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Described by his contemporaries as the greatest pianist of the era, Josef Hofmann performed on world stages for more than fifty years, enjoying phenomenal success. Using previously unpublished letters, documents, interviews, and testimonies, Elizabeth Carr uncovers Hofmann's world from child prodigy to established artist and private citizen.
(Book). Evenings with Horowitz details a special friendship between two musicians. The book is a vivid account of their mutual passion for music and the piano. It reflects the struggles and triumphs of Vladimir Horowitz, a flaming genius who was also insecure and fearful of old age and the loss of his powers. In his conversations with the author, the Maestro reveals the agony and the ecstasy of a pianist's career and his love and awe for the great composers whose music he played. "Dubal, broadcaster, concert pianist, and faculty member at Juilliard, draws upon his knowledgeable background to produce a fascinating portrait of the brilliant and electrifying pianist Vladimir Horowitz ... Discussions ensued on repertoire, stylistic interpretations, tastes of audiences, other famous pianists, favored composers, and even such non-musical topics as care of animals, modern-day presidents, and American youth. Dubal provides a rare and intimate glimpse of Horowitz and illustrates the precariousness of accommodating the temperament of a genius." Library Journal
Marching to the Canon examines the history of Schubert's Marche militaire no.1 from its beginnings, through its many arrangements, to its impact on dance, literature, film, and music. Marche militaire is Franz Schubert's most recognizable and beloved instrumental work. Originally published for piano four hands in 1826, this tuneful march -- Schubert's first of three military marches -- was arranged, adapted, and incorporated into new incarnations over the next two centuries. Its success was due to its chameleonlike ability to cross the still-porous borders between canonic and popular repertories, creating a performance life thatmade deep inroads into dance, literature, and film, and inspired quotations or allusions in other music Marching to the Canon examines the history of Schubert's storied Marche militaire from its modest beginnings as aduet published for domestic consumption to its now-ubiquitous presence. After detailing the composition, publication, and reception of the original march, the book analyzes the impact of transcriptions and arrangements for solo piano, orchestra, band, and other settings. In addition, it considers the ways the march was used symbolically, even manipulated, during the Franco-Prussian War and the two world wars, as well as the diverse creative uses of the piece by significant figures as varied as Willa Cather, Isadora Duncan, Walt Disney, and Igor Stravinsky. This study of the reception and impact of the Marche militaire offers a unique narrative illuminating the world that enshrined this remarkable score as one of the most memorable musical works of the nineteenth century. Scott Messing is the Charles A. Dana Professor of Music at Alma College, and the author of two works available from theUniversity of Rochester Press: Neoclassicism in Music and the two-volume Schubert in the European Imagination.
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Shura Cherkassky's life story, like his piano playing, is provocative and captivating. At his death in 1995, Cherkassky was considered one of history's greatest pianists, as well as the last direct link to the Romantic piano tradition of Chopin, Liszt, and Anton Rubinstein. Cherkassky's story merits telling not only for his musical achievements but also for the inspiration he provided by demonstrating tenacity, integrity, common sense, and uncommon courage. Cherkassky began his concert playing life in Ukrainian Odessa at a time of lethal civil strife. Escaping with his parents to America, the child prodigy came under the tutelage of famed pianist Josef Hofmann, whose unfailing personal and professional assistance continued for more than twenty years. Cherkassky overcame poverty, prejudice against his Jewish origins, and unhappiness from his ambivalence over his homosexuality to forge an impressive touring and recording career, an enormous musical repertoire, and an intriguing personality both on stage and off. From his sensational 1923 American debut tour to sold-out concerts on six continents, Cherkassky retained his brilliance throughout a seventy-five year professional career. As a close friend for his last twenty years, author Elizabeth Carr traveled with Cherkassky on tour, attending recording and rehearsal sessions and watching him practice, plan programs, and cope with pianos, acoustics, conductors, and orchestras. Her role as confidante results in a keen understanding of Cherkassky both as a human being and a performer. Through observations, anecdotes, sixteen pages of photos, and personal correspondence reprinted in the book, this biography offers extensive research never before published, and an intimate look at the man and his music.
In this fascinating study, Lewis L. Gould has brought a shadowy first lady into the light and restored her to a rightful place as a patron of music. Helen Herron Taft came to the White House intent on establishing Washington, D.C., as the nation's cultural capital. A stroke in May 1909 made her a semi-invalid, impaired her speech, and disrupted her agenda. Historians have written her off as a shrewish figure who pushed her portly husband into the presidency. Gould challenges this outdated narrative with new information on Helen Taft's campaign to bring the best of classical music to the White House during her four years. He draws on prodigious research about the musicians who performed there-including violinist Fritz Kreisler, pianist Fannie Bloomfield-Zeisler, and contralto Ernestine Schumann-Heink, and reveals for the first time how Nellie Taft enlisted a diverse array of top-notch artists for her musicales, recitals, and social events. The result is a major contribution to a better understanding of the White House as a cultural center at the turn of the last century. Beyond her musical agenda, Helen Taft enhanced the appearance of Washington with the planting of the cherry trees from Japan that now bloom each spring. Gould also delves with insight into Mrs. Taft's role in the politics of her husband's administration. He provides the most complete recounting into her part in the dismissal of Henry White as ambassador to France, a key moment in the emergence of her husband's split with Theodore Roosevelt. He discusses the nature of her stroke, based on letters from her husband and her doctors, and reveals how Mrs. Taft, her daughter Helen, and the journalist Eleanor Egan crafted the first ever memoir of any first lady. Drawing on memoirs and manuscripts not used before, Gould re-creates memorable occasions at the Taft White House, when dramatist Ruth Draper delivered her monologues, Charles Coburn staged Shakespeare on the White House lawn, and Lady Augusta Gregory of the Irish Players dropped by. Gould's path-breaking study of Helen Taft is a significant addition to the literature on first ladies and a tribute to a complex and brave woman who overcame illness and adversity to leave her own special imprint on the history of the White House.