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The theatre at Kalydon in Aitolia – known only since a few decades – has already attracted a lot of attention due to its square orchestra and rectilinear benches for seating. The Danish-Greek collaborative project responsible for investigating the theatre presents in this two-volume publication results of the excavation and documentation, including all finds such as tile, pottery, metals and coins, made during the excavations. The traditional analysis of the building is supplemented by an archaeoacoustic analysis comparing acoustic advantages and disadvantages between the square and semicircular design.
A comprehensive presentation of the architecture of the theatre at Kalydon in Aitolia.
This book is a collection of papers following the conference The Architecture of the Ancient Greek Theatre, held in Athens in January 2012. Fundamental publications on the topic have not been issued for many years. Bringing together the leading experts on theatre architecture, this conference aimed at introducing new facts and important comprehensive studies on Greek theatres to the public. The published volume is, first of all, a presentation of new excavation results and new analyses of individual monuments. Many well-known theatres such as the one of Dionysos in Athens, and others at Dodone, Corinth, and Sikyon have been re-examined since their original publication, with stunning results. New research, presented in this volume, includes moreover less well known, or even newly found, ancient Greek theatres in Albania, Asia Minor, Cyprus, and Sicily. Further studies on the history of research, on regional theatrical developments, terminology, and function, as well as a perspective on Roman theatres built in Greek traditions make this volume a comprehensive volume of new research for expert scholars as well as for students and the interested public.
This book presents a range of topics, conveying the broad scope of Richard Tomlinson’s archaeological quests and echoing his own research methodologies; it is is a token of appreciation for a British professor of archaeology, who spread knowledge of the Greek civilization, manifesting the brilliant spirit of the versatile ancient Greek builders.
This is the second volume of A Social and Economic History of the Theatre to 300 BC and focuses exclusively on theatre culture in Attica (Rural Dionysia) and the rest of the Greek world. It presents and discusses in detail all the documentary and material evidence for theatre culture and dramatic production from the first two centuries of theatre history, namely the period c.500 to c.300 BC. The traditional assumption is laid to rest that theatre was an exclusively or primarily Athenian institution, with the inclusion of all sources of information for theatrical performances in twenty-two deme sites and over one hundred and twenty independent Greek (and some non-Greek) cities. All texts are translated and made accessible to non-specialists and specialists alike. The volume will be a fundamental work of reference for all classicists and theatre historians interested in ancient theatre and its wider historical contexts.
Drawing together new research from emerging and senior scholars, this selection of papers from the decennial Greek Drama V conference (Vancouver, 2017) explores the works of the ancient Greek playwrights and showcases new methodologies with which to study them. Sixteen chapters from a field of international contributors examine a range of topics, from the politics of the ancient theatre, to the role of the chorus, to the earliest history of the reception of Aeschylus' Oresteia. Employing anthropological, historical, and psychological critical methods alongside performance analysis and textual criticism, these studies bring fresh and original interpretations to the plays. Several contributions analyse fragmentary tragedies, while others incorporate ideas on the performance aspect of certain plays. The final chapters deal separately with comedy, naturally focusing on the plays of Aristophanes and Menander. Greek Drama V offers a window into where the academic field of Greek drama is now, and points towards the future scholarship it will produce.
PoDIA 10 features articles presenting the results from archaeological sites in Cyprus and at Sikyon, Greece, the activities of Danish philhellenes, and a re-evaluation of the significance of an archaic Attic Sphinx in the Ny Carlsberg Glyptotek in Copenhagen. Kristina Winther-Jacobsen analyses and discusses the ceramics and associated burial customs from two tombs in Cyprus from the Hellenistic-Roman period. Silke Muth and her team of researchers offer a preliminary report on the excavations and accompanying research in Old Sikyon 2018-2019. It is in the same connection that M. Arenfeldt Christensen presents a case study of human skeletal material from an Archaic grave in Sikyon, uncovered in 2019. Annette Hojen Sorensen and Helge Wiingaard discuss the role of the Danish diplomat and minority expert as a Philhellene and present his collection of antiquities at Haderslev Cathedral School in Denmark in the light of the extraordinary circumstances in the first half of the 20th century which formed the borderland not only between Denmark and Germany but also between Greece and Turkey. John Lund discusses the activities of Frederik Scholten in Greece and the Greek world during period around the Greek Revolution and presents his drawings from this period. Finally, Ingrid Strom makes a case for adding the Ny Carlsberg Glyptotek marble sphinx to the oeuvres of the Moscophoros Master and for rendering it a more central position in the studies of Early Attic marble sculpture.
A new interpretation of Nemrud Dağ, a key Hellenistic monument which encompasses both Greek and Persian elements.