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The Andrews Sisters, the legendary singing trio of the 1930s, 1940s, and 1950s are the most successful female singing group in history and were the world's top selling group until the Beatles arrived. Of the 605 songs they recorded, 113 charted. They also made 18 movies, appeared regularly on radio and television, and entertained three generations of GIs. Based on extensive research, unpublished letters, and interviews with family, friends, and colleagues, this book documents not only the lives and work of the Andrews Sisters but also the popular culture spanned by their long careers. The book contains a complete discography of their released, unreleased, and solo recordings, including recording dates, record numbers, and accompaniment. Also included are a filmography and documentation of their radio and television appearances.
From the legendary New York Times bestselling author of Flowers in the Attic and My Sweet Audrina (now Lifetime movies) comes the first book in a new series featuring identical twin sisters forced to act, look, and feel truly identical by a perfectionist mother. For fans of Ruth Ware (The Woman in Cabin 10) and Emma Donoghue (Room). Alike in every single way...with one dark exception. As identical twins, their mother insists that everything about them be identical: their clothes, their toys, their friends...the number of letters in their names, Haylee Blossom Fitzgerald and Kaylee Blossom Fitzgerald. If one gets a hug, the other must too. If one gets punished, the other must be too. Homeschooled at an early age, when the girls attend a real high school they find little ways to highlight the differences between them. But when Haylee runs headfirst into the dating scene, both sisters are thrust into a world their mother never prepared them for—causing one twin to pursue the ultimate independence. The one difference between the two girls may spell the difference between life...and a fate worse than death. Written with the taboo-breaking, gothic atmosphere that V.C. Andrews is loved for, The Mirror Sisters is the latest in her long line of spellbinding novels about mysterious families and tormented love.
In the years before and after World War II, there were no bigger voices than those of the Andrews Sisters. Maxene, LaVerne, and Patty charted more top ten Billboard hits than Elvis or the Beatles and went on to become the top-selling female vocal group of all time, selling approximately 100 million records. They recorded such instant hits as "Beer Barrel Polka," "Boogie Woogie Bugle Boy," "Don't Fence Me In," and "I Can Dream, Can't I?" They dominated the music scene for fifteen years with some 600 recordings, appearances in seventeen films, cabaret performances, and countless radio and television appearances. Swing It! is the first published biography of this incredibly popular trio. The book includes many rarely published photos and features extensive career data, including a detailed discography, filmography, and listing of their radio and television appearances between 1938 and 1967. The Andrews Sisters had their big break with the 1937 release of the Yiddish tune "Bei Mir Bist Du Schon (Means that You're Grand)," which sold 350,000 copies in one month and established the trio as successful recording artists. The sisters are now probably best remembered for their work entertaining troops in World War II. They traveled across the U.S. and to Italy and Africa, and their recording of "Boogie Woogie Bugle Boy" for the film Buck Privates became synonymous with the war effort. Part of the reason for the success of the Andrews Sisters was their ability to perform so many different types of music. They repeatedly achieved major hits with melodies derived from many different countries, becoming the first and most prominent artists of their time to bring ethnic-influenced music to the forefront of America's hit parade. The Andrews Sisters separated for two years in the 1950s as the strain of constantly living, working, and playing together for over four decades took its toll. They reunited in 1956 and continued to perform together until LaVerne's death from cancer in 1967. The Andrews Sisters remain the most successful and enduring female vocal group in the history of show business. Theirs are the voices that defined an era.
"Sisters of the Spirit . . . should interest a wider audience. . . . These fascinating accounts can stand on their own. . . . Mr. Andrews has made them even more accessible by providing a comprehensive introduction and helpful footnotes . . . but he does not intrude on the text itself." —New York Times Book Review " . . . informative and inspiring reading." —The Journal of American History Jarena Lee, Zilpha Elaw, and Julia Foote underwent a revolution in their own sense of self that helped to launch a feminist revolution in American religious life and in American society as a whole.
