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A single day in Amsterdam, 1632. The Surgeons’ Guild has commissioned a young artist named Rembrandt to paint Dr. Nicolaes Tulp as he performs a medical dissection. In the swirl of anticipation and intrigue surrounding the event, we meet an extraordinary constellation of men and women whose lives hinge, in some way, on Dr. Tulp’s anatomy lesson. There is Aris the Kid, the condemned coat thief whose body is to be used for the dissection; Flora, his pregnant lover; Jan Fetchet, the curio dealer who acquires corpses for the doctor’s work; the great René Descartes, who will attend the dissection in his quest to understand where the human soul resides; and the Dutch master himself, who feels a shade uneasy about this assignment. As the story builds to its dramatic conclusion, circumstances conspire to produce a famous painting—and an immortal painter. Vividly rendered, masterfully written, The Anatomy Lesson is a story of mind and body, death and love—and redemptive power of art.
Capturing the spirit of arcane writing, Evan S. Connell delivers spectacular and esoteric prose as he imagines the journals of seven alchemists. The first is Paracelsus, the famous sixteenth–century alchemist, who is followed by an array of distinct voices: physicians, historians, alchemists, and philosophers. Each employs a unique personality and point of view in a world of pre–scientific thought, of the western world about to step into modernity. Though this historical recreation is medieval in style, Connell succeeds in infusing his diarists with alchemic wisdom, ancient appeal, and felt humanness. A work of rigid art and astute mimicry, Connell's work is intelligent and remarkable, medieval yet applicable to modernity. Alchymic Journals is, at its core, a study of humanity from the mind of one of America's greatest writers.
At forty, the writer Nathan Zuckerman comes down with a mysterious affliction—pure pain, beginning in his neck and shoulders, invading his torso, and taking possession of his spirit. Zuckerman, whose work was his life, is unable to write a line. Now his work is trekking from one doctor to another, but none can find a cause for the pain and nobody can assuage it. Zuckerman himself wonders if the pain can have been caused by his own books. And while he is wondering, his dependence on painkillers grows into an addiction to vodka, marijuana, and Percodan. The Anatomy Lesson is a great comedy of illness written in what the English critic Hermione Lee has described as "a manner at once ... brash and thoughtful ... lyrical and wry, which projects through comic expostulations and confessions...a knowing, humane authority." The third volume of the trilogy and epilogue Zuckerman Bound, The Anatomy Lesson provides some of the funniest scenes in all of Roth's fiction as well as some of the fiercest.
Acclaimed author Evan S. Connell sends us through the complete experience of a man initially intrigued and then enslaved by art: a curious interest, a rapt fixation, and the becoming of a connoisseur. The Connoisseur trails the evolution of Muhlbach, an insurance executive on a business trip in Taos, New Mexico, who develops an obsession with pre–Columbian figurines after meandering through a curio shop. Entranced yet bewildered by his sudden affinity for a little figurine, Muhlbach succumbs to his intrigue and, thirty dollars later, begins his journey as a connoisseur. With superb delivery and subtle clarity, Connell allows us to see and feel Muhlbach's emerging mania, with its impending tension and sudden exhilaration. He illustrates how a new fixation alters our lens on life and shapes our actions.
The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time.Philip A. Greasley's introduction fills in background information and describes the philosophy, focus, methodology, content, and layout of entries, as well as criteria for their inclusion. An extended lead-essay, "The Origins and Development of the Literature of the Midwest," by David D. Anderson, provides a historical, cultural, and literary context in which the lives and writings of individual authors can be considered.This volume is the first of an ambitious three-volume series sponsored by the Society for the Study of Midwestern Literature and created by its members. Volume Two will provide similar coverage of non-author entries, such as sites, centers, movements, influences, themes, and genres. Volume Three will be a literary history of the Midwest. One goal of the series is to build understanding of the nature, importance, and influence of Midwestern writers and literature. Another is to provide information on writers from the early years of the Midwestern experience, as well as those now emerging, who are typically absent from existing reference works.
"The New Gulliver and Other Stories" by using Barry Pain is a fascinating collection of quick stories that showcases the writer's wit, creativeness, and eager observational abilties. Published inside the early 20th century, Barry Pain's tales exhibit a satisfying mixture of humor, satire, and social observation. The titular tale, "The New Gulliver," serves as a satirical exploration of societal norms and conventions, offering a contemporary-day Gulliver navigating via the absurdities of modern-day existence. Pain's potential to infuse his narratives with humor allows readers to mirror on the peculiarities of the world round them. The collection functions a diverse array of tales, every with its personal particular appeal. Pain's storytelling prowess is evident as he weaves narratives that entertain, assignment, and initiate thought. Whether exploring the quirks of human conduct or delving into the fantastical, Barry Pain's "The New Gulliver and Other Stories" offers readers a pleasing literary revel in, showcasing the author's versatility and enduring relevance within the realm of brief fiction.
A collection of science-fiction short stories by the author of "Lucky's Harvest". They feature dozens of characters, a new way of travelling between the stars, a strange planet, magical powers, bravura set-pieces, and manoeuvres of narrative.