barely left her bed since Joseph, the love of her life, dumped her, saying they were incompatible. When Joseph leaves a box of her possessions on her doorstep, she finds a bucket list of ten things she never knew he wanted to do. Will completing the action-packed list - no easy challenge for the naturally timid Abi - be the way to win back her man? Or might Abi just have a surprise in store...? SEE WHAT PEOPLE ARE ALREADY SAYING ABOUT THIS BRILLIANT ROMANTIC COMEDY 'A fun, bouncy, brilliant tale' Heat 'Funny, relatable and fabulously written, it's even inspired us to come up with a bucket list of our own!' Daily Express ''A wonderfully warm romantic comedy . . . the perfect read' Daily Record
Clever, funny and romantic too, with a story any sporting widow will relate to, The Good Girlfriend's Guide to Getting Even is Anna Bell's brilliant follow-up to the bestselling and much-loved The Bucket List to Mend a Broken Heart A hilarious new romantic comedy from the author of It Started With A Tweet and The Bucket List to Mend a Broken Heart, for fans of Lucy Diamond and Sophie Kinsella When Lexi's sport-mad boyfriend Will skips her friend's wedding to watch football - after pretending to have food poisoning - it might just be the final whistle for their relationship. But fed up of just getting mad, Lexi decides to even the score. And, when a couple of lost tickets and an 'accidentally' broken television lead to them spending extra time together, she's delighted to realise that revenge might be the best thing that's happened to their relationship. And if her clever acts of sabotage prove to be a popular subject for her blog, what harm can that do? It's not as if he'll ever find out . . . ----- 'Romantic and refreshing' Mhairi McFarlane 'A fun, bouncy, brilliant tale' Heat 'Funny, relatable and fabulously written' Daily Express
How did we first come to believe in a correspondence between writers' lives and their works? When did the person of the author—both as context and target of textual interpretation—come to matter so much to the way we read? This book traces the development of author centrism back to the scholarship of early Renaissance humanists. Working against allegoresis and other traditions of non-historicizing textual reception, they discovered the power of engaging ancient works through the speculative reconstruction of writers' personalities and artistic motives. To trace the multi-lingual and eventually cross-cultural rise of reading for the author, this book presents four case studies of resolutely experimental texts by and about writers of high ambition in their respective generations: Lorenzo Valla on the forger of the Donation of Constantine, Erasmus on Saint Jerome, the poet George Gascoigne on himself, and Fulke Greville on Sir Philip Sidney. An opening methodological chapter and exhortative conclusion frame these four studies with accounts of the central lexicon—character, intention, ethos, persona—and the range of genre evidence that contemporaries used to discern and articulate authorial character and purpose. Constellated throughout with examples from the works of major contemporaries including John Aubrey, John Hayward, Galileo, Machiavelli, and Shakespeare, this volume resurrects a vibrant culture of biographism continuous with modern popular practice and yet radically more nuanced in its strategic reliance on the explanatory power of probabilism and historical conjecture—the discursive middle ground now obscured from view by the post-Enlightenment binaries of truth and fiction, history and story, fact and fable.
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
‘Such a fun read!’ Carrie Hope Fletcher, Sunday Times bestselling author of On the Other Side ‘Warm-hearted and hilarious’ Miranda Dickinson, author of Our Story –––