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Traces the development of American homes, looks at Victorian, bungalow, ranch, and Cape Cod style houses, and describes how the family lifestyle has changed
In the nineteenth century, architects and family reformers launched promotional campaigns portraying houses no longer as simply physical structures in which families lived but as emblems for family cohesiveness and identity. Clark explains why, despite the fear of standardization and homogenization, the middle class has persisted in viewing the single-family home as the main symbol of independence as as the distinguishing sign of having achieved middle-class status.
Gives a picture of middle-class American home life between 1750 and 1870. Based on 18th and 19th century diaries, letters, household manuals, and novels, with reproductions of contemporary paintings and prints.
Brings together articles and sections of books that reflect all facets of the new history of the family.
Few institutions were as central to nineteenth-century American culture as the home. Emerging in the 1820s as a sentimental space apart from the public world of commerce and politics, the Victorian home transcended its initial association with the private lives of the white, native-born bourgeoisie to cross lines of race, ethnicity, class, and region. Throughout the nineteenth century, home was celebrated as a moral force, domesticity moved freely into the worlds of politics and reform, and home and marketplace repeatedly remade each other. At Home in Nineteenth-Century America draws upon advice manuals, architectural designs, personal accounts, popular fiction, advertising images, and reform literature to revisit the variety of places Americans called home. Entering into middle-class suburban houses, slave cabins, working-class tenements, frontier dugouts, urban settlement houses, it explores the shifting interpretations and experiences of these spaces from within and without. Nineteenth-century homes and notions of domesticity seem simultaneously distant and familiar. This sense of surprise and recognition is ideal for the study of history, preparing us to view the past with curiosity and empathy, inspiring comparisons to the spaces we inhabit today—malls, movie theaters, city streets, and college campuses. Permitting us to listen closely to the nineteenth century’s sweeping conversation about home in its various guises, At Home in Nineteenth-Century America encourages us to hear our contemporary conversation about the significance and meaning of home anew while appreciating the lingering imprint of past ideals. Instructor's Guide
In the 1880s, socio-economic and technological changes in the United States contributed to the rejection of Christian architectural traditions and the development of the radically new auditorium church. Jeanne Kilde links this shift in evangelical Protestant architecture to changes in worship style and religious mission.
are often lined with garages in front of houses that are clearly more internalized in design, some even taking on a fortress-like appearance. Today's new homes are technically superior in construction; i.e., they are more energy efficient, weather resistant and maintenance free. However, they also seem to lack the warmth and charm of prewar homes, for which more construction dollars were spent on quality veneers, buUt-in features and other human-scale details. The postwar need for massive amounts of "affordable" housing for returning GIs helped to encourage buUding practices that could reduce on-site labor and material costs in houses. The accommodation of the automobile, cost-cutting movements and a variety of other trends caused a gradual decline in the human, social and emotional qualities of postwar residential architecture. This book will attempt to look at the issues and choices facing today's residential designers and home buUders and ask: How can we make our new houses and neighborhoods more responsive to humanistic needs, partlcularly in light of constant pressures to keep housing costs down? This question will generally be addressed by comparing historical designs to those of today, to see if we might be able to reconsider some "old-fashioned" ideas in new housing designs.
The concern today about suburban sprawl is not new. In the decades after World War II, the spread of tract-house construction changed the nature of millions of acres of land, and a variety of Americans began to protest against the environmental costs of suburban development. By the mid-1960s, indeed, many of the critics were attempting to institutionalize an urban land ethic. The Bulldozer in the Countryside was the first scholarly work to analyze the successes and failures of the varied efforts to address the environmental consequences of suburban growth from 1945 to 1970. For scholars and students of American history, the book offers a compelling insight into two of the great stories of modern times - the mass migration to the suburbs and the rise of the environmental movement. The book also offers a valuable historical perspective for participants in contemporary debates about the alternatives to sprawl.
Clashes over the American family and its values have always implicitly or explicitly addressed issues of gender and highlighted the significance of present and future families to American society. This is the insight underpinning Isabel Heinemann’s groundbreaking study, which traces, over the course of the twentieth century, debates on the family and its role; the relationship between the individual and society; and individual decision-making rights as well as their denial or curtailment. Unpacking these issues in a vivid and innovative analysis, the book recounts the prehistory of current conflicts over the family and gender while illuminating the relationship between social change, normative shifts, and the counter-movements spawned in response to them.