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"A complete history of the Socialist Party of America, beginning with the roots of American Marxism in the nineteenth century"--
Political reporter Nichols argues that socialism has a long, proud American history. This short, irreverent book gives Americans back a crucial part of their history and makes a forthright case for socialist ideas today.
"A meticulously researched, highly informed, carefully argued, and very accessible account of American socialism, socialists, and socialistic thinking, from the late nineteenth century through the 1960s . . . challenges the intellectual and political legacy of Werner Sombart's Why Is There No Socialism in the United States?, whose spirit still hovers over animated discussions about the 'failures' of socialism in the United States." ---James A. Miller, George Washington University "A valuable rethinking and reframing of the traditions of leftist literary scholarship in the U.S." ---Sylvia Cook, University of Missouri, St. Louis American Socialist Triptych: The Literary-Political Work of Charlotte Perkins Gilman, Upton Sinclair, and W. E. B. Du Bois explores the contributions of three writers to the development of American socialism over a fifty--year period and asserts the vitality of socialism in modern American literature and culture. Drawing upon a wide range of texts including archival sources, Mark W. Van Wienen demonstrates the influence of reform-oriented, democratic socialism both in the careers of these writers and in U.S. politics between 1890 and 1940. While offering unprecedented in-depth analysis of modern American socialist literature, this book charts the path by which the supposedly impossible, dangerous ideals of a cooperative commonwealth were realized, in part, by the New Deal. American Socialist Triptych provides in-depth, innovative readings of the featured writers and their engagement with socialist thought and action. Upton Sinclair represents the movement's most visible manifestation, the Socialist Party of America, founded in 1901; Charlotte Perkins Gilman reflects the socialist elements in both feminism and 1890s reform movements, and W. E. B. Du Bois illuminates social democratic aspirations within the NAACP. Van Wienen's book seeks to re-energize studies of Sinclair by treating him as a serious cultural figure whose career peaked not in the early success of The Jungle but in his nearly successful 1934 run for the California governorship. It also demonstrates as never before the centrality of socialism throughout Gilman's and Du Bois's literary and political careers. More broadly, American Socialist Triptych challenges previous scholarship on American radical literature, which has focused almost exclusively on the 1930s and Communist writers. Van Wienen argues that radical democracy was not the phenomenon of a decade or of a single group but a sustained tradition dispersed within the culture, providing a useful genealogical explanation for how socialist ideas were actually implemented through the New Deal. American Socialist Triptych also revises modern American literary history, arguing for the endurance of realist and utopian literary modes at the height of modernist literary experimentation and showing the importance of socialism not only to the three featured writers but also to their peers, including Edward Bellamy, Hamlin Garland, Jack London, Edna St. Vincent Millay, and Claude McKay. Further, by demonstrating the importance of social democratic thought to feminist and African American campaigns for equality, the book dialogues with recent theories of radical egalitarianism. Readers interested in American literature, U.S. history, political theory, and race, gender, and class studies will all find in American Socialist Triptych a valuable and provocative resource.
Why socialism has failed to play a significant role in the United States - the most developed capitalist industrial society and hence, ostensibly, fertile ground for socialism - has been a critical question of American history and political development. This study surveys the various explanations for this phenomenon of American political exceptionalism.
Why was Oklahoma, of all places, more hospitable to socialism than any other state in America? In this provocative book, Jim Bissett chronicles the rise and fall of the Socialist Party of Oklahoma during the first two decades of the twentieth century, when socialism in the United States enjoyed its golden age. To explain socialism’s popularity in Oklahoma, Bissett looks back to the state’s strong tradition of agrarian reform. Drawing most of its support from working farmers, the Socialist Party of Oklahoma was rooted in such well-established organizations as the Farmers Alliance and the Indiahoma Farmers’ Union. And to broaden its appeal, the Party borrowed from the ideology both of the American Revolution and of Christianity. By making Marxism speak in American terms, the author argues, Party activists counteracted the prevailing notion that socialism was illegitimate or un-American.
One of early-twentieth-century America’s most fertile grounds for political radicalism, the Pacific Northwest produced some of the most dedicated and successful socialists the country has ever seen. As a radicalized labor force emerged in mining, logging, and other extractive industries, socialists employed intensive organizational and logistical skills to become an almost permanent third party that won elections and shook the confidence of establishment rivals. At the height of Socialist Party influence just before World War I, a Montana member declared, “They are all red out here.” In this first book to fully examine the development of the American Socialist Party in the Northwest, Jeffrey A. Johnson draws a sharp picture of one of the most vigorous left-wing organizations of this era. Relying on party newspapers, pamphlets, and correspondence, he allows socialists to reveal their own strategies as they pursued their agendas in Washington, Oregon, Idaho, and Montana. And he explores how the party gained sizable support in Butte, Spokane, and other cities seldom associated today with left-wing radicalism. “They Are All Red Out Here” employs recent approaches to labor history by restoring rank-and-file workers and party organizers as active participants in shaping local history. The book marks a major contribution to the ongoing debate over why socialism never grew deep roots in American soil and no longer thrives here. It is a work of political and labor history that uncovers alternative social and political visions in the American West.
Examines the economic underworld of migrant farm workers, the aged, minority groups, and other economically underprivileged groups.
A dramatic account of the Americans who tried to stop their nation from fighting in the First World War—and came close to succeeding. In this “fascinating” (Los Angeles Times) narrative, Michael Kazin brings us into the ranks of one of the largest, most diverse, and most sophisticated peace coalitions in US history. The activists came from a variety of backgrounds: wealthy, middle, and working class; urban and rural; white and black; Christian and Jewish and atheist. They mounted street demonstrations and popular exhibitions, attracted prominent leaders from the labor and suffrage movements, ran peace candidates for local and federal office, met with President Woodrow Wilson to make their case, and founded new organizations that endured beyond the cause. For almost three years, they helped prevent Congress from authorizing a massive increase in the size of the US army—a step advocated by ex-president Theodore Roosevelt. When the Great War’s bitter legacy led to the next world war, the warnings of these peace activists turned into a tragic prophecy—and the beginning of a surveillance state that still endures today. Peopled with unforgettable characters and written with riveting moral urgency, War Against War is a “fine, sorrowful history” (The New York Times) and “a timely reminder of how easily the will of the majority can be thwarted in even the mightiest of democracies” (The New York Times Book Review).