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These essays represent the full range of Dodds' literary and philosophical interests, and his ability to combine profound scholarship with the lucid humanity of a teacher convinced of the value of Greek studies to the modern world.
This book studies one of the most striking chapters in the history of late antique monastic culture, provided by the monastic legacy of Gaza. A monastic intellectual community flourished in the region of Gaza from the fourth to the seventh century, producing a wealth of literary works. In this diverse and exciting literary corpus—especially in the unique correspondence between spiritual leaders and their clientele—matters that are usually only hinted at in monastic sources, are vividly portrayed. Distinct from the dry and matter-of-fact monastic instructions and the stereotypes of hagiography, this corpus exposes the psychological tensions, moods, frustrations, and elations in the daily existence of the monks, revealing them as creatures of flesh and blood. This book seeks to frame the historical development of this community and endeavours to analyze the spiritual and intellectual context of what may be termed the monastic school of Gaza. The legacy of this complex and thriving centre cuts across theological differences and boundaries. Shedding light on these neglected educated circles enhances and somewhat balances the overall historical picture of late antique ascetic culture and Palestinian Christianity.
The study of Greco-Roman civilisation is as exciting and innovative today as it has ever been. This intriguing collection of essays by contemporary classicists reveals new discoveries, new interpretations and new ways of exploring the experiences of the ancient world. Through one and a half millennia of literature, politics, philosophy, law, religion and art, the classical world formed the origin of western culture and thought. This book emphasises the many ways in which it continues to engage with contemporary life. Offering a wide variety of authorial style, the chapters range in subject matter from contemporary poets' exploitation of Greek and Latin authors, via newly discovered literary texts and art works, to modern arguments about ancient democracy and slavery, and close readings of the great poets and philosophers of antiquity. This engaging book reflects the current rejuvenation of classical studies and will fascinate anyone with an interest in western history.
Donald Wiebe critically examines the pervasive assumption that theology is a form of religious thought that is both compatible with and supportive of religious faith. The irony, he argues, is that theology is in fact detrimental to religion and the religious way of life.
This book, the first in Moshe Barasch's series on art theory, offers a comprehensive analysis and reassessment of major trends in European art theory and its development from the time of Plato to the early eighteenth century. Barasch expertly guides the reader from the interwoven attitudes and traditions of antiquity, through the writings of St. Thomas Aquinas and the aesthetic values of the Middle Ages, to the branching out of several disciplines--art history, art criticism, abstract aesthetics--in the late Renaissance. Clearly outlining the development of art theory and exploring the central issues of each historical period, Theories of Art is a valuable resource for the art historian as well as a stimulating introduction for the general reader.
Potts examines the development of nomadism in Iran over the course of three millennia. Evidence of nomadism in prehistory is examined and found insufficient to justify claims of its great antiquity. The background of the earliest nomadic groups, identified as Persian tribes by Herodotus, is examined within the context of the migration of Iranian speakers onto the Iranian plateau in the late second or early first millennium B.C. Thereafter, evidence of nomadic groups in Late Antiquity and early Islamic times is reviewed.
Despite perennial interest in Pliny the Elder’s Natural History, the world’s first encyclopedia, as a record of the prodigious, the quotidian, and the useful in Rome in the first century AD, for centuries Pliny has been derided as little more than an inept compiler of facts and marvels intellectually incapable of formulating a cogent argument supported through the selective marshaling of his materials. In Pliny’s Defense of Empire, Laehn offers a radical reinterpretation of the architecture of Pliny’s encyclopedia, exposing fundamental errors in the inherited understanding of the text traceable to its initial reception in ancient Rome. Recognition of the text’s true structure reveals that Pliny’s encyclopedia is in fact a first-rate work of political philosophy constituting an apology for Roman imperial expansionism grounded in a sophisticated account of human nature. Correcting the accreted errors and prejudices of nearly 2,000 years of faulty Plinian scholarship, Laehn critically examines one of the most persuasive apologies for the Roman Empire ever written and succeeds in rehabilitating the Elder Pliny as one of the world’s greatest political thinkers. An excellent resource and a must read for scholars in political theory, philosophy, and classical studies.
A bold new reconception of ancient Greek drama as a mode of philosophical thinking The Philosophical Stage offers an innovative approach to ancient Greek literature and thought that places drama at the heart of intellectual history. Drawing on evidence from tragedy and comedy, Joshua Billings shines new light on the development of early Greek philosophy, arguing that drama is our best source for understanding the intellectual culture of classical Athens. In this incisive book, Billings recasts classical Greek intellectual history as a conversation across discourses and demonstrates the significance of dramatic reflections on widely shared theoretical questions. He argues that neither "literature" nor "philosophy" was a defined category in the fifth century BCE, and develops a method of reading dramatic form as a structured investigation of issues at the heart of the emerging discipline of philosophy. A breathtaking work of intellectual history by one of today's most original classical scholars, The Philosophical Stage presents a novel approach to ancient drama and sets a path for a renewed understanding of early Greek thought.
Aune's comprehensive study of early Christian prophecy includes a review of its antecedents (Greco-Roman oracles, ancient Israelite prophecy, prophecy in early Judaism), a discussion of Jesus as prophet, and analyses of Christian prophetic speeches from Paul to the middle of the second century A.D. The most detailed study of early Christian prophecy written, Aune's book places the phenomenon of early Christian prophecy within the larger Greco-Roman world.