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"Grisly and atmospheric…[these] stories feature small worlds of animal amorality in which the sweet taste of revenge leaves no aftertaste of guilt." —Publishers Weekly Nowhere is Patricia Highsmith's affinity for animals more apparent than in The Animal-Lover's Book of Beastly Murder, for here she transfers the murderous thoughts and rages most associated with humans onto the animals themselves. You will meet, for example, in "In the Dead of Truffle Season," a truffle-hunting pig who tries to whet his own appetite for a while; or Jumbo in "Chorus Girl's Absolutely Final Performance," a lonely, old circus elephant who decides she's had enough of show business and cruel trainers for one lifetime. In this satirical reprise of Kafka, cats, dogs, and breeding rodents are no longer ordinary beings in the happy home, but actually have the power to destroy the world in which we live.
“ I mean to live and die by my own mind,” Zora Neale Hurston told the writer Countee Cullen. Arriving in Harlem in 1925 with little more than a dollar to her name, Hurston rose to become one of the central figures of the Harlem Renaissance, only to die in obscurity. Not until the 1970s was she rediscovered by Alice Walker and other admirers. Although Hurston has entered the pantheon as one of the most influential American writers of the 20th century, the true nature of her personality has proven elusive. Now, a brilliant, complicated and utterly arresting woman emerges from this landmark book. Carla Kaplan, a noted Hurston scholar, has found hundreds of revealing, previously unpublished letters for this definitive collection; she also provides extensive and illuminating commentary on Hurston’s life and work, as well as an annotated glossary of the organizations and personalities that were important to it. From her enrollment at Baltimore’s Morgan Academy in 1917, to correspondence with Marjorie Kinnan Rawlings, Langston Hughes, Dorothy West and Alain Locke, to a final query letter to her publishers in 1959, Hurston’s spirited correspondence offers an invaluable portrait of a remarkable, irrepressible talent.
Danny is in trouble. A wannabe animal rights activist and modern day hero, none of this was supposed to happen. After his first attempt at animal liberation ends badly, things go rapidly downhill. In the supermarket where he works his behaviour is becoming more erratic and a number of people, including his boss (a big Jim Davidson fan), a Goth grocery girl (and also teenage poet) and a security guard (enough said) are all out to get him. The woman he loves, Shona, is becoming more extreme by the minute and when they hook up with some hunt saboteurs she's more interested in digging up human graves and stealing the remains than saving foxes. Danny doesn't waste his time at the hunt either - thanks to him the fox gets torn to pieces. It's treble or nothing time, and next week the Circus is coming to town.