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Spurred on by his best friend, twelve-year-old Thomas uncovers two major family secrets: that he was adopted, and that his perfect-seeming family is part of an other-worldly organization.
Spurred on by his best friend, twelve-year-old Thomas uncovers two major family secrets: that he was adopted, and that his perfect-seeming family is part of an other-worldly organization.
Spurred on by his best friend, twelve-year-old Thomas uncovers two major family secrets: that he was adopted, and that his perfect-seeming family is part of an other-worldly organization.
Spurred on by his best friend, twelve-year-old Thomas uncovers two major family secrets: that he was adopted, and that his perfect-seeming family is part of an other-worldly organization.
A veteran tells his story of suffering from traumatic brain injury—and finally finding relief. Former Green Beret Andrew Marr served multiple tours of duty in Afghanistan—incurring dozens of traumatic brain injuries. It just about destroyed him and his family, and almost cost him his life. After the military medical establishment repeatedly failed him, Marr called upon the initiative and determination that had served him as a warrior—and eventually triumphed with the help of an innovative doctor. As thousands of veterans, athletes, accident victims, and other TBI sufferers wallow in the wake of inadequate treatment—and in many tragic cases, turn to suicide—this book offers new hope and explains the science behind this very specific kind of healing, and why conventional protocols fail. “Takes us from the battlefields of Afghanistan to Andrew’s unrelenting battle to be whole again . . . a raw reminder that even in a brain injured state, the mind can clearly triumph.” —Joe Rogan
Factory Made: Warhol and the Sixties is a fascinating look at the avant-garde group that came together—from 1964 to 1968—as Andy Warhol’s Silver Factory, a cast that included Lou Reed, Nico, Edie Sedgwick, Gerard Malanga, Paul Morrissey, Joe Dallesandro, Billy Name, Candy Darling, Baby Jane Holzer, Brigid Berlin, Ultra Violet, and Viva. Steven Watson follows their diverse lives from childhood through their Factory years. He shows how this ever-changing mix of artists and poets, musicians and filmmakers, drag queens, society figures, and fashion models, all interacted at the Factory to create more than 500 films, the Velvet Underground, paintings and sculpture, and thousands of photographs. Between 1961 and 1964 Warhol produced his most iconic art: the Flower paintings, the Marilyns, the Campbell’s Soup Can paintings, and the Brillo Boxes. But it was his films—Sleep, Kiss, Empire, The Chelsea Girls, and Vinyl—that constituted his most prolific output in the mid-1960s, and with this book Watson points up the important and little-known interaction of the Factory with the New York avant-garde film world. Watson sets his story in the context of the revolutionary milieu of 1960s New York: the opening of Paul Young’s Paraphernalia, Truman Capote’s Black and White Ball, Max’s Kansas City, and the Beautiful People Party at the Factory, among many other events. Interspersed throughout are Watson’s trademark sociogram, more than 130 black-and-white photographs—some never before seen—and many sidebars of quotes and slang that help define the Warholian world. With Factory Made, Watson has focused on a moment that transformed the art and style of a generation.
The first book in this fast-paced, laugh-out-loud crime series featuring LAPD detectives Mike Lomax and Terry Biggs finds the duo investigating the murder of the actor playing Rambunctious Rabbit, the mascot of Lamaar Studio's Familyland theme park. As more Lamaar employees are brutally killed, Lomax and Biggs must race to expose a conspiracy hell-bent on destroying the entertainment conglomerate.
A teenage girl in foster care confronts spiritual doubt and soul-chilling terror in “a sinister and atmospheric story that will appeal to horror fans” (Booklist). When three children in a Catholic group home are brutally murdered, the survivors are hurried into separate foster homes across Long Island. Robin Hills, a fifteen-year-old who has spent the past several years under religious care, is thrust into a new, dysfunctional family with no spiritual beliefs. No longer protected by the religion and the nun she had come to love, Robin is completely alone and enveloped in fear. As the murders continue and Robin fears she may become the next victim, her faith increasingly falters. However, she finds solace in a budding friendship with Dennis, a boy her age living in her new foster home. Dennis’s kindness, his acceptance of Robin, and his bravery in the face of evil—born of his passion for horror movies—combine to reassure her that she’ll survive the killings. Armed with this new friendship and fueled by a rage she finally discovers within herself, Robin must find the courage and self-reliance to confront the darkest aspects of human depravity. “Andreas’s debut novella, Angel of the Underground, will remind many horror fans of Stephen King’s first published novel, Carrie . . . Andreas’s tight and tense horror tale is a spellbinding and clever debut. He also has more on his mind than merely a straightforward thriller. His smart, sympathetic and engaging teen heroine grapples with the Catholic faith that has sustained her for so many years but now seems to have abandoned her. Proving good things come in small packages (the novel is just 165 pages), Angel of the Underground is a tight and thoughtful thriller, and a stellar introduction to a fresh new voice.” —Shelf Awareness “The grit in Angel is laudable—as is Andreas’ determination to push our faces right up into some very uncomfortable domestic horrors.” —Rue Morgue Magazine
A novel about a former soldier in Big Sky Country whose life is spiraling out of control, from the acclaimed author of Ninety-two in the Shade and Cloudbursts, who is "among the most arresting and fascinating [writers] of his generation" (San Francisco Chronicle). In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But increasingly Patrick himself is spiraling out of control, into that region of romantic misadventure and vanishing possibilities that is Thomas McGuane's Montana. Nowhere has McGuane mapped that territory more precisely—or with such tenderhearted lunacy—than in Nobody's Angel, a novel that places him in a genre of his own.