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Poetry. Art. Originally printed as an artist book by Granary Books in an edition of 40 in 2010. "THE ANIMAL IS IN THE WORLD LIKE WATER IN WATER is a collaboration of drawings by Kiki Smith and poetry by Leslie Scalapino (myself).... Kiki Smith sent me color xeroxes of a completed sequence, forty-three drawings, which she'd titled, 'Women Being Eaten by Animals.' I wrote the poem using the sense of an unalterable past occurrence: One female, apparently the same girl, is repeatedly, in very similar images as variations, bitten and clawed by a leopard-like, lion-like animal. Both person and animal have abstracted features, giving the impression of innocence or opaqueness. As in a dream of similar actions or a dream of a single, timeless action, the girl flecked with blood while being unaltered by the animal's touch, there is no representation of motion except stillness of the figures floating in space of page. Neither the girl nor the animal articulate expression, as if phenomena of feeling(s) do not exist. "The words make in an outside/space a sense of the undoing of social tyranny as undoing of any hierarchy in individuals' feelings and perception as well as in people's values (public indistinguishable from private). Without hierarchy, past-reality-future is apparently free paradise of childhood and of birds. This outside space of the word/or that is my words abuts the other visible space of 'Women being eaten by animals' (Kiki's original title). While reading as well as seeing the images (but also if only seeing the visual images?), the viewer has the experience of body and mind being separated as if that is caused by the outside world. This experience of the viewer arises from their sense, in seeing, that one is separated from the scene of the girl and the animal alone together as if making love; and a sense of separation arises from the girl and animal not mimicking expressions of experiencing sensations. The disconnect that's itself the dreamlike dialogue between 'not being experienced (by the senses)'—and separation or union (both together?) of mind/eye and body/sight—has to be first enacted by Smith's visual images, in order for the language to broach this (subject) matter at all. Is dialogue possible without language?"—Leslie Scalapino
"Insects walk on water, snakes slither, and fish swim. Animals move with astounding grace, speed, and versatility: how do they do it, and what can we learn from them? In How to Walk on Water and Climb up Walls, David Hu takes readers on an accessible, wondrous journey into the world of animal motion. From basement labs at MIT to the rain forests of Panama, Hu shows how animals have adapted and evolved to traverse their environments, taking advantage of physical laws with results that are startling and ingenious. In turn, the latest discoveries about animal mechanics are inspiring scientists to invent robots and devices that move with similar elegance and efficiency. Hu follows scientists as they investigate a multitude of animal movements, from the undulations of sandfish and the way that dogs shake off water in fractions of a second to the seemingly crash-resistant characteristics of insect flight. Not limiting his exploration to individual organisms, Hu describes the ways animals enact swarm intelligence, such as when army ants cooperate and link their bodies to create bridges that span ravines. He also looks at what scientists learn from nature's unexpected feats--such as snakes that fly, mosquitoes that survive rainstorms, and dead fish that swim upstream. As researchers better understand such issues as energy, flexibility, and water repellency in animal movement, they are applying this knowledge to the development of cutting-edge technology. Integrating biology, engineering, physics, and robotics, [this book] demystifies the remarkable mechanics behind animal locomotion"--Page 4 of cover.
This classroom resource provides clear, concise scientific information in an understandable and enjoyable way about water and aquatic life. Spanning the hydrologic cycle from rain to watersheds, aquifers to springs, rivers to estuaries, ample illustrations promote understanding of important concepts and clarify major ideas. Aquatic science is covered comprehensively, with relevant principles of chemistry, physics, geology, geography, ecology, and biology included throughout the text. Emphasizing water sustainability and conservation, the book tells us what we can do personally to conserve for the future and presents job and volunteer opportunities in the hope that some students will pursue careers in aquatic science. Texas Aquatic Science, originally developed as part of a multi-faceted education project for middle and high school students, can also be used at the college level for non-science majors, in the home-school environment, and by anyone who educates kids about nature and water. To learn more about The Meadows Center for Water and the Environment, sponsors of this book's series, please click here.
Lifeways in Southwest Alaska today remains inextricably bound to the seasonal cycles of sea and land. Community members continue to hunt, fish, and make products from the life found in the rivers and sea. Based on a wealth of oral histories collected over decades of research, this book explores the ancestral relationship between Yup’ik people and the natural world of Southwest Alaska. Nunakun-gguq Ciutengqertut studies the overlapping lives of the Yup’ik with native plants, animals, and birds, and traces how these relationships transform as more Yup’ik people relocate to urban areas and with the changing environment. The book is presented in bilingual format, with facing-page translations, and will be hailed as a milestone work in the anthropological study of contemporary Alaska.
This bracing volume collects work on Italian writers and filmmakers that engage with nonhuman animal subjectivity. These contributions address 3 major strands of philosophical thought: perceived borders between man and animals, historical and fictional crises, and human entanglement with the nonhuman and material world.
"With vivid, prismatic photos, zoologist Piper offers encounters with dozens of improbable-looking but beautiful organisms you've never heard of." --Entertainment Weekly
Theory of Religion brings to philosophy what Bataille's earlier book, The Accursed Share, brought to anthropology and history; namely, an analysis based on notions of excess and expenditure. Bataille brilliantly defines religion as so many different attempts to respond to the universe's relentless generosity. Framed within his original theory of generalized economics and based on his masterly reading of archaic religious activity, Theory of Religion constitutes, along with The Accursed Share, the most important articulation of Bataille's work.Georges Bataille (1897-1962), founder of the French review Critique, wrote fiction and essays on a wide range of topics. His books in English translation include Story of the Eye, Blue of Noon, Literature and Evil, Manet and Erotism.Robert Hurley is the translator of The History of Sexuality by Michel Foucault and cotranslator of Anti Oedipus by Gilles Deleuze and Felix Guattari. Distributed for Zone Books.
In these three works of erotic prose Georges Bataille fuses sex and spirituality in a highly personal and philosophical vision of the self. My Mother is a frank and intense depiction of a young man's sexual initiation and corruption by his mother, where the profane becomes sacred, and intense experience is shown as the only way to transcend the boundaries of society and morality. Madame Edwarda is the story of a prostitute who calls herself God, and The Dead Man, published in 1964 after Bataille's death, is a startling short tale of cruelty and desire. This volume also contains Bataille's own introductions to his texts as well as essays by Yukio Mishima and Ken Hollings.
Rivers are arteries and feeder streams capillaries. It's the same water-based pattern repeated over and over again on the surface of this and other planets where water once flowed. Whether it's the thigh of a human leg, or the Andean borne, blood-red, silt-laden waters of the Rio Paraguay flowing across the Pampas of South America, water is the animal! Water is the Animal contains seven years of Cheeveresque journal entries recording the peripatetic existence of a diplomatic courier. From meditations on the cultural and historical legacy of Homo sapiens around the globe, to the present day geopolitical and ecological challenges of over 150 countries, Water is the Animal reveals a perspective of the planet few are given. From the archaeology of Costa Rica, to the genocidal horrors of Rwanda, to the ancient temples and congested cities of South Asia, Water is the Animal reflects on the state of the Earth at the dawn of the new millennium.