With no mother to guide them, can Livvie and Amy find happiness? Two motherless girls, a young stepmother and a domineering father are woven into an unputdownable Merseyside saga set before the First World War. The perfect read for fans of Anne Baker, Catherine Cookson and Kitty Neale. 'Gutsy... a vivid picture of a hard-up, hard-working community... will keep the pages turning' - Daily Express Liverpool, 1907. Thanks to their father's success, sisters Livvie and Amy Goodwin are moving from their cramped home to a roomier house on the outskirts of Liverpool. But tragedy strikes when their adored mother dies in childbirth. The girls are still grieving when Thomas introduces their new stepmother - a woman just a few years older than Livvie. Thomas has plans for his daughters. He wants Livvie to marry a wealthy neighbour's son - not Frank Hadley, the kind and handsome factory manager she is attracted to. Their relationship is a dangerous enough secret, but Livvie's interest in the Suffragettes could drive Thomas to the edge. For the Goodwin girls, the happy future they once took for granted is far from certain... What readers are saying about Liverpool Sisters: 'Another wonderful saga set in Liverpool' 'You feel like you're actually there in the era as she describes the places and characters so well' 'I absolutely loved it'
A USO show is threatened with cancellation when a certain famous trio of singing sisters fails to show, and it's up to three earnest and determined stagehands to go on with the show! "The Andrews Brothers" is filled to the brim with over 25 songs made famous by the Andrews Sisters, including the showstoppers "Boogie Woogie Bugle Boy," "Slow Boat to China," "Don't Sit Under the Apple Tree," and "Ac-Cent-Tchu-Ate the Positive." Mistaken identities and madcap adventures-imagine Bing Crosby and Bob Hope in a road movie of "Some Like It Hot"-along with the music of an entire generation highlight this wonderful valentine to the heroes of World War II. "High spirits prompt smiles galore in this splashy sendup!" -Variety
Wednesday, December 10, 1941"Hitler speaks to Reichstag tomorrow. We just heard the first casualty lists over the radio. ... Lots of boys from Michigan and Illinois. Oh my God! ... Life goes on though. We read our books in the library and eat lunch, bridge, etc. Phy. Sci. and Calculus. Darn Descartes. Reading Walt Whitman now." This diary of a smart, astute, and funny teenager provides a fascinating record of what an everyday American girl felt and thought during the Depression and the lead-up to World War II. Young Chicagoan Joan Wehlen describes her daily life growing up in the city and
Insane Sisters is the extraordinary tale of two sisters, Mary Alice Heinbach and Euphemia B. Koller, and their seventeen- year property dispute against the nation's leading cement corporation—the Atlas Portland Cement Company. In 1903, Atlas built a plant on the border of the small community of Ilasco, located just outside Hannibal—home of the infamous cave popularized in Mark Twain's most acclaimed novels. The rich and powerful Atlas quickly appointed itself as caretaker of Twain's heritage and sought to take control of Ilasco. However, its authority was challenged in 1910 when Heinbach inherited her husband's tract of land that formed much of the unincorporated town site. On grounds that Heinbach's husband had been in the advanced stages of alcoholism when she married him the year before, some of Ilasco's political leaders and others who had ties to Atlas challenged the will, charging Heinbach with undue influence. To help fight against the local lawyers and politicians who wanted Atlas to own the land, Heinbach enlisted the help of her shrewd and combative sister, Euphemia Koller, by making her co-owner of the tract. In a complex case that went to the Missouri Supreme Court four times, the sisters fiercely sought to hang on to the tract. However, in 1921 the county probate court imposed a guardianship over Heinbach and a circuit judge ordered a sheriff's sale of the property. After Atlas purchased the tract, Koller waged a lonely battle to overturn the sale and expose the political conspiracies that had led to Ilasco's conversion into a company town. Her efforts ultimately resulted in her court- ordered confinement in 1927 to Missouri's State Hospital Number One for the Insane, where she remained until her death at age sixty-eight. Insane Sisters traces the dire consequences the sisters suffered and provides a fascinating look at how the intersection of gender, class, and law shaped the history and politics of Ilasco. The book also sheds valuable new light on the wider consolidation of corporate capitalism and the use of guardianships and insanity to punish unconventional women in the early twentieth century.