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In The Angelic Mother and the Predatory Seductress, Ashley Craig Lancaster examines how converging political and cultural movements helped to create dualistic images of southern poor white female characters in Depression-era literature. While other studies address the familial and labor issues that challenged female literary characters during the 1930s, Lancaster focuses on how the evolving eugenics movement reinforced the dichotomy of altruistic maternal figures and destructive sexual deviants. According to Lancaster, these binary stereotypes became a new analogy for hope and despair in America's future and were well utilized by Depression-era politicians and authors to stabilize the country's economic decline. As a result, the complexity of women's lives was often overlooked in favor of stock characters incapable of individuality. Lancaster studies a variety of works, including those by male authors William Faulkner, Erskine Caldwell, and John Steinbeck, as well as female novelists Mary Heaton Vorse, Myra Page, Grace Lumpkin, and Olive Tilford Dargan. She identifies female stereotypes in classics such as To Kill a Mockingbird and in the work of later writers Dorothy Allison and Rick Bragg, who embrace and share in a poor white background. The Angelic Mother and the Predatory Seductress reveals that these literary stereotypes continue to influence not only society's perception of poor white southern women but also women's perception of themselves.
In The Angelic Mother and the Predatory Seductress, Ashley Craig Lancaster examines how converging political and cultural movements helped to create dualistic images of southern poor white female characters in Depression-era literature. While other studies address the familial and labor issues that challenged female literary characters during the 1930s, Lancaster focuses on how the evolving eugenics movement reinforced the dichotomy of altruistic maternal figures and destructive sexual deviants. According to Lancaster, these binary stereotypes became a new analogy for hope and despair in America's future and were well utilized by Depression-era politicians and authors to stabilize the country's economic decline. As a result, the complexity of women's lives was often overlooked in favor of stock characters incapable of individuality. Lancaster studies a variety of works, including those by male authors William Faulkner, Erskine Caldwell, and John Steinbeck, as well as female novelists Mary Heaton Vorse, Myra Page, Grace Lumpkin, and Olive Tilford Dargan. She identifies female stereotypes in classics such as To Kill a Mockingbird and in the work of later writers Dorothy Allison and Rick Bragg, who embrace and share in a poor white background. The Angelic Mother and the Predatory Seductress reveals that these literary stereotypes continue to influence not only society's perception of poor white southern women but also women's perception of themselves.
In this book, Amy K. King examines how violence between women in contemporary Caribbean and American texts is rooted in plantation slavery. Analyzing films, television shows, novels, short stories, poems, book covers, and paintings, King shows how contemporary media reuse salacious and stereotypical depictions of relationships between women living within the plantation system to confront its legacy in the present. The vestiges of these relationships--enslavers and enslaved women, employers and domestic servants, lovers and rivals--negate characters' efforts to imagine non-abusive approaches to power and agency. King's work goes beyond any other study to date to examine the intersections of gender, sexuality, race, ethnicity, class, ability, and nationality in U.S. and Caribbean depictions of violence between women in the wake of slavery.
A biography of controversial sculptor, Jacob Epstein. Epstein was born in 1880 in the Jewish ghetto of New York, but by his death in 1959 he had met almost everybody of importance in the art world. This work contains an account of his tangled private life and its resonance in his work.
A convenient source of critical commentary on the careers and works of acclaimed authors who died between 1800 and 1899. A cumulative title index is published separately (included in subscription).
Surveys the online social habits of American teens and analyzes the role technology and social media plays in their lives, examining common misconceptions about such topics as identity, privacy, danger, and bullying.
Half-werewolf, half-Aedh Risa Jones is beginning to believe that the only way to find the keys she’s been searching for and save her friends is by dying. And when Wolfgang Schmidt, the lover of her boss at the vampire council, is found dead, her worst fears are confirmed. With the first portal of hell permanently open, the energies of the dark path are leaching into the world. Searching for Schmidt’s killer and the keys at the same time, Risa and reaper Azriel track a shape-shifting spider spirit capable of changing her form into a seductive woman. But when they finally find the second key, the Aedh Lucian snatches it and disappears. Risa is intent on finding Lucian and fighting him to the death—for in her mind, she knows that neither can remain while the other lives....