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Professor Carney analyses Frank Capra's life as well as the broad cultural context of his films.
For this remarkable volume, Mora and Brannan immersed themselves in the vast archive at the Library of Congress and emerged with unknown treasures. Theirs is a new view of the achievement of the FSA photographers--the most comprehensive in print--that gives them their due as the creators of a new American photographic vision.
"From the founding of the colonies to the declaration of the Supreme Court, America's heritage is built upon the principles of the Christian religion. And yet the secularists are dismantling this foundation brick by brick, attempting to deny the very core of our national life. Gary DeMar presents well-documented facts which will change your perspective about what it means to be a Christian in America; the truth about America's Christian past as it relates to supreme court justices, and presidents; the Christian character of colonial charters, state constitutions, and the US Constitution; the Christian foundation of colleges, the Christian character of Washington, D.C.; the origin of Thanksgiving and so much more."--Publisher's description
Examines art from the Hudson River School, nineteenth-century artists whose work captured the American landscape, including selections from Albert Bierstadt, Frederic Church, Thomas Cole, and others; and featuring one hundred reproductions and fold-out pages.
To honor the 100th birthday of America's internationally preeminent photographer, Paul Strand, the National Gallery of Art presents a collection of his most profound photographs and outstanding images demonstrating Strand's purity of vision. 113 black-and-white photographs, 30 duotones.
The American Vision boasts an exceptional author team with specialized expertise in colonial, Civil War, 20th-century, and Civil Rights history. The full panorama of American history comes alive through their vivid and accurate retelling, and the co-authorship of National Geographic ensures that the program's new maps, charts, and graphs are correct to the last detail. Includes print student edition
In 1976—the bicentennial year—Robert Penn Warren told Bill Moyers that he was "in love with America" but his love for the nation was more often than not troubled and angry. Warren once remarked that "any intelligent person is inclined to criticize his country more strongly than he will criticize anything else. And he should It's a way of criticizing himself, too.... Trying to live more intelligently, and more fully." In The American Vision of Robert Penn Warren, a noted Warren scholar traces the evolution of our first poet laureate's distinctive stance toward the American experiment in democracy, showing how Warren sought to balance off the claims of self and society in the New World. This book surveys the full six decades of Warren's career, combining close reading with a historian's eye for social and political context. While pointedly avoiding the reductive pitfalls of the "new historicism," Clark documents the informing role the Great Depression played in shaping Warren's attitudes toward art and politics, and he demonstrates the necessity of regarding Warren's major achievements in fiction and verse as forms of "public speech." Read in this light, Warren's vision offers a set of possibilities for renegotiating America's covenant with its Founders on new and pragmatic terms. Based solidly on the best previous commentary on Warren and his work, Clark's study represents a new approach to its subject and incorporates insights and information garnered from the Warren Papers at Yale. A wide-ranging account of the interplay between an author's imagination and contemporary history, this book should prove of interest to all students of American culture, especially those concerned with the interrelationships of literature, politics, and ideology. Written in a lively and direct style, it will appeal to specialists and general readers alike.