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Iconography is the study of the history, practice, and symbolism of painted Christian images. Iconology probes deeper still, into the "icon" of Divine Presence in the inner man, who is himself made "in the image [eikón] of God" (Gen 1:26), as the place where Wisdom seeks to make her home. Written by an iconographer with forty years' experience researching the nature and mission of the icon, The Angel of the Countenance of God explores the biblical epiphanies of God-their translation into images, their mythological parallels, and their Trinitarian and Christological implications. Drawing on his own icon-writing, V. L. Andrejev here focuses on the biblical theme of the "Angel of Jehovah," distinguishing the "created Angels" of the Heavenly Hierarchies from this "uncreated Angel" of Theophany, that divine Being Moses beheld in the flames of the Burning Bush, and Christian tradition depicts as the royal maiden Sophia, personification of the Wisdom of God. This distinction carries profound consequences for iconography, dogmatic theology, and discipleship. The icon written on a board is the "spoken" word made visual, but its final significance lies within each person. For it is man himself, as the living icon of the Image of God, who by means of the immaterial, essential Light of God makes visible in icons the "actions" of God. Icon-writing is "symbolic realism," and though not able to depict God, is able to depict the image of His actions. The fulfillment of the icon, the image of God, is love-the love uniting Bride and Bridegroom in the Song of Songs; that same love hymned by St Symeon the New Theologian and St Maximus the Confessor. The Angel of the Countenance of God will be of value to all who have an interest in iconography, Trinitarian Christology, Sophiology, and Eastern Christianity.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
Sent by God In this intriguing book, Roland Buck describes his personal encounters with angels and what the Bible tells us about these messengers of God. You’ll find out how God’s messengers impact your own life and how God is using angels to help usher in the great end-times harvest of souls before the return of Jesus. Read how God uses angels to... Protect believers Wage spiritual warfare Comfort and encourage Bring blessings Bring strength during trials Assist in bringing people to Christ Disclose God’s will Bring answers to prayer Glorify God’s name As you become aware of the remarkable role of these messengers of God, you’ll gain increased faith and confidence in God’s plan for your life, for the ministry of believers, and for the salvation of multitudes of people leading to the second coming of Christ.
Is God changeable? Does He have different gospels for different people? The story of redemption takes you behind the scenes in the struggle between God and Satan. It explains how the conflict began, what the issues are, and how the outcome is already assured. It traces the theme of God's relationship with man from the garden of Edan to the return of Christ and beyond.
Following his successful book One Step Closer, Scharen shows how to engage faith and culture through popular music, including the blues, hip-hop, and rock.
This is the most comprehensive introduction available to the history and theology of the icon, and is the standard text upon which most modern studies of iconography are based. It includes more than the basic theory of the transfiguration of beauty and the sanctification of art. It is a fundamental element in the entire body of Orthodox Tradition. n this two-volume work, author Leonid Ouspensky provides the reader with a deep and serious approach to the mystery of the sacred image. He surveys the development of the sacred art of the Christian East from its beginnings in catacomb art through the iconoclastic controversy of the eighth and ninth century. Drawing especially on the Russian Orthodox tradition, the author studies a large number of texts with care and in great detail. He includes an analysis of the flowering of early Russian iconography, tracing its later development and the state of the art today. The 51 black and white photo illustrations, along with the four-panel foldout and six color plates, will enable the reader to appreciate the Orthodox icon with an informed mind and open heart. Volume I, originally published in 1978, has been updated by the author and contains large sections of new material [Publisher description]
Does a time gap exist between the first two verses of Genesis? In this book you will learn about a controversial, lesser known literal interpretation of the Genesis narrative that does not contradict the scientific evidence for an Old Earth. Commonly called the "Gap Theory" or Ruin-Reconstruction interpretation, it is a theological interpretation much older than Darwin's Theory of Evolution. It is based on the Scriptural fact that in the second verse of Genesis, the Holy Bible simply and clearly states that the planet Earth was already here (but in a ruined state) before the creative process of the seven days even begins. The Bible itself provides insight into a great mystery in Earth's natural history at what is known as the Pleistocene - Holocene boundary. Science remains at a loss to definitively explain the Ice Age and the anomaly of the mysterious mega fauna extinctions across the face of the Earth about 12,000 to 10,000 Radio Carbon years ago. Geologic evidence from that period indicates extraordinary global massive volcanism, gigantic tidal waves, seismic activity on a vast scale, and extreme temperature swings on the Earth over a geologically brief period of time. It is no coincidence that the Bible at Genesis 1:2 describes the Earth as flooded, desolate, and in darkness in the time frame closely corresponding to these catastrophic events in the Earth's natural history. Clearly, these two mysteries are linked. The Earth has an ancient natural history that can be deciphered from the geologic record, but it also has an equally important ancient spiritual history that can only be deciphered from Rightly-Dividing the Holy Bible. Knowledge of both is required to correctly reconcile Geology and the Book of Genesis.
What are angels like? How many kinds are there? Are mental disorders caused by their influence? Long favored by scholars, this classic has now been rewritten to give us accessible scriptural answers to our questions about the spirit world.
The Vulnerary of Christ, finally published for the first time more than 70 years after its author's death, contains exceptional findings by French Catholic archaeologist and symbologist Louis Charbonneau-Lassay (1871-1946) on the five wounds of Christ: their symbolism, representations, and meaning in Christian art. Born in Loudun (France), Lassay developed an early interest in the Christian faith. From 1903 to 1925, he published articles on prehistory, Celtic and Gallo-Roman archaeology, numismatics, heraldry, and folklore, which he illustrated with his own engravings. When contributing to the Catholic periodical Regnabit, he refocused his research on wide-ranging aspects of the Sacred Heart, with the purpose of showing its universal dimension. In 1925 compiled from his notes on Christian animal symbolism the book The Bestiary of Christ, published in 1941 and now a primary reference in Christian symbology. He completed the present The Vulnerary of Christ shortly before his death in December 1946, but it has only recently been published-wherein lies a fascinating tale, told in this first English edition. Put briefly: In 2013, Gauthier Pierozak, while transcribing Lassay's correspondence, found clearly explained the story of The Vulnerary of Christ and the many articles it was to have contained. Experts in the field led Gauthier to the vast archive the author had assembled over his lifetime. In December 2016, exactly 70 years after the author's death, Gauthier was able to take possession of the entire archive, and so, with access to all the articles Lassay had compiled in the lost manuscript of The Vulnerary of Christ, reconstituted the first French edition of this extraordinary book, which was published in 2017. Angelico Press then worked with a translator personally familiar with Lassay's writings, who undertook the monumental task of preparing this extraordinary 586-page text of 33 extensive articles and nearly 600 illustrations for publication in English. Angelico Press hopes to publish further compilations of Lassay's archived articles, including an unexpurgated edition of The Bestiary of Christ and two further volumes on the Christian symbolism of plants and of minerals, entitled respectively The Florary of Christ and The Lapidary of Christ.