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Animated films often bring to mind images of Saturday morning cartoons on television, but at one time, animated films, both long and short, were found mostly on the silver screen as part of the featured program. In 1977, George Lucas even specially requested a cartoon to open Star Wars-"Duck Dodgers and the 241⁄2 Century," featuring Daffy Duck. In its rich history, cinematic animation has developed from silent monochrome images to sound-filled shorts that ran with newsreels and adventure serials-to animation sequences used to enliven commercials or live-action films-and finally to feature films like Fantasia and Cinderella. This encyclopedia covers all English language animation from the crucial first eighty years of its history. From the popular to the obscure, from Bugs to Mickey, from the short to the feature, nearly 7,000 items are covered. Each entry includes production information, date, running time, and a synopsis. Much of the information compiled here is rare. For example, character voices once considered "anonymous" are here identified, and animated films now lost because they were once considered expendable are here given the attention they deserve. A complete index allows multiple points of access.
In the course of its rich history, cinematic animation has developed from silent monochrome images to sound-filled shorts that ran theatrically with newsreels and adventure serials, and ultimately to prestigious feature films like Disney's Fantasia. This second edition of The Animated Film Encyclopedia: 1900-1979 (McFarland, 2000) is a comprehensive listing of theatrical animated cartoons through the end of the 20th century, as well as significant animated sequences in live-action films. New to this edition are many titles involving computer-generated animation (CGI), including the resoundingly successful Toy Story (1995). An introduction discusses the events leading from the early days of animation to the advent of computer graphics imagery. Each of the thousands of individual entries includes production information, date, running time, and a synopsis. Full voice credits are also provided for many of the films.
Alphabetically listed and crossreferenced, "Who's Who"--Style biographies of nearly 1000 evil and ruthless characters from mass media.
"This reference to TV cartoon shows covers some 75 years. In the ten-year period from 1993 through 2003, nearly 450 new cartoon series have premiered in the U.S" -- Provided by publisher.
Songs written for Disney productions over the decades have become a potent part of American popular culture. Since most Americans first discovered these songs in their youth, they hold a special place in one's consciousness. The Disney Song Encyclopedia describes and discusses hundreds of famous and not-so-famous songs from Disney films, television, Broadway, and theme parks from the 1930s to the present day. Over 900 songs are given individual entries and presented in alphabetical order. The songwriters and original singers are identified, as well as the source of the song and other venues in which it might have been used over the years. Notable recordings of the song are also listed. But most important, the song is described and what makes it memorable is discussed. This is not a reference list but a true encyclopedia of Disney songs. The book also contains a preface describing the criteria for selecting the songs, a glossary of song terms, a list of all the Disney songs and their sources, a songwriter's directory in which every song by each composer/lyricist is listed, a bibliography, a guide to recordings and DVDs of Disney productions, and an index of people and titles.
From All the President’s Men to Zodiac, some of the most compelling films of the last century have featured depictions of journalists in action. While print journalism struggles to survive, the emergence of news from social media outlets continues to expand, allowing the world to be kept informed on a second-bysecond basis. Despite attacks on journalists—both verbal and physical—a free press remains a crucial bastion for civilized society. And just as the daily news reflects the current state of affairs, films about journalism represent how reporting has evolved over the last few centuries. In Encyclopedia of Journalists on Film, Richard R. Ness provides a comprehensive examination of the fourth estate in cinema—from newspaper reporters to today’s cyber journalists. In this volume, Ness provides in-depth descriptions and analyses of more than five hundred significant films, from the silent era to the present, including international productions and made-for-television movies. The entries focus on the image of the press on screen and ethical issues or concerns raised about the practices of the profession. Collectively, the entries demonstrate that there is a recognizable genre of journalism films with definable plot patterns and iconography. Each entry features: Major credits including directors, writers, and producers List of characters and the actors who portray them Running time Plot synopsis Analysis of the role of journalism Many of the entries feature critical reviews as well as cogent selections of dialogue. Films discussed here include comedies such as His Girl Friday (1940), nail-biting thrillers like Foreign Correspondent (1940) and The Parallax View (1974), social commentaries like Network (1976) and The China Syndrome (1979), dramas like Citizen Kane (1941) and The Post (2017), and of course, Academy Award winners All the President’s Men (1976) and Spotlight (2015). A definitive study of a film genre, Encyclopedia of Journalists on Film will be of interest to film scholars, researchers, journalists, and students of popular culture.
It's a bird! It's a plane! It's a complete guide to over 50 years of superheroes on screen! This expanded and updated edition of the 2004 award-winning encyclopedia covers important developments in the popular genre; adds new shows such as Heroes and Zoom; includes the latest films featuring icons like Superman, Spiderman and Batman; and covers even more types of superheroes. Each entry includes a detailed history, cast and credits, episode and film descriptions, critical commentaries, and data on arch-villains, gadgets, comic-book origins and super powers, while placing each production into its historical context. Appendices list common superhero conventions and cliches; incarnations; memorable ad lines; and the best, worst, and most influential productions from 1951 to 2008.
Although the horror genre has been embraced by filmmakers around the world, Japan has been one of the most prolific and successful purveyors of such films. From science fiction terrors of the 1950s like Godzilla toviolentfilms like Suicide Circle and Ichi the Killer, Japanese horror film has a diverse history. While the quality of some of these films has varied, others have been major hits in Japan and beyond, frightening moviegoers around the globe. Many of these films—such as the Ringu movies—have influenced other horror productions in both Asia and the United States. The Encyclopedia of Japanese Horror Films covers virtually every horror film made in Japan from the past century to date. In addition to major and modest productions, this encyclopedia also features entries on notable directors, producers, and actors. Each film entry includes comprehensive details, situates the film in the context and history of Japanese horror cinema, and provides brief suggestions for further reading. Although emphasizing horror as a general theme, this encyclopedia also encompasses other genres that are associated with this theme, including Comedy Horror, Science Fiction Horror, Cyber-punk Horror, Ero Guru (Erotic Grotesque), and Anime Horror. The Encyclopedia of Japanese Horror Films is a comprehensive reference volume that will appeal to both cinema scholars as well as to the many fans of this popular genre.
La 4e de couv. indique : "This is the most comprehensive book on the animated cartoons ever produced, with inside stuff on every series made between the years 1909 and 1981. Betty Boop, Mickey Mouse, Bugs Bunny, Popeye, Rocky & His Friends, Huckleberry Hound, Top Cat, Spider Man, The Flintstones - they're all here along with information on their creators, directors, producing studios, episode titles, voices, running times, dates of release, and little-known items about the origin of each series. Jeff Lenburg provides plot summaries, character descriptions, easy reference guides, and more than 160 cartoon illustrations. For cartoonatics, film societies, or anyone who half-remembers Saturday morning TV episodes of the Roadrunner, here is a rare and entertaining treat."