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An “excellent” A-to-Z reference of female fighters in history, myth, and literature—from goddesses to gladiators to guerrilla warriors (Library Journal). This is an astounding collection of female fighters, from heads of state and goddesses to pirates and gladiators. Each entry is drawn from historical, fictional, or mythical narratives of many eras and lands. With over one thousand entries detailing the lives and influence of these heroic female figures in battle, politics, and daily life, Salmonson provides a unique chronicle of female fortitude, focusing not just on physical strength but on the courage to fight against patriarchal structures and redefine women’s roles during time periods when doing so was nearly impossible. The use of historical information and fictional traditions from Japan, Europe, Asia, and Africa gives this work a cross-cultural perspective that contextualizes the image of these unconventional depictions of might, valor, and greatness.
Excerpt from The Amazons in Antiquity and Modern Times Never, perhaps, has the alchemy of Greek genius been more potent than in the matter of the Amazonian myth. It has bestowed a charm on the whole amazing story which has been most prolific in its results; but, unfortunately, by tending to confine it to the narrow vistas of poetry, the intensely interesting psychological aspect has been somewhat obscured. Yet to us the chief value of this myth is due rather to the insight it affords into the mental workings of primitive races, the attitude of man towards that which he dreads but does not fully comprehend, than to the influence of Hellenic art and literature, fruitful in beautiful and humanising manifestations though that influence has been. The Greek spirit, indeed, working upon a crude collection of stories, took the sting out of the lessons they should have taught. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
DIVTraces the development of the Greek hierarchical view of life that continues to permeate Western society /div
Elizabeth J. Bellamy here casts new theoretical light on the Renaissance genre of the dynastic epic. Drawing upon Freudian and Lacanian psychoanalysis to illuminate the emergence of an epic "subjecthood," she focuses on Virgil's Aeneid, Ariosto's Orlando furioso, Tasso's Gerusalemme liberata, and Spenser's Faerie Queene in an attempt to demonstrate how the operations of the unconscious may be interpreted within narrative history. Bellamy first evaluates the psychoanalytic approach to epic as a possible alternative to the new historicism. Turning to the Aeneid, she discusses Freud's'neurotic'relation to Rome as a founding image for a historical unconscious. She then interweaves a genealogy of epic subjecthood with the motif of the translatio imperii, likening the'translations of power'that constitute the translatio imperii to extended meditations on the fate of Troy throughout literary history. According to Bellamy, the epic genre manifests a repeated displacement and repression of its Trojan origins, and the doomed city of Troy represents the locus of epic's own narrative narcissism. Offering provocative analyses of epic temporality and of the function of the death drive in epic narrative, she concludes that dynastic epic may be seen as a structure of narcissistic desire which undermines the capacity of the epic to embody a fully articulated historical subject. Translations of Power will enliven current debates among scholars and students of Renaissance culture, literary theory, gender studies, and psychoanalytic criticism.
The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful as the physical environment. This volume thus sheds important light on the various lenses used by people in the Middle Ages and the early modern age as to how they came to terms with their perceptions, images, and notions. Previous scholarship focused heavily on the history of mentality and history of emotions, whereas here the history of pre-modern imagination, and fantasy assumes center position. Imaginary things are taken seriously because medieval and early modern writers and artists clearly reveal their great significance in their works and their daily lives. This approach facilitates a new deep-structure analysis of pre-modern culture.