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Love-Letters between a Noble-man and his Sister. (Love-Letters from a Noble-man to his Sister: mixt with the history of their adventures.-The Amours of Philander and Silvia: being the third and last part of the Love-Letters between a Noble-man and his Sister.) Letters supposed to have passed between Ford Grey, Earl of Tankerville, and his sister-in-law Lady Henrietta Berkeley, but in reality written by Aphra Behn. The dedicatory epistle in vol. 2 and 3 signed A. B., i.e. Aphra Behn

A. B.

Published: 1718

Total Pages: 542


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"Love-Letters Between a Nobleman and His Sister" by Aphra Behn is based loosely on an affair between Ford, Lord Grey of Werke, and his wife's sister, Lady Henrietta Berkeley, a scandal that broke in London at its time. Silvia, a young beautiful woman, is wooed by Philander, her brother-in-law, in an "incestuous" affair. The plot is about the slow decline of honor and nobility, as well as the psychological effects of love.[9] The novel is told through letters between Silvia and Philander that give a deeply personal nature to the affair.
This annotated bibliography constitutes a thoroughly revised and more easily readable study of Behn's publications, of those edited or translated by her, of publications that included her works, and of writings ascribed to her, along with an annotated bibliography of over 1600 works about her from 1671 to 2001, with an unannotated update covering 2002. The augmented primary bibliography describes all known editions and issues of her works to 1702, and adds a catalogue of editions to 2002, including on-line sources. The secondary bibliography adds close to 1000 items published since 1984 to the original 600 of the first edition along with about 175 more from 1671 to 1984, with attention to materials not in English. New appendices include a list of dedicatees, actors, recent productions (with reviews), and provenances. This volume will be invaluable for book dealers, collectors and librarians, as well as students and scholars of Aphra Behn and of Restoration literature.
A selection of inspiring reportage from pioneering London-based investigative journalist Henry Mayhew, a close friend and influential character in Charles Dickens’ life and works. The 200th anniversary of Henry Mayhew’s birth is overshadowed by that of his friend and collaborator Charles Dickens. But in fact Mayhew was a pioneering investigative journalist who wrote over a million words about the lives of poor working people in London, and whose writings and descriptions may have inspired some of Dickens’ characters. In some respects, Mayhew was his own worst enemy. He was disorganised - one of his books ended in mid-sentence - and cantankerous, and perhaps as a result his funeral was sparsely attended. But embedded in his fine reportage, which included long and moving interviews with Londoners, are passages descriptive of London, of people’s appearances and of their shabby homes, which stand alongside Dickens’ own writings for the quality and compassion of the prose.
First published in 1991, Textual Communication examines the character and development of the novel from Richardson to Nabokov in relation to the printing and publishing industry. The book blends literary theory with a historical analysis of communication, carrying the debate on the novel beyond the pioneering work of Booth and Genette, while responding to and taking issue with the writings of Foucault, Baudrillard, McLuhan, and Barthes. It analyses the structures of the industry which manufactured and marketed novels to show how novelists solved the communication problems that they faced in the eighteenth, nineteenth, and twentieth centuries. It also pinpoints critical moments in the history of the novel when new narrative strategies appeared, and places them in the context of the communication environment in which the texts were produced. Using Lacan’s theory of the divided subject, the book defines textual communication as a form of interaction in which two divided subjects, the author and the reader, try to communicate with each other under or against the law of the book market, censorship, literary conventions, and language.