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Alleys and back buildings have been largely overlooked in studies of the American urban environment. And yet, rental alley houses, servant and slave quarters, carriage houses, stables, and other secondary structures have lined the alleys and filled the backyards of Galveston since its early days as a growing port city on the upper Texas Gulf Coast. Like their counterparts in other cities, these buildings and their inhabitants have had a profound visual, physical, and social impact on the history and development of Galveston. Interweaving written documents, oral interviews, and pictorial images, Beasley presents a vivid picture of Galveston’s alleys and alley life from the founding of the city into the twentieth century. The book blends a unique combination of research, photography, and the voices of those who have lived and live along the alleys. Beasley has uncovered and analyzed a wealth of new information not only about the back buildings of Galveston but also about their occupants and the complex cultural forces at work in their lives.
Though often consigned to the footnotes of history, African American women are a significant part of the rich, multiethnic heritage of Texas and the United States. Until now, though, their story has frequently been fragmented and underappreciated. Black Women in Texas History draws together a multi-author narrative of the experiences and impact of black American women from the time of slavery until the recent past. Each chapter, written by an expert on the era, provides a readable survey and overview of the lives and roles of black Texas women during that period. Each provides careful documentation, which, along with the thorough bibliography compiled by the volume editors, will provide a starting point for others wanting to build on this important topic. The authors address significant questions about population demographics, employment patterns, family and social dimensions, legal and political rights, and individual accomplishments. They look not only at how African American women have been shaped by the larger culture but also at how these women have, in turn, affected the culture and history of Texas. This work situates African American women within the context of their times and offers a due appreciation and analysis of their lives and accomplishments. Black Women in Texas History is an important addition to history and sociology curriculums as well as black studies and women’s studies programs. It will provide for interested students, scholars, and general readers a comprehensive survey of the crucial role these women played in shaping the history of the Lone Star State.
In sixty-seven exquisite watercolors and drawings, nationally famous architect Eugene Aubry captures on paper the sensibilities, the memories, and the grace that evokes Galveston, especially for those who are BOI (“born on the island”). Commissioned by the Galveston Historical Foundation, these works of art are intended to enhance the visual record of the buildings and the unique local architectural style that so many have appreciated over the years.? In the aftermath of Hurricane Ike, Galvestonians became more aware than ever of the treasure of the island’s historical architecture and the vulnerability of this heritage to forces beyond human control. Aubry’s art captures the almost palpable sense of past glories these buildings bring to mind. Aubry—himself BOI—has fashioned these pieces in a way that resonates with those who love the island’s ethos. With a fine eye to the artist’s intent and a mastery of detail, architectural historian Stephen Fox expertly and eloquently introduces the work as a whole and, in discursive captions that accompany each image, informs the reader’s appreciation of Aubry’s art. So much more than a tribute, Born on the Island: The Galveston We Remember stands as a loving homage to Galveston—one that will call its readers home to the island, even if they have never ventured there before.
In Mythic Galveston: Reinventing America's Third Coast, Susan Wiley Hardwick examines Galveston's rapid rise and the myth created by immigrants and boosters of an abundant island with a highly temperate, even tropical, climate, ideal for settlement. Hardwick's historical analysis focuses on immigrant settlement patterns and the important contributions to Galveston's evolving sense of place made by diverse ethnic and racial groups."--BOOK JACKET.
The Galveston Architecture Guidebook will be invaluable to all those who visit Galveston. Historic preservationists, scholars of nineteenth-century material culture, architects, and historians will be fascinated by the broad range of buildings and urban conditions it documents. Finally, anyone interested in Galveston or the Gulf Coast will find in this book a wealth of information.
"Kim Prothro Williams explains the remarkable architectural and social history of Washington, DC's multifaceted alleyways. This richly illustrated book also provides an appealing visual record of the roles and evolution of alleyways in the city. Washington's alleys were never intended to be seen. They were deliberately hidden from public view to conceal the services and people behind the grand design envisioned by the capital's early planners. But more so than in most American cities, alleyways in DC have always been a fundamental part of the life and economy of the city. Many alleyways have contained a parallel world of neighborhoods, manufacturing, and bohemian spaces. DC alleys were created in the original Plan of the City to provide access to the rear of the large lots for stables, carriage houses, and other utility buildings. As the city grew and property values rose, land owners changed the purpose of some alleys by building and renting out alley dwellings. Other alleys began to serve commercial and industrial purposes. In the nineteenth and early twentieth centuries, inhabited alleys were mainly home to the city's poorest people, especially Black residents and recent immigrants. Unsanitary conditions spurred Progressive Era campaigns to demolish alley dwellings, but this began a new and complex era in the history of DC's alleys as reform efforts threatened to displace communities without offering them a place to go. Today, there are far fewer alleyways, as office and apartment blocks were built over many. This century has seen a transformation of many remaining alleyways into vibrant commercial and residential spaces that display stunning nineteenth century architecture. But this latest wave of gentrification has raised questions about how spaces that were once utilitarian or attainable for the poorest residents now cater to the wealthy. Hidden Alleyways of Washington, DC is a fascinating portrait of these important and varied architectural and social spaces in the life of the capital city"--
Spur Award Nominee: How Galveston, Texas, reinvented itself after historic disaster: “A riveting narrative . . . Absorbing [and] well-illustrated.” —Library Journal The Galveston storm of 1900 reduced a cosmopolitan and economically vibrant city to a wreckage-strewn wasteland where survivors struggled without shelter, power, potable water, or even the means to summon help. At least 6,000 of the city's 38,000 residents died in the hurricane. Many observers predicted that Galveston would never recover and urged that the island be abandoned. Instead, the citizens of Galveston seized the opportunity, not just to rebuild, but to reinvent the city in a thoughtful, intentional way that reformed its government, gave women a larger role in its public life, and made it less vulnerable to future storms and flooding. This extensively illustrated history tells the full story of the 1900 Storm and its long-term effects. The authors draw on survivors’ accounts to vividly recreate the storm and its aftermath. They describe the work of local relief agencies, aided by Clara Barton and the American Red Cross, and show how their short-term efforts grew into lasting reforms. At the same time, the authors reveal that not all Galvestonians benefited from the city’s rebirth, as African Americans found themselves increasingly shut out from civic participation by Jim Crow segregation laws. As the centennial of the 1900 Storm prompts remembrance and reassessment, this complete account will be essential and fascinating reading for all who seek to understand Galveston’s destruction and rebirth. Runner-up, Spur Award for Best Western Nonfiction—Contemporary, Western Writers Of America
For nearly 200 years, a permanent settlement at the mouth of Galveston Bay has welcomed pirates, sailors, immigrants, and visitors from around the world. As Galveston grew, its buildings were visible signs of the city's prosperity and the talent of its craftsmen. For many, this city was a gateway to America and an inspiration of what other communities in Texas and the Southwest would become. Although Galveston has thousands of historic buildings remaining, many have been lost to the elements and development over the years. Buildings such as the ones found within these pages define the character of our city and its culture.
Small Spaces recasts the history of the British empire by focusing on the small spaces that made the empire possible. It takes as its subject a series of small architectural spaces, objects, and landscapes and uses them to narrate the untold stories of the marginalized people-the servants, women, children, subalterns, and racialized minorities-who held up the infrastructure of empire. In so doing it opens up an important new approach to architectural history: an invitation to shift our attention from the large to the small scale. Taking the British empire in India as its primary focus, this book presents eighteen short, readable chapters to explore an array of overlooked places and spaces. From cook rooms and slave quarters to outhouses, go-downs, and medicine cupboards, each chapter reveals how and why these kinds of minor spaces are so important to understanding colonialism. With the focus of history so often on the large scale - global trade networks, vast regions, and architectures of power and domination - Small Spaces shows instead how we need to rethink this aura of magnitude so that our reading is not beholden such imperialist optics. With chapters which can be read separately as individual accounts of objects, spaces, and buildings, and introductions showing how this critical methodology can challenge the methods and theories of urban and architectural history, Small Spaces is a must-read for anyone wishing to decolonize disciplinary practices in the field of architectural, urban, and colonial history. Altogether, it provides a paradigm-breaking account of how to 'unlearn empire', whether in British India or elsewhere.