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In Admit One: An American Scrapbook,Martha Collins relentlessly traces the history of scientific racism from the 1904 St. Louis World's Fairthrough the eugenics movement of the 1920s. Using a wide variety of documentary sources, including her Illinois grandfather's newspaper, Collins constructs a "scrapbook" of fragments, quotations, narrative passages, and lyrical riffs that reveal startling connections between the Fair, the Bronx Zoo, and ideas that culminated in anti-immigration, anti-miscegenation, and eugenic sterilization laws in 1924. Among the book's recurring elements are evolving portraits of the "exhibited" African Ota Benga, the sterilization victim Carrie Buck, and the eugenicist Madison Grant, whose reach extended to Nazi Germany. Following the practice begun in her book-length poem Blue Front and continued in her exploration of race in White Papers, Collins combines careful research with innovative poetic techniques to create an arresting account of a segment of American history that haunts us even today. Admit One is a brilliant, troubling, necessary read.
This book explores the history of scrapbook-making, its origins, uses, changing forms and purposes as well as the human agents behind the books themselves. Scrapbooks bring pleasure in both the making and consuming - and are one of the most enduring yet simultaneously changing cultural forms of the last two centuries. Despite the popularity of scrapbooks, no one has placed them within historical traditions until now. This volume considers the makers, their artefacts, And The viewers within the context of American culture. The volume's contributors do not show the reader how to make scrapbooks or improve techniques but instead explore the curious history of what others have done in the past and why these splendid examples of material and visual culture have such a significant place in many households.
This A-to-Z encyclopaedia contains every technique, every major designer, every scrapbook possibility - and it's all described in glossary style, complete with photos and tips that no scrap booker can do without. Exciting page layouts with how-to instructions, offer inspiration, while dozens of projects come from the most creative minds in the field, including Andrea Grossman (Mrs. Grossman's Paper Company); Rhonda Anderson (Creative Memories); Bridgette Server (Making Memories); and, Dee Gruenig. Eye-opening studio set shots present decorations and accessories, while charts and graphs supply necessary information.