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A collection of eighteen classic Golden Age short stories from “the best of mystery writers”—with a tribute by Agatha Christie (The New Yorker). Acclaimed by critics and her peers, Margery Allingham was one of the finest writers of her day, crafting fiction that challenged readers’ crime-solving skills and kept them on the edge of their seats. Foul play, mystery, and the macabre set the stage for unforgettable characters who struggled with the complexities of life and their own morality. In these pages, you’ll find eighteen stories that showcase Margery Allingham’s wit, sharp characterization, and clever plotting. From her famous detective’s swift dispatch of a case in “Mr. Campion’s Lucky Day,” to ghost-hunting in a terrorized village in “’Tis Not Hereafter,” to a debate about—and proof of—good and evil in “The Wink,” Margery Allingham shows why she “deserves to be rediscovered” (P. D. James, New York Times–bestselling author). Praise for Margery Allingham “[Allingham was a] rare and precious talent.” —The Washington Post “Don’t start reading these books unless you are confident that you can handle addiction.” —The Independent “One of the finest Golden-Age crime novelists.” —The Sunday Telegraph
A classic collection of mystery stories: “With skillful plotting laced with tongue-in-cheek humor, Allingham never ceases to intrigue and surprise” (Daily Mail). This volume offer eighteen delightful mysteries from the Queen of Crime that will baffle the most ingenious of armchair detectives—and even, at times, the imperturbable sleuth Albert Campion himself. Enjoy one of England’s great golden-era writers at her witty best as she spins delicious tales of high-risk heists and domestic deceptions in this exquisite short story collection. “A perfectly splendid collection of short stories.” —H. R. F. Keating
This biography was researched in the very room where Margery Allingham worked, and was written with the full co-operation of Margery's sister, her secretary and her housekeeper. It was first published in 1991. Since then, however, new material has becoma available, including a revalationary collection of letters and the startling truth about her husband's relationship with the writer Nancy Spain. Was there a corpse underneath the sofa? The book's new title, new introduction and afterword invite the reader to look again. The Adventures of Margery Allingham is a new edition of Margery Allingham: a Biography published by William Heinemann Ltd in 1991.
Here is a look at Water in a Sieve and Blackkerchief Dick and twenty-two other books by Margery Allingham featuring Albert Campion. Campion, the fictional hero, was a man of action, who appears to be a "guileless-looking nonentity whom it is almost obligatory to underestimate." Any fan of Campion or Ms. Allingham's mysteries will enjoy comparing their judgments to Pike's.
Within the formulas of crime fiction, this collection ranges from writers Daphne du Maurier and Margery Allingham, whose names are synonymous with conventional subgenres of crime fiction, through Patricia Highsmith, and Shirley Jackson, who deliberately set conventions aside or who moved those conventions into other realms. Most important, perhaps, Jackson, Highsmith and E. X. Ferrars depict civilizations that are not essentially orderly, that are not founded upon a commonly understood concept of justice--where one must make her own order.
The undisputed "Queen of Crime," Dame Agatha Christie (1890-1976) is the bestselling novelist of all time. As the creator of immortal detectives Hercule Poirot and Jane Marple, she continues to enthrall readers around the world and is drawing increasing attention from scholars, historians, and critics. But Christie wrote far beyond Poirot and Marple. A varied life including war work, archaeology, and two very different marriages provided the backdrop to a diverse body of work. This encyclopedic companion summarizes and explores Christie's entire literary output, including the detective fiction, plays, radio dramas, adaptations, and her little-studied non-crime writing. It details all published works and key themes and characters, as well as the people and places that inspired them, and identifies a trove of uncollected interviews, articles, and unpublished material, including details that have never appeared in print. For the casual reader looking for background information on their favorite mystery to the dedicated scholar tracking down elusive new angles, this companion will provide the most comprehensive and up-to-date information.
A classic from the Golden Age of Detective Fiction. “One of the best books by a mystery novelist whose work is always of first rank.” —The New York Times Something is afoot at the Ivory Gallery in London. A string of suspicious incidents—a Kang-Tse vase broken, a specially commissioned catalog burned, and now a painting slashed—has young Frances Ivory on edge. She suspects that the instigator is her stepsister’s husband, Robert Madrigal, but there’s not much she can do about it while her father is out of the country. Robert is even interfering in Frances’s love life, encouraging her to marry his loathsome assistant. To stop his infernal matchmaking, Frances agrees to a sham engagement with the painter whose work was defaced. But when Robert disappears after a confrontation with the artist, he’s found stashed in a cupboard, dead. Frances is now drawn into a mystery that will have her second-guessing her family, her fiancé, and even herself . . . Praise for Margery Allingham “Margery Allingham stands out like a shining light.” —Agatha Christie “The best of mystery writers.” —The New Yorker “Don’t start reading these books unless you are confident that you can handle addiction.” —The Independent “One of the finest Golden-Age crime novelists.” —The Sunday Telegraph