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The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Touching on aging central cities, technoburbs, and the ongoing conflict between inner-city poverty and urban boosterism, The Twentieth-Century American City offers a broad, accessible overview of America's persistent struggle for a better city.
After decades of abandonment, cities across North America are experiencing a renaissance. A new generation is seeking greater excitement and diversity than the typical suburban subdivision offers and many people are instead looking to make their homes in lively urban environments. In Intown Living, authors Ann Breen and Dick Rigby document this movement, arguing that if properly nurtured, it could help slow current patterns of sprawling development and help revitalize America's cities. They illustrate the many benefits of city living and offer strategies and encouragement for public officials and private developers to team up and expand central city housing opportunities. The authors present in-depth studies of eight cities--Atlanta; Dallas; Houston; Memphis; Minneapolis; New Orleans; Portland, Oregon; and Vancouver, British Columbia--that are experiencing this type of renaissance, and consider common elements shared by the cities, as well as their differences. Intown Living is an important new resource for a wide audience of professionals involved with urban design and planning. It will also be of interest to the many people concerned with historic preservation or smart growth, and for students and researchers involved with urban studies and related fields.
Thirty years after its publication, The Death and Life of Great American Cities was described by The New York Times as "perhaps the most influential single work in the history of town planning....[It] can also be seen in a much larger context. It is first of all a work of literature; the descriptions of street life as a kind of ballet and the bitingly satiric account of traditional planning theory can still be read for pleasure even by those who long ago absorbed and appropriated the book's arguments." Jane Jacobs, an editor and writer on architecture in New York City in the early sixties, argued that urban diversity and vitality were being destroyed by powerful architects and city planners. Rigorous, sane, and delightfully epigrammatic, Jacobs's small masterpiece is a blueprint for the humanistic management of cities. It is sensible, knowledgeable, readable, indispensable. The author has written a new foreword for this Modern Library edition.
Sheds light on what the city is and does by analyzing what its citizens think it should be and do.
This set of readings presents useful insights into urbanization and provides a fresh perspective on American cities and their inhabitants. Advancing the premise that it is not possible to understand how people live in cities without understanding how they think of them, the editor presents historical and contemporary materials that illustrate vividly the variety of ways in which Americans have viewed their cities, and urbanization in general.This book sheds light on what the city is and does by analyzing what its citizens think it should be and do. Its lively, readable selections include contributions from businessmen, ministers, journalists, reporters, city planners, and reformers, as well as sociologists. Strauss shows that Americans' views of cities have been profoundly influenced by their history of continental expansion, successive waves of immigration, massive industrialization and similar objective developments. He points out that certain perspectives or themes relations of social classes within the city, of country to city, of small city to big city, of city to region, etc.persist regardless of the social or historical perspective of the writer.The author's comprehensive introduction and his introductions to each section of the book delineate the thematic structure of the readings and guide the reader toward the insights and principles illuminated in the different sections. A fruitful contribution to courses in urban sociology, the book is a useful addition to the libraries of sociologists, political scientists, planners, and city officials who wish to understand more fully the contemporary urban milieu.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.
With the passing of time, family history can become a vague distant memory, disconnected to present-day affairs. If passed by word of mouth through the generations, family matters will ultimately erode and disappear, or at best, become blurred in favour of the current bias teller. Hence, the true past will fade into obscurity and be lost forever. This book is an attempt to preserve the authentic history of two Dundee families through the nineteenth and twentieth centuries; the “Pullar’s of the Hilltown” and the McElroy’s of Dallfield Walk. Hence, preventing their loss to the abrasive passage of time. However, this is not simply a glimpse into their everyday lives. It is set against a profile of local, national, and international affairs, and, in so doing attempts to clarify the significant effects of such events on the lives of simple working people. Not only is it a biography of both my parents and their respective families, but it reflects the consequences of such events that many similar poverty ridden families had to endure, during a period of Britain’s supreme industrial might and prosperity. Therefore, it echoes a bygone age in the history of this ancient city, which tells of a time when life was hard and often short. But it also tells of an age when people had time for each other, time to stop, time to speak, and time to listen.