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This collection contains all three books in The Amarna Princesses series: Outcast, Catalyst, and Warrior. Outcast: When the queen’s younger sisters need to be sent away from Akhetaten, Tey volunteers to go with them. She will leave both her home and her life to shepherd the two girls to safety and protect them for the rest of their lives. Catalyst: They thought they had found a safe place to call home. They were wrong. Tey, Hennie and the girls must leave their new lives and flee once again. Warrior: As their pursuers find them yet again, Tey realises they must be leaving a trail behind them. She just can’t figure out how. It is only when she learns the Catalyst’s identity that she will understand the truth. But can she decipher the Oracle’s wisdom in time to save those she loves? Join Tey and the princesses as they journey across the ancient world in search of a safe place to call home. For readers of historical fantasy who enjoy women having adventures against a background of 18th Dynasty Egypt.
1334 BCE. 18th dynasty Egypt. This collection contains the first three books of The Amarna Age series. Queen of Egypt: She knows she's going to kill the man she loves. She just doesn't know why yet. Son of the Hittites: When Pharaoh dies, Ankhesenamun searches for a way to keep her throne -- and her life. Eye of Horus: Ankhesenamun has lost everything but a fabled artefact might be able to help her to take back the throne and avoid war with the Hittites. Blending history and fantasy, The Amarna Age series is set in 18th Dynasty Egypt where the old gods have been worshipped for thousands of years and magic is a matter of belief. For readers of historical fantasy who enjoy magical realism and an ancient world setting.
Tell el-Amarna is the modern name for the ancient Egyptian city of Akhenaten, situated in a bay of hills formed by the cliffs of the eastern desert about halfway between Cairo and Luxor. The city was founded in the 14th century BC by the Pharaoh Akhenaten to be a royal palace for himself and his wife Nefertiti, the capital of all Egypt and the center of the state cult of the Sun God in the form of Aten (sun disc), which became an obsession of the Pharoah. The city contained temples, palaces, state buildings and great private mansions, but was abandoned by Akhenaten’s successor, his son Tutenkhamen, and the city was demolished, never to be re-inhabited. This volume presents a detailed, illustrated catalog of the many statues, statuettes, reliefs, inlays and inscriptions recorded and collected by Flinders Petrie, together with glass and faience objects and moulds. Part II provides a summary of developments in royal names and titles with a discussion on research into names and evidence of royal status.
The final chapter in the definitive, three-volume history of the world's first known state Archaeologist John Romer has spent a lifetime chronicling the history of Ancient Egypt, and here he tells the epic story of an era dominated by titans of the popular imagination: the radical iconoclast Akhenaten, the boy-king Tutankhamun and the all-conquering Ramesses II. But 'heroes' do not forge history by themselves. This was also a time of international trade, cultural exchange and sophisticated art, even in the face of violent change. Alongside his visionary new history of this, the most famous period in the long history of Ancient Egypt, Romer turns a critical eye on Egyptology itself. Paying close attention to the evidence, he corrects prevailing narratives which cast the New Kingdom as an imperial state power in the European mould. Instead, he reveals - through broken artefacts in ruined workshops, or preserved letters between a tomb-builder and his son - a culture more beautiful and beguiling than we could have imagined. Romer carefully reconstructs the real story of the New Kingdom as evidenced in the archaeological record, and the result - the final volume of a life long project - secures his status as Ancient Egypt's finest chronicler.
The move to a new capital, Akhenaten/Amarna, brought essential changes in the depictions of royal women. It was in their female imagery, above all, that the artists of Amarna departed from the traditional iconic representations to emphasize the individual, the natural, in a way unprecedented in Egyptian art.
Describes ancient Egypt's vast resources and the processes that incorporated them in daily life, including animal products, building materials, cosmetics, perfumes and incense, fibers, glazed ware, glass, mummification materials, and more.
This volume utilizes both archaeological and textual data pertaining to Egyptian military bases to examine the evolution of Egypt's foreign policy in the New Kingdom. The types of structures erected to house soldiers and administrators in Syria-Palestine, Nubia, and Libya differed in ways that do much to illuminate the nature of imperial aims in these subject territories.