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Lilly Marchantel entertains her client-a vampire-for a night of paid passion and dies. Or does she? Her madam, the famous Lulu White of Mahogany Hall, throws a lavish funeral for the girl and buries her in St. Louis 1 cemetery. During the chaos in the wake of Hurricane Katrina, Enforcer angel Sullivan is sent to the cemetery to verify reports of two rogue vampires. What could happen if Sullivan loses his powers? How much trouble can an angel get into in New Orleans? "Lilly's Angel" tells the story of Lilly's discovery of a whole new world with her friends Baron the Cat and the skull she talks to as the pissed off and horny Sullivan struggles against the changes he is experiencing.
"When Lily hears a plaintive meowing in the bushes, she breaks all the rules by leaving the grounds of Amelia's Angel Academy and bringing a little kitten into her room. Lily has to find a disguise for the kitten before racing off to practise for the concert. What will happen if her secret is revealed?"--Publisher information.
Will Lily be able to go to Mother Angel's birthday party? Can she look after naughty twins without losing the casket of dreams? And will Petal be the perfect kitten at the Cat Show. . . or will Frumplepuss spoil everything? Find out in this charming collection and be captivated by Lily, the littlest angel.
The story of a reluctant queen, as told by her daughter Sophia the Wise.
Lily is the littlest angel at Amelia's Angel Academy and wants to help the other angels win the Archangel Trophy which is currently held by All Saints Angel School. The contest is snow sports which Lily is not very good at. Lily's nemesis from the Bossy Boots' Boarding House, Wanda Westbrook, is determined to thwart Lily at every stage. However when Wanda gets into difficulty in the last round of the competition Lily goes to her aid and thereby loses points which could have won them the trophy. Lily's good deed does not go unnoticed and the Amelia's Angel Academy wins the trophy. Suggested level: junior, primary.
Two stories about Lily the littlest angel at Amelia's Angel Academy where Lily competes in the Archangel Trophy for snow sports against rivals All Saints Angel School; and, Lily wants to be part of the grand celebrations for Mother Angel's birthday but she is sick with spottimonities, will Lily manage to get to the party with the help of a bubble-soaked Frumplepuss? Suggested level: primary.
Examines four discourses by Kierkegaard, arguing that they play a critical and surprising role in his oeuvre and contribute to the philosophy of figural language. How do texts speak with authority? That is the question at the heart of Kierkegaard’s theory and practice of “indirect communication.” None of Kierkegaard’s texts respond to this question more concisely and powerfully than the four discourses he wrote about the lily in the Gospel. The Lily’s Tongue is a nuanced, sustained reading of these Lily Discourses. Kierkegaard takes the lilies as authoritative, rather than merely “figural” or “metaphorical.” This book is a careful exploration of what Kierkegaard means by this authority. Frances Maughan-Brown demonstrates how Kierkegaard argues that the key is in the act of reading itself—no text can have authority unless the reader grants it that authority because no text can entirely avoid figural language. Texts don’t speak directly; their tongue is always the lily’s tongue. What is revealed in the Lily Discourses is a groundbreaking theory of figure, which requires a renewed reading of Kierkegaard’s major pseudonymous works. “Closely analyzing one of the least known yet most exacting series of texts in Kierkegaard’s authorship, his discourses on ‘the lily in the field and the bird of the air,’ Maughan-Brown breaks apart disciplinary barriers between theology, philosophy, aesthetics, and critical theory, while at the same time showing how Kierkegaard’s discourses can quietly illuminate a constellation of ideas drawn from Plato, Kant, Hegel, Benjamin, and Derrida. Following Kierkegaard’s texts to the letter, Maughan-Brown attends to what his texts do as much as to what they say.” — Peter Fenves, author of The Messianic Reduction: Walter Benjamin and the Shape of Time