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The theatre at Kalydon in Aitolia – known only since a few decades – has already attracted a lot of attention due to its square orchestra and rectilinear benches for seating. The Danish-Greek collaborative project responsible for investigating the theatre presents in this two-volume publication results of the excavation and documentation, including all finds such as tile, pottery, metals and coins, made during the excavations. The traditional analysis of the building is supplemented by an archaeoacoustic analysis comparing acoustic advantages and disadvantages between the square and semicircular design.
PoDIA 10 features articles presenting the results from archaeological sites in Cyprus and at Sikyon, Greece, the activities of Danish philhellenes, and a re-evaluation of the significance of an archaic Attic Sphinx in the Ny Carlsberg Glyptotek in Copenhagen. Kristina Winther-Jacobsen analyses and discusses the ceramics and associated burial customs from two tombs in Cyprus from the Hellenistic-Roman period. Silke Muth and her team of researchers offer a preliminary report on the excavations and accompanying research in Old Sikyon 2018-2019. It is in the same connection that M. Arenfeldt Christensen presents a case study of human skeletal material from an Archaic grave in Sikyon, uncovered in 2019. Annette Hojen Sorensen and Helge Wiingaard discuss the role of the Danish diplomat and minority expert as a Philhellene and present his collection of antiquities at Haderslev Cathedral School in Denmark in the light of the extraordinary circumstances in the first half of the 20th century which formed the borderland not only between Denmark and Germany but also between Greece and Turkey. John Lund discusses the activities of Frederik Scholten in Greece and the Greek world during period around the Greek Revolution and presents his drawings from this period. Finally, Ingrid Strom makes a case for adding the Ny Carlsberg Glyptotek marble sphinx to the oeuvres of the Moscophoros Master and for rendering it a more central position in the studies of Early Attic marble sculpture.
This book is a collection of papers following the conference The Architecture of the Ancient Greek Theatre, held in Athens in January 2012. Fundamental publications on the topic have not been issued for many years. Bringing together the leading experts on theatre architecture, this conference aimed at introducing new facts and important comprehensive studies on Greek theatres to the public. The published volume is, first of all, a presentation of new excavation results and new analyses of individual monuments. Many well-known theatres such as the one of Dionysos in Athens, and others at Dodone, Corinth, and Sikyon have been re-examined since their original publication, with stunning results. New research, presented in this volume, includes moreover less well known, or even newly found, ancient Greek theatres in Albania, Asia Minor, Cyprus, and Sicily. Further studies on the history of research, on regional theatrical developments, terminology, and function, as well as a perspective on Roman theatres built in Greek traditions make this volume a comprehensive volume of new research for expert scholars as well as for students and the interested public.
Publisher description
In 2001, the Danish Institute at Athens commenced a large scale archaeological field project in ancient Kalydon in Aitolia in Central Greece. Kalydon plays a considerable role in ancient mythology as described in Homer's Iliad. For that reason, the important Sanctuary of Artemis Laphria outside the city walls and a so-called Heroon/palaestra, were excavated by a team of Danish and Greek archaeologists during the years 1926 to 1935. The new investigations are thus a continuation of an earlier Danish/Greek cooperation, this time with focus on the town itself. The town within the walls comprised an area of approximately 35 ha (350,000 m2). The investigations gave a good picture of the town in antiquity and of the function of the various quarters. The most important building in the Lower Town was probably the peristyle building with its colonnade and courtyard where athletic games took place. Excavations concentrated on this building, and a tile kiln situated in the so-called Lower Town. Larger sections of the remains on the Acropolis were excavated and a small-scale survey of the Central Town gave indications of the use of the habitation quarters.
Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.