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Fakery, authenticity, and identity in American literature and culture at the turn of the 20th century Focusing on texts written between 1880 and 1930, Mary McAleer Balkun explores the concept of the “counterfeit,” both in terms of material goods and invented identities, and the ways that the acquisition of objects came to define individuals in American culture and literature. Counterfeiting is, in one sense, about the creation of something that appears authentic—an invented self, a museum display, a forged work of art. But the counterfeit can also be a means by which the authentic is measured, thereby creating our conception of the true or real. When counterfeiting is applied to individual identities, it fosters fluidity in social boundaries and the games of social climbing and passing that have come to be representative of American culture: the Horatio Alger story, the con man or huckster, the social climber, the ethnically ambiguous. Balkun provides new readings of traditional texts such as The Great Gatsby, Adventures of Huckleberry Finn, and The House of Mirth, as well as readings of less-studied texts, such as Walt Whitman’s Specimen Days and Nella Larsen’s Passing. In each of these texts, Balkun locates the presence of manufactured identities and counterfeit figures, demonstrating that where authenticity and consumerism intersect, the self becomes but another commodity to be promoted, sold, and eventually consumed.
Prior to the Civil War, the United States did not have a single, national currency. Counterfeiters flourished amid this anarchy, putting vast quantities of bogus bills into circulation. Their success, Mihm reveals, is more than an entertaining tale of criminal enterprise: it is the story of the rise of a country defined by freewheeling capitalism and little government control. Mihm shows how eventually the older monetary system was dismantled, along with the counterfeit economy it sustained.
INSTANT NEW YORK TIMES BESTSELLER • A REESE'S BOOK CLUB PICK “A con artist story, a pop-feminist caper, a fashionable romp . . . Counterfeit is an entertaining, luxurious read—but beneath its glitz and flash, it is also a shrewd deconstruction of the American dream and the myth of the model minority. . . . Chen is up to something innovative and subversive here." — Camille Perri, NEW YORK TIMES BOOK REVIEW Recommended by New York Times Book Review • Washington Post • People • Entertainment Weekly • USA Today • Time • Cosmopolitan • Today show • Harper’s Bazaar • Vogue • Good Housekeeping • Parade • New York Post • Town & Country • GMA.com • Buzzfeed • Goodreads • Oprah Daily • Popsugar • Bustle • theSkimm • The Millions • and more! For fans of Hustlers and How to Get Filthy Rich in Rising Asia, the story of two Asian American women who band together to grow a counterfeit handbag scheme into a global enterprise—an incisive and glittering blend of fashion, crime, and friendship from the author of Bury What We Cannot Take and Soy Sauce for Beginners. Money can’t buy happiness… but it can buy a decent fake. Ava Wong has always played it safe. As a strait-laced, rule-abiding Chinese American lawyer with a successful surgeon as a husband, a young son, and a beautiful home—she’s built the perfect life. But beneath this façade, Ava’s world is crumbling: her marriage is falling apart, her expensive law degree hasn’t been used in years, and her toddler’s tantrums are pushing her to the breaking point. Enter Winnie Fang, Ava’s enigmatic college roommate from Mainland China, who abruptly dropped out under mysterious circumstances. Now, twenty years later, Winnie is looking to reconnect with her old friend. But the shy, awkward girl Ava once knew has been replaced with a confident woman of the world, dripping in luxury goods, including a coveted Birkin in classic orange. The secret to her success? Winnie has developed an ingenious counterfeit scheme that involves importing near-exact replicas of luxury handbags and now she needs someone with a U.S. passport to help manage her business—someone who’d never be suspected of wrongdoing, someone like Ava. But when their spectacular success is threatened and Winnie vanishes once again, Ava is left to face the consequences. Swift, surprising, and sharply comic, Counterfeit is a stylish and feminist caper with a strong point of view and an axe to grind. Peering behind the curtain of the upscale designer storefronts and the Chinese factories where luxury goods are produced, Kirstin Chen interrogates the myth of the model minority through two unforgettable women determined to demand more from life. "If you appreciate a good caper, you’ll want to pick up Kirstin Chen’s novel . . . Fast-paced and fun, with smart commentary on the cultural differences between Asia and America." — TIME “Propulsive and captivating . . . A provocative story of fashion, friendship, and fakes (in more ways than one).” — VOGUE
For many of the forty years of her life as a slave, Azeline Hearne cohabitated with her wealthy, unmarried master, Samuel R. Hearne. She bore him four children, only one of whom survived past early childhood. When Sam died shortly after the Civil War ended, he publicly acknowledged his relationship with Azeline and bequeathed his entire estate to their twenty-year-old mulatto son, with the provision that he take care of his mother. When their son died early in 1868, Azeline inherited one of the most profitable cotton plantations in Texas and became one of the wealthiest ex-slaves in the former Confederacy. In Counterfeit Justice, Dale Baum traces Azeline's remarkable story, detailing her ongoing legal battles to claim and maintain her legacy. As Baum shows, Azeline's inheritance quickly made her a target for predatory whites determined to strip her of her land. A familiar figure at the Robertson County District Court from the late 1860s to the early 1880s, Azeline faced numerous lawsuits -- including one filed against her by her own lawyer. Samuel Hearne's family took steps to dispossess her, and other unscrupulous white men challenged the title to her plantation, using claims based on old Spanish land grants. Azeline's prolonged and courageous defense of her rightful title brought her a certain notoriety: the first freedwoman to be a party to three separate civil lawsuits appealed all the way to the Texas Supreme Court and the first former slave in Robertson County indicted on criminal charges of perjury. Although repeatedly blocked and frustrated by the convolutions of the legal system, she evolved from a bewildered defendant to a determined plaintiff who, in one extraordinary lawsuit, came tantalizingly close to achieving revenge against those who defrauded her for over a decade. Due to gaps in the available historical record and the unreliability of secondary accounts based on local Reconstruction folklore, many of the details of Azeline's story are lost to history. But Baum grounds his speculation about her life in recent scholarship on the Reconstruction era, and he puts his findings in context in the history of Robertson County. Although history has not credited Azeline Hearne with influencing the course of the law, the story of her uniquely difficult position after the Civil War gives an unprecedented view of the era and of one solitary woman's attempt to negotiate its social and legal complexities in her struggle to find justice. Baum's meticulously researched narrative will be of keen interest to legal scholars and to all those interested in the plight of freed slaves during this era.
Counterfeiting flourished in colonial America and Scott brings to life the many colorful figures who indulged in this nefarious practice.
"This tale of counterfeiting is a treat for everyone...a delightful history lesson...Admirable and altogether charming." -The Washington Post As Ben Tarnoff reminds us in this entertaining narrative history, get-rich-quick schemes are as old as America itself. Indeed, the speculative ethos that pervades Wall Street today, Tarnoff suggests, has its origins in the counterfeiters who first took advantage of America's turbulent economy. In A Counterfeiter's Paradise, Tarnoff chronicles the lives of three colorful counterfeiters who flourished in early America, from the colonial period to the Civil War. Driven by desire for fortune and fame, each counterfeiter cunningly manipulated the political and economic realities of his day. Through the tales of these three memorable hustlers, Tarnoff tells the larger tale of America's financial coming-of-age, from a patchwork of colonies to a powerful nation with a single currency.
Explores the possibility of writing epic in an age of alternative facts.
In Counterfeit Politics, David Kelman reassesses the political significance of conspiracy theory. Traditionally, political theory has sought to banish the "paranoid style" from the "proper" domain of politics. But if conspiracy theory lies outside the sphere of legitimate politics, why do these narratives continue to haunt political life? Counterfeit Politics accounts for the seemingly ineradicable nature of conspiracy theory by arguing that all political statements ultimately take the form of conspiracy theory. Through careful readings of works by Ernest Hemingway, Ricardo Piglia, Thomas Pynchon, Don DeLillo, Jorge Luis Borges, Ishmael Reed, Jorge Volpi, Rigoberta Menchú, and Ángel Rama, Kelman demonstrates that conspiracy narratives bear witness to an illegitimate or "counterfeit" secret that cannot be fully recognized, understood, and controlled. Even though the secret is not authorized to speak, this "silence" is nevertheless precisely what gives the secret its force. Kelman goes on to suggest that all political statements--even those that do not seem "paranoid"--are constitutively illegitimate or counterfeit, since they always narrate this unresolved play of legitimacy between an official or authorized plot and an unofficial or unauthorized plot (a "complot"). In short, Counterfeit Politics argues that politics only takes place as "conspiracy theory."
Chronicles the lives of three colorful counterfeiters whose schemes reflected the culture of early America, describing their backgrounds and how they exploited period politics, economics and law enforcement to promote their operations.