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New edition and modern English translation of the Anglo-Norman version of the story of Haveloc - one of the most popular of the Middle Ages.
The first complete collection of extant Medieval French Lays. Lays are short (typically 600-1000 lines), rhymed tales of love and chivalry.
"Outstanding." - The Sunday Times "Beautifully written." The Times "Superbly adroit." The Spectator "Excellent." BBC History Magazine The Battle of Hastings and its aftermath nearly wiped out the leading families of Anglo-Saxon England – so what happened to the children this conflict left behind? Conquered offers a fresh take on the Norman Conquest by exploring the lives of those children, who found themselves uprooted by the dramatic events of 1066. Among them were the children of Harold Godwineson and his brothers, survivors of a family shattered by violence who were led by their courageous grandmother Gytha to start again elsewhere. Then there were the last remaining heirs of the Anglo-Saxon royal line – Edgar Ætheling, Margaret, and Christina – who sought refuge in Scotland, where Margaret became a beloved queen and saint. Other survivors, such as Waltheof of Northumbria and Fenland hero Hereward, became legendary for rebelling against the Norman conquerors. And then there were some, like Eadmer of Canterbury, who chose to influence history by recording their own memories of the pre-conquest world. From sagas and saints' lives to chronicles and romances, Parker draws on a wide range of medieval sources to tell the stories of these young men and women and highlight the role they played in developing a new Anglo-Norman society. These tales – some reinterpreted and retold over the centuries, others carelessly forgotten over time – are ones of endurance, adaptation and vulnerability, and they all reveal a generation of young people who bravely navigated a changing world and shaped the country England was to become.
The first English translation of three chansons de geste inspired by the Romance epic, the Song of Roland. The success of the eleventh-century Song of Roland gave rise to a series of around twenty related chansons de geste, known collectively as the Cycle of the King. In addition to reworkings of the Song of Roland in Old French and other medieval languages, these poems are devoted to the numerous military campaigns of Charlemagne against the Muslims before and after the tragic Battle of Roncevaux. These texts provide valuable insights into the medieval reception of the Roland material, exemplifying the process of cycle formation and attesting to the diversity of the Romance epic. Far from presenting a simplistic view of the clash of civilizations, these chansons de geste display a web of contradictions, offering both a glorification and a critique of hatred and violence. This volume offers the first English translations of the three epic poems whose action directly precedes the events of the Song of Roland. Gui of Burgundy extends the period of time spent in Spain by Charles and his army from seven to twenty-six years, which gives the sons of the Twelve Peers the opportunity to reach adulthood and come to the rescue of their fathers. Roland at Saragossa, composed in Occitan, takes place in the days immediately preceding the decisive defeat and relates in an heroi-comic manner how Roland sneaks into Saragossa at the request of the pagan Queen Braslimonda, who has been enraptured by his strength and beauty. Finally, Otinel tells of a Saracen envoy who comes to Paris to challenge Charlemagne on behalf of the Emir Garsile, who has his capital in Lombardy. The action takes place in France and northern Italy in a lull between the capture of Pamplona and the defeat at Roncevaux. The translations are presented with notes, and the volume includes an introduction placing the poems in their wider historical and cultural contexts.
The study of medieval chronicles is firmly established as a focus of research in the whole range of disciplines comprising Medieval Studies: literature, history, art history, linguistics, book history, digital humanities, and so forth. Each article in this volume dedicated to Erik Kooper presents a case study, balancing the particulars of the chosen materials with more generalized conclusions about their significance. The resulting collection is an anthology of different approaches in Medieval Chronicle Studies, presenting a rich overview of the geographical, linguistic, chronological and methodological diversity of chronicle research as it has developed in no small part thanks to Erik’s rallying. Contributors are Marie Bláhová, Cristian Bratu, Beth Bryan, Godfried Croenen, Peter Damian-Grint, Kelly DeVries, Isabel Barros Dias, Graeme Dunphy, Márta Font, Chris Given-Wilson, Ryszard Grzesik, Isabelle Guyot-Bachy, Letty Ten Harkel, Michael Hicks, David Hook, Sjoerd Levelt, Julia Marvin, Charles Melville, Firuza Abdullaeva, Martine Meuwese, Sarah Peverley, Jaclyn Rajsic, Lisa Ruch, Françoise Le Saux, Carol Sweetenham, Grischa Vercamer, Alison Williams Lewin, and Jürgen Wolf.
Idolatry was one of the dominant and most contentious themes of early modern religious polemics. This book argues that many of the best-known literary and philosophical works of the French seventeenth century were deeply engaged and concerned with the theme. In a series of case studies and close readings, it shows that authors used the logic of idolatry to interrogate the fractured and fragile relationship between the divine and the human, with particular attention to the increasingly fraught question of the legitimacy of human agency. Reading d'Urf , Descartes, La Fontaine, S vign , Molire, and Racine through the lens of idolatry reveals heretofore hidden aspects of their work, all while demonstrating the link between the emergent autonomy of literature and philosophy and the confessional conflicts that dominated the period. In so doing, Professor McClure illustrates how religion can become a source of interpretive complexity, and how this dynamism can and should be taken into account in early modern French studies and beyond. ELLEN MCCLURE is Associate Professor of History and French, University of Illinois at Chicago.