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A beautiful pearl necklace has passed from mother to daughter for seven generations on each daughter's wedding day.
The author looks for her father's family in Virginia. They may have belonged to a mysterious group known as the Melungeons.
Where am I on my family tree? A beloved bestseller that shows children how to understand their place among their relatives, now refreshed with new art from Emma Trithart. Who is part of your family? How are they related to you? In this edition of Me and My Family Tree, with new art by Emma Trithart, a young girl uses simple language, her own childlike drawings, and diagrams to explain how the members of her family are related to each other and to her. Clear, colorful, detailed artwork and a fill-in family tree in the back help make the parts of the family--from siblings to grandparents to cousins--understandable to very young readers.
Only four Roman epic poems survive from the Flavian period (69-96 AD): Valerius Flaccus's Argonautica, Statius's Thebaid and Achilleid, and Silius Italicus's Punica. Neil W. Bernstein argues that these poems contain depictions of kinship that are significantly different from earlier epic and examines these representations in the context of the social, political, and aesthetic changes of the early Imperial period. The author analyses various kinds of kinship, including biological relationships, elective relationships such as marriage and adoption, and the symbolic bonds of social and political allegiances, to illuminate the complex ways in which the Roman upper class asserted their status with or without noble lineage. A fresh and fascinating look at not only Roman poetry, but the epic tradition itself, In the Image of the Ancestors is essential reading for classicists and literary historians.
As the twentieth century drew to an end and the millennium approached, a new ethnic category was invented in the South. The Melungeons were born thrashing and squawling into the American consciousness. They were a tri-racial clan hidden away in the hills and hollers of Lower Appalachia with a genetic predisposition to six fingers and Mediterranean diseases and an unsavory reputation for moonshining, counterfeiting and secret cults. DNA studies showed they were probably descended from Portuguese colonists and had connections with Jews, Muslims, Africans, Native Americans and Romani (Gypsies). Were they the country's oldest indigenous people? They soon got on the radar of the Bureau of Indian Affairs' Office of Recognition, which fought the nascent identity movement tooth and nail. This collection by two researchers involved in the explosive controversy tells the story of the Melungeon Movement in a coherent, chronological fashion for the first time. Fourteen original illlustrations, ranging from Granny Dollar, the last Cherokee Indian in Northeast Alabama, to Luis Gomez, builder of the oldest standing Jewish residence in the United States, add interest to the portrayal of this mysterious and exotic ethnic community.