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In The Andes Imagined, Jorge Coronado not only examines but also recasts the indigenismo movement of the early 1900s. Coronado departs from the common critical conception of indigenismo as rooted in novels and short stories, and instead analyzes an expansive range of work in poetry, essays, letters, newspaper writing, and photography. He uses this evidence to show how the movement's artists and intellectuals mobilize the figure of the Indian to address larger questions about becoming modern, and he focuses on the contradictions at the heart of indigenismo as a cultural, social, and political movement. By breaking down these different perspectives, Coronado reveals an underlying current in which intellectuals and artists frequently deployed their indigenous subject in order to imagine new forms of political inclusion. He suggests that these deployments rendered particular variants of modernity and make indigenismo's representational practices a privileged site for the examination of the region's cultural negotiation of modernization. His analysis reveals a paradox whereby the un-modern indio becomes the symbol for the modern itself.The Andes Imagined offers an original and broadly based engagement with indigenismo and its intellectual contributions, both in relation to early twentieth-century Andean thought and to larger questions of theorizing modernity.
Imagining Modernity in the Andes is an interdisciplinary work that deals with the intersection of projects of modernity with constructions of race and ethnicity in the Andes. This book focuses initially on Indigenismo, attempting to recuperate the intellectual energy of writers and artists from the twenties who rewrote political and cultural discourse in an irreversible manner, and concludes with a consideration of the new configurations of indigeneity that are emerging today not only in the Andes but across the globe. The multidisciplinary work of José Marìa Arguedas occupies a privileged place in this study and his anthropological work is analyzed in the context of an ideological climate. In addition to considering sociological and anthropological accounts, Archibald examines representations of urbanization and social informality by four Peruvian novelists, pointing to the prevalence of the troupe of the grotesque as a metaphor for the unmanageability associated with cities of the South. Finally, Imagining Modernity in the Andes analyzes the implications of the emergence of new visual media in a culture context long defined by the oral-textual divide, and considers the continued relevance of the concept of transculturation in a transnational and post-literary context.
This interdisciplinary work deals with the intersection of projects of modernity with constructions of race and ethnicity in the Andes. The book analyzes indigenista writings, the multidisciplinary work of osé Marìa Arguedas, and the anthropological experiments of the nineteen-fifties. It addresses the relevance of transculturation theory in a transnational age and analyzes the emergence of new visual media in a cultural context long defined by the oral-textual divide.
Addressing problems of objectivity and authenticity, Sabine MacCormack reconstructs how Andean religion was understood by the Spanish in light of seventeenth-century European theological and philosophical movements, and by Andean writers trying to find in it antecedents to their new Christian faith.
The Andes form the backbone of South America. Irradiating from Cuzco--the symbolic "navel" of the indigenous world--the mountain range was home to an extraordinary theocratic empire and civilization, the Incas, who built stone temples, roads, palaces, and forts. The clash between Atahualpa, the last Inca, and the illiterate conquistador Pizarro, between indigenous identity and European mercantile values, has forged Andean culture and history for the last 500 years. Jason Wilson explores the 5,000-mile chain of volcanoes, deep valleys, and upland plains, revealing the Andes' mystery, inaccessibility, and power through the insights of chroniclers, scientists, and modern-day novelists. His account starts at sacred Cuzco and Machu Picchu, moves along imagined Inca routes south to Lake Titicaca, La Paz, Potosí, and then follows the Argentine and Chilean Andes to Patagonia. It then moves north through Chimborazo, Quito, and into Colombia, along the Cauca Valley up to Bogotá and east to Caracas. Looking at the literature inspired by the Andes as well as its turbulent history, this book brings to life the region's spectacular landscapes and the many ways in which they have been imagined.
A Newbery Medal Winner An Incan boy who tends llamas in a hidden valley in Peru learns the traditions and secrets of his ancestors. "The story of an Incan boy who lives in a hidden valley high in the mountains of Peru with old Chuto the llama herder. Unknown to Cusi, he is of royal blood and is the 'chosen one.' A compelling story."—Booklist
Winner of the 2020-21 AHGBI-Spanish Embassy Publication Prize In March 1999, in an effort to stave off financial collapse, the Ecuadorian government suspended all banking operations and froze all bank accounts in the country for a period of five days. This episode, the Feriado Bancario, represents the peak of the worst financial crisis in the nation's history and one which had far-reaching and long-last effects on society, politics, the economy, and cultural production. The very idea of 'Ecuador' was transformed, as Ecuador became a country marked by constant interaction with the world beyond its borders. This book explores how contemporary Ecuadorian authors are reimagining the nation following the Feriado Bancario. Starting from a rereading of Ecuador's national novel, Jorge Icaza's Huasipungo (1930), which saw the nation as rooted in the land, the book examines post-crisis fiction which offers an image of Ecuador as a transnational space. It posits that these novels - Eliécer Cárdenas' El oscuro final del Porvenir (2000), Leonardo Valencia's Kazbek (2008), Carlos Arcos' Memorias de Andrés Chiliquinga (2013), and Gabriela Alemán's Humo (2017) - both reflect and explain the new reality of Ecuador as a nation that can no longer be defined by its territory. At the same time, the book uses the Ecuadorian case to challenge the conceptualisation of Latin American literature as 'post-national' and to show how countries on the periphery of the global literary market can, from the very fact of their minoritarian position, enrich and better define World Literature.
“A thoughtfully observed travel memoir and history as richly detailed as it is deeply felt” (Kirkus Reviews) of South America, from Butch Cassidy to Che Guevara to cocaine king Pablo Escobar to Charles Darwin, all set in the Andes Mountains. The Andes Mountains are the world’s longest mountain chain, linking most of the countries in South America. Kim MacQuarrie takes us on a historical journey through this unique region, bringing fresh insight and contemporary connections to such fabled characters as Charles Darwin, Che Guevara, Pablo Escobar, Butch Cassidy, Thor Heyerdahl, and others. He describes living on the floating islands of Lake Titcaca. He introduces us to a Patagonian woman who is the last living speaker of her language. We meet the woman who cared for the wounded Che Guevara just before he died, the police officer who captured cocaine king Pablo Escobar, the dancer who hid Shining Path guerrilla Abimael Guzman, and a man whose grandfather witnessed the death of Butch Cassidy. Collectively these stories tell us something about the spirit of South America. What makes South America different from other continents—and what makes the cultures of the Andes different from other cultures found there? How did the capitalism introduced by the Spaniards change South America? Why did Shining Path leader Guzman nearly succeed in his revolutionary quest while Che Guevara in Bolivia was a complete failure in his? “MacQuarrie writes smartly and engagingly and with…enthusiasm about the variety of South America’s life and landscape” (The New York Times Book Review) in Life and Death in the Andes. Based on the author’s own deeply observed travels, “this is a well-written, immersive work that history aficionados, particularly those with an affinity for Latin America, will relish” (Library Journal).
South American women authors look at the female experience.
This comprehensive reference offers an authoritative overview of Andean lifeways. It provides valuable historical context, and demonstrates the relevance of learning about the Andes in light of contemporary events and debates. The volume covers the ecology and pre-Columbian history of the region, and addresses key themes such as cosmology, aesthetics, gender and household relations, modes of economic production, exchange, and consumption, postcolonial legacies, identities, political organization and movements, and transnational interconnections. With over 40 essays by expert contributors that highlight the breadth and depth of Andean worlds, this is an essential resource for students and scholars alike.