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A Siamese cat beneath a clotheslinethree women with linked arms standing on the front lawna man drying his hands on a dish towel in front of the kitchen stove. These scenes are part of Close to Home and the accompanying the Getty Museum exhibition held from October 12, 2004 to January 16, 2005, which celebrate snapshots--"found" photographs by anonymous photographers--that capture everyday life in all of its joy, banality, and mystery. Taken between 1930 and the mid-1960s, these photographs, most of them in black-and-white, create an unpretentious portrait of suburban American life by untrained photographers whose images can be unexpectedly lyrical and moving. Complementing the photographs is an essay by noted Southern California writer D. J. Waldie. The snapshot, Waldie writes, "depending on who's doing the looking, is horrifying, hilarious, pointless, or suffused with yearning." Waldie speculates on the meanings and implications of the snapshots in this book and of snapshots generally, which he sees as expressions of "the hunger of memory."
The purpose of this book is to revisit an utterly vanished earlier America by means of photographs running from 1839, where the first daguerreotypes were taken, until the eve of the First World War, which marks the end of an era, or what we may regard as the beginning of our own time.
This elegant keepsake book, which includes a brief biography of the songs author, Katharine Lee Bates, prints the songs lyrics over stunning images of the American landscape by award-winning National Geographic photographer Michael Melford and other notable photojournalists. A portion of the proceeds go to the Robin Hood Relief Fund to help September 11 survivors and victims families.
Vols. for 1971- include annual reports and statistical summaries.