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Take the test in The Animal In You, discover your animal personality, and gain insight into your social habits, love life, career, and relationships. We all know people who act like weasels, behave like pigs, and monkey around. But beyond these superficial behaviors, a more complex animal personality resides within us. By identifying this animal within, we are better equipped to choose our careers and mates and understand our own hidden agendas. Is you animal personality type: -A wolf (athletic and strong, respected for dogged loyalty, yet almost universally misunderstood and feared)? -A dolphin (very intelligent but prefers to play and host parties; rarely found in nine-to-five jobs)? -A giraffe (well-groomed and proud, with an unmatched aura of grace)? -A horse (broad-shouldered and dependable, with stamina and strength, making you an excellent friend)? -An elephant (a huge persona exuding supreme confidence, with an otherwise placid nature that sometimes explodes with a violent temper)? -A mole (spends a lot of time in coffee bars and underground clubs and shuns the spotlight)? Forty-five animals are detailed in this unique and fascinating book will teach you many things about the social you, the romantic you, the working you, the quirky you...The Animal in You.
You've probably said to yourself on occasion that little Jimmy Applebee eats like a bush pig! Or that Mr. Henderson is as soothing as a golden plover. Or that Gary Johnson is as fierce and cunning as a hyena. As you work your way through this guide, you'll be able to make all sorts of interesting observations about yourself, your friends, your enemies, and big-time celebrities. And from these observations, you'll draw fascinating parallels between human actions and animal behaviors.
This ebook includes audio narration. Everybody has a favorite animal. Some like little white dogs or big black cats or hoppy brown bunnies best. Others prefer squishy snails or tall giraffes or sleek black panthers. With beautiful illustrations and charming personal stories, 14 children's book artists share their favorite animals and why they love them. - Eric Carle - Nick Bruel - Lucy Cousins - Susan Jeffers - Steven Kellogg - Jon Klassen - Tom Lichtenheld - Peter McCarty - Chris Raschka - Peter Sís - Lane Smith - Erin Stead - Rosemary Wells - Mo Willems
Illustrations and easy-to-read text reassure children that if they were calf, chick, larva, or fawn, they would always be loved by their moose, loon, bee, or deer.
LONGLISTED FOR THE GERALD LAMPERT MEMORIAL AWARD Deer with binoculars, wolves with resumes: bioengineered poetry that unsettles truth, fact, and history. Animals are strange testing grounds for thinking about subjectivity, language, the body — really, anything you might want to write a poem about. Together, these poems are an evolutionary chart or a little bestiary – about deer, wolves, evolution, environmental collapse, and extinction. Each one stands alone as a contained organism, but like real animals, they share some genetic material with each other. Considering PTSD and anxiety disorder as a kind of animal experience, a self-protective mechanism, these poems embody the selves we see reflected in the natural world’s creatures. Deer are a way of putting fear and trauma outside yourself, wolves a way to understand the instincts of predators. "Oh the pleasure of inhabiting the mind of an animal like Meghan Kemp-Gee! Her poetry is curious, restless, uneasy, and imaginative; it is also highly disciplined, unfolds in precisely measured lines. Watch for brilliant uses of repetition — the slipperiness of meaning, its ever-doubling character, is on full display, played out in deft linguistic twists. A deadpan delivery amplifies the oddity of what’s encountered: arsenic-drunk wildcats, chlorinated orchids, the 'one painful spot of blue' in a deer’s eye. I can’t say strongly enough how grateful I am to have read this collection; don’t miss it." – Sue Sinclair, author of Almost Beauty: New and Selected Poems
Connect to Spirit & Find Your Way to Wholeness, Balance & Harmony This comprehensive guide takes you into the highly experiential world of shamanism. You'll learn a variety of foundational topics, including how to take shamanic journeys and perform rituals such as divination and healing, as well as intermediate skills such as longdistance healing and dream work. Mark Nelson shares transversal beliefs and practices not connected to a specific culture or religion, making this book accessible to everyone. Explore nature and its spirits, perform shadow work and ancestral healing, and harness the power of psychopomp and soul retrieval. You'll discover how to reach altered states, connect with diverse types of spirits, and study the history and customs of shamanism. Extensive and easy to follow, Shamanism provides all you need to begin or enhance your practice.
This book argues that there are deep connections between ‘poetic’ thinking and the sensitive recognition of creaturely others. It explores this proposition in relation to four poets: Marianne Moore, Elizabeth Bishop, Ted Hughes, and Les Murray. Through a series of close readings, and by paying close attention to issues of sound, rhythm, simile, metaphor, and image, it explores how poetry cultivates a special openness towards animal others. The thinking behind this book is inspired by J. M. Coetzee’s The Lives of Animals. In particular, it takes up that book’s suggestion that poetry invites us to relate to animals in an open-ended and sympathetic manner. Poets, according to Elizabeth Costello, the book’s protagonist, ‘return the living, electric being to language’, and, doing so, compel us to open our hearts towards animals and the claims they make upon us. There are special affinities, for her, between the music of poetry and the recognition of others. But what might it mean to say that poets to return life to language? And why might this have any bearing on our relationship with animals? Beyond offering many suggestive starting points, Elizabeth Costello says very little about the nature of poetry’s special relationship with the animal; one aim of this study, then, is to ask of what this relationship consists, not least by examining the various ways poets have bodied forth animals in language.
Scientist Charles Darwin discretely opened the possibility of a purely animalistic origin for the human species. He repeatedly insisted that the differences between humans and others were a question of degree only. Sciences were, however, taken in the opposite direction, where these differences cannot have been generated by the natural processes of biological evolution. In The Animal in the Secret World of Darwin, author Michel Bergeron discuses the effects on the sciences caused by the presence of questions on humanity only answerable with religious beliefs. His investigation suggests that significant elements of perceived humanity have remained sufficiently narrowly defined to continue to agree with religious beliefs over the entire period starting with the scientific revolution centuries ago and reaching the present. Instead, he questions, could we be the simple animal who can only live on the belief not to be a simple animal? To alleviate these biases on the sciences of life, Bergeron advocates a different synthesis between Darwinism and Lamarckism. He further asks: How can sciences pretend to a cosmology neutral in term of religious influence since all of its complex mathematical developments were made under the constraint that we can link the present directly to the Big Bang